Siblings Tara K. and Roy W.P. Reed present: A Bitch In Time: 30 Snarcastic Stitches For You to Stab, Volume 1! Combining Tara's compulsive need to play with words and Roy's artistic prowess, this collection of subversively witty, sassy, punny and off-side quips has something for everyone! ABIT offers 30 large, easy-to-read and quality-tested patterns in traditional and modern styles ranging in difficulty from Beginner to Advanced. Finished designs measure from 5"X4" to 9"X11" and were created with framing in mind. Novice needleworkers can utilize a helpful How-To section with bonus mini-patterns that illustrate direction. Seasoned stitchers can express their individual tastes and style with customization suggestions. Readers can also collect an additional four designs, making this the gift that keeps on giving! www.ABitchInTime.com
THE BOOK OF BITCH is an unapologetic, illustrated A to Z guide for those reclaiming and celebrating their inner bitch. Writer and artist Ailie Banks is a self-proclaimed bitch. The word has been thrown at her, and the women around her, Ailie's entire life. A bitch is stereotypically thought to be unkind, uncaring and ultimately untrustworthy. But in Ailie's eyes, a bitch is someone who stands firm and speaks their mind in the face of sexist rhetoric. They don't filter themselves for the comfort of others and they don't give a single damn about meeting societal expectations. From Ambitious Bitch to Zealous Bitch, THE BOOK OF BITCH is an alphabetical tribute to the word sneered through clenched teeth at those who refuse to shrink in the face of oppression. This book shows once and for all that every bitch is multifaceted, every bitch is human and every bitch deserves to be celebrated. 'It's taken me a long time to embrace my inner bitch, but Ailie Banks's incredible illustrations have finally made me proud to say I'm a bitch and that's definitely NOT a bad thing!' Scarlett Curtis, curator of Feminists Don't Wear Pink 'I want to be an Ailie Banks kind of bitch. Terrorising bigots, breastfeeding in public, glam while surviving and holding a megaphone - these illustrations are badass and uncompromising. This book just put 'tenacious' back in my vocabulary and on my to-do list.' Bri Lee, author of Eggshell Skull 'As a self-identifying, all-encompassing, proud, loud and powerfully unapologetic bitch, this book speaks to me on too many levels. It has perfect descriptions for the complex narrative that is the life of a bitch, coupled with images that reflect me - chubby, strong, oft-hairy, always beautiful. I feel seen, acknowledged and understood.' Lillian Ahenkan, FlexMami
Featuring a brand new introduction from bestselling author, Rowan Coleman, talking about what Jackie and her books mean to her! ‘What Jackie Collins knew how to do so well, and what I think we miss a little bit in twenty-first century fiction, is to tell a thumping good story just for the sake of the story itself’ ROWAN COLEMAN 'Jackie Collins’s daring, unapologetic stroke of the pen, combined with her glorious wit, has single-handedly given creative license to new generations of authors and storytellers.' COLLEEN HOOVER The Bitch is the sizzling sequel to The Stud. There have been many imitators, but only ever one Jackie Collins. With millions of her books sold around the world, and thirty-one New York Times bestsellers, she is one of the world’s top-selling novelists. From glamorous Beverly Hills bedrooms to Hollywood movie studios; from glittering rock concerts to the yachts of billionaires, Jackie chronicled the scandalous lives of the rich, famous, and infamous from the inside looking out. 'A true inspiration, a trail blazer for women's fiction' JILLY COOPER ‘Jackie shows us all what being a strong, successful woman means at any age’ MILLY JOHNSON ‘Jackie will never be forgotten, she’ll always inspire me to #BeMoreJackie’ JILL MANSELL ‘Jackie’s heroines don’t take off their clothes to please a man, but to please themselves’ CLARE MACKINTOSH ‘Legend is a word used too lightly for so many undeserving people, but Jackie is the very definition of the word’ ALEX KHAN ‘I read hundreds of books every year. But Jackie Collins’ novels are the only ones I can read over and over’ AMY ROWLAND ‘Jackie wrote with shameless ambition, ruthless passion and pure diamond-dusted sparkle’ CATHERINE STEADMAN ‘Jackie is the queen of cliff-hangers’ SAMANTHA TONGE ‘For all her trademark sass, there is a moralist at work here’ LOUISE CANDLISH ‘Nobody does it quite like Jackie and nobody ever will’ SARRA MANNING ‘Jackie bought a bit of glitter, sparkle and sunshine into our humdrum existence’ VERONICA HENRY ‘Jackie wrote about Hollywood with total authenticity, breaking all the rules and taboos’ BARBARA TAYLOR BRADFORD ‘Collins was saying that women didn’t have to centre round men, either in books or in life’ JESSIE BURTON ‘Jackie lived the Hollywood dream, but, she looked sideways at it, and then shared the dirt with her readers’ JULIET ASHTON ‘What radiates from her novels, is a sense that women are capable of great things’ ALEXANDRA HEMINSLEY
A sharp and candid memoir from a star in the restaurant world, and an up-and-coming literary voice. Toronto restaurateur Jen Agg, the woman behind the popular The Black Hoof, Cocktail Bar, Rhum Corner, and Agrikol restaurants, is known for her frank, crystal-sharp and often hilarious observations and ideas on the restaurant industry and the world around her. I Hear She's a Real Bitch, her first book, is caustic yet intimate, and wryly observant; an unforgettable glimpse into the life of one of the most interesting, smart, trail-blazing voices of this moment.
More than a decade after the New York Times bestselling anthology The Bitch in the House spoke up loud and clear for a generation of young women, nine of the original contributors are back—along with sixteen captivating new voices—sharing their ruminations from an older, stronger, and wiser perspective about love, sex, work, family, independence, body image, health, and aging: the critical flash points of women’s lives today “Born out of anger,” the essays in The Bitch in the House chronicled the face of womanhood at the beginning of a new millennium. Now, nearly fifteen years later, editor and author Cathi Hanauer has compiled a new batch of passionate, enlightened, often hilarious pieces that are less bitter and resentful, and more confident and content—a provocative and compelling companion collection that captures the spirit of postfeminism with authority, acumen, and panache. Having aged into their forties, fifties, and sixties, these “bitches”—bestselling authors, renowned journalists, and other extraordinary yet also ordinary women—have brilliant and bold things to say. In The Bitch Is Back, Cathi Hanauer, Kate Christensen, Sarah Crichton, Debora L. Spar, Ann Hood, Veronica Chambers, and twenty other powerful writers offer unique views on womanhood and feminism today. Some of the “original bitches” (OBs) revisit their earlier essays to reflect on their previous selves. All reveal how their lives have changed in the intervening years—whether they stayed coupled, left marriages, or had affairs; developed cancer or other physical challenges; coped with partners who strayed, died, or remained faithful; became full-time wage earners or homemakers; opened up their marriages; remained childless or became parents; or experienced other meaningful life transitions. The Bitch Is Back includes: bestselling novelist, memoirist, essayist, food blogger, and OB Kate Christensen on leaving her husband and starting a new life with a much younger man; pseudonymous novelist and OB Hazel McClay on her low-sex marriage (and how she and her husband continue to be happy with it); bestselling novelist and poet Julianna Baggott on life as the sole breadwinner in her family of six; power publisher Sarah Crichton on the joy of sex again after sixty—after being dumped for a younger woman; memoirist Lynn Darling on dealing with sex and sexuality in midlife, after beating breast cancer; bestselling author—and former skinny girl—Ann Hood on not caring about her weight anymore; and nineteen more eye-opening, jaw-dropping, truth-telling, no-holds-barred essays about what it really means to be a woman of substance today. As a “new wave” of feminists begins to take center stage, this powerful, timely collection sheds much-needed light on both past and present, offering understanding, compassion, and wisdom for modern women’s lives, all the while pointing toward the exciting possibilities of tomorrow.
From the author of the bestselling Prozac Nation comes one of the most entertaining feminist manifestos ever written. In five brilliant extended essays, she links the lives of women as demanding and disparate as Amy Fisher, Hillary Clinton, Margaux Hemingway, and Nicole Brown Simpson. Wurtzel gives voice to those women whose lives have been misunderstood, who have been dismissed for their beauty, their madness, their youth. Bitch is a brilliant tract on the history of manipulative female behavior. By looking at women who derive their power from their sexuality, Wurtzel offers a trenchant cultural critique of contemporary gender relations. Beginning with Delilah, the first woman to supposedly bring a great man down (latter-day Delilahs include Yoko Ono, Pam Smart, Bess Myerson), Wurtzel finds many biblical counterparts to the men and women in today's headlines. She finds in the story of Amy Fisher the tragic plight of all Lolitas, our thirst for their brief and intense flame. She connects Hemingway's tragic suicide to those of Sylvia Plath, Edie Sedgwick, and Marilyn Monroe, women whose beauty was an end, ultimately, in itself. Wurtzel, writing about the wife/mistress dichotomy, explains how some women are anointed as wife material, while others are relegated to the role of mistress. She takes to task the double standard imposed on women, the cultural insistence on goodness and society's complete obsession with badness: what's a girl to do? Let's face it, if women were any real threat to male power, "Gennifer Flowers would be sitting behind the desk of the Oval Office," writes Wurtzel, "and Bill Clinton would be a lounge singer in the Excelsior Hotel in Little Rock." Bitch tells a tale both celebratory and cautionary as Wurtzel catalogs some of the most infamous women in history, defending their outsize desires, describing their exquisite loneliness, championing their take-no-prisoners approach to life and to love. Whether writing about Courtney Love, Sally Hemings, Bathsheba, Kimba Wood, Sharon Stone, Princess Di--or waxing eloquent on the hideous success of The Rules, the evil that is The Bridges of Madison County, the twisted logic of You'll Never Make Love in This Town Again--Wurtzel is back with a bitchography that cuts to the core. In prose both blistering and brilliant, Bitch is a treatise on the nature of desperate sexual manipulation and a triumph of pussy power.
Talking about money sucks; but so does being broke. Do your eyes glaze over just thinking about the mumbo-jumbo of finance? Do you break out into hives at the thought of money? Well, sister, you are not alone. In RICH BITCH, money expert and financial journalist Nicole Lapin lays out a 12-Step Plan in which she shares her experiences, mistakes and all, of getting her own finances in order. No lecturing, just help from a friend. And even though money is typically an off-limits conversation, nothing is off-limits here. Lapin rethinks every piece of financial wisdom you've ever heard and puts her own fresh, modern, sassy spin on it. Sure, there are some hard-and-fast rules about finance, but when it comes to your money, the only person who can spend it is you. Should you invest in a 401(k)? Maybe not. Should you splurge on that morning latte? Likely yes. Instead of nickel-and-diming yourself, Nicole's advice focuses on investing in yourself so you don't have to stress over the little things. But in order to do that, you have to be able to speak the language of money. After all, money is a language like anything else, and the sooner you can join the conversation, the sooner you can live the life you want, RICH BITCH rehabs whatever bad habits you might have and provides a plan you can not only sustain, but thrive with. It's time to go after the rich life you deserve, and confident enough to call yourself a RICH BITCH.
Immaturity, simmering anger, and years of therapy - budding defense attorney, Benjamin Scales owes it all to his mother. She dragged him through hell while clawing her way to the top of the sexist, male-dominated legal profession, sacrificing everything to build a life for herself and her son - a bizarre and broken life, but a life. Under her ferocious veneer, Carter Scales is a shattered and lonely woman. They haven't spoken in years, but when she is caught in flagrante delicto with her star client, the leader of the notorious Salucci Crime Family, Carter turns to the one person she thinks should always have her back. But why should he help her? Jason B. Sheffield is a practicing criminal defense trial attorney based out of Atlanta, Georgia where he has defended clients in state and federal courtrooms across the country. Jason feels a great responsibility to anyone accused by the government of committing a crime and stands fearlessly to defend the rights of citizens against overreaching government officials. Jason also teaches at Emory University's College of Law as an adjunct professor and recently was invited by the US Embassy in the Republic of Georgia (formerly part of the Soviet Union) to teach jury trial techniques to criminal defense attorneys there now that their constitution had been amended to provide its citizens jury trials. Prior to becoming an attorney in 2005, Jason had been acting and writing in Atlanta for 7 years, while working as an emergency medical technician at Scottish Rite Children's Emergency Room. Jason's passion for law, teaching, and storytelling is second only to his love of his family.
A fierce, funny, and revolutionary look at the queens of the animal kingdom Studying zoology made Lucy Cooke feel like a sad freak. Not because she loved spiders or would root around in animal feces: all her friends shared the same curious kinks. The problem was her sex. Being female meant she was, by nature, a loser. Since Charles Darwin, evolutionary biologists have been convinced that the males of the animal kingdom are the interesting ones—dominating and promiscuous, while females are dull, passive, and devoted. In Bitch, Cooke tells a new story. Whether investigating same-sex female albatross couples that raise chicks, murderous mother meerkats, or the titanic battle of the sexes waged by ducks, Cooke shows us a new evolutionary biology, one where females can be as dynamic as any male. This isn‘t your grandfather’s evolutionary biology. It’s more inclusive, truer to life, and, simply, more fun.
Virginia Woolf introduced us to the “Angel in the House”, now prepare to meet... The Bitch In the House. This e-book includes an exclusive excerpt from The Bitch is Back: Older, Wiser, and Getting Happier, a second collection of essays from nine of the contributors featured in The Bitch in the House and from sixteen captivating new voices. Women today have more choices than at any time in history, yet many smart, ambitious, contemporary women are finding themselves angry, dissatisfied, stressed out. Why are they dissatisfied? And what do they really want? These questions form the premise of this passionate, provocative, funny, searingly honest collection of original essays in which twenty-six women writers—ranging in age from twenty-four to sixty-five, single and childless or married with children or four times divorced—invite readers into their lives, minds, and bedrooms to talk about the choices they’ve made, what’s working, and what’s not. With wit and humor, in prose as poetic and powerful as it is blunt and dead-on, these intriguing women offer details of their lives that they’ve never publicly revealed before, candidly sounding off on: • The difficult decisions and compromises of living with lovers, marrying, staying single and having children • The perpetual tug of war between love and work, family and career • The struggle to simultaneously care for ailing parents and a young family • The myth of co-parenting • Dealing with helpless mates and needy toddlers • The constrictions of traditional women’s roles as well as the cliches of feminism • Anger at laid-back live-in lovers content to live off a hardworking woman’s checkbook • Anger at being criticized for one’s weight • Anger directed at their mothers, right and wrong • And—well—more anger... “This book was born out of anger,” begins Cathi Hanauer, but the end result is an intimate sharing of experience that will move, amuse, and enlighten. The Bitch in the House is a perfect companion for your students as they plot a course through the many voices of modern feminism. This is the sound of the collective voice of successful women today-in all their anger, grace, and glory. From The Bitch In the House: “I believed myself to be a feminist, and I vowed never to fall into the same trap of domestic boredom and servitude that I saw my mother as being fully entrenched in; never to settle for a life that was, as I saw it, lacking independence, authority, and respect.” —E.S. Maduro, page 5 “Here are a few things people have said about me at the office: ‘You’re unflappable.’ ‘Are you ever in a bad mood?’ Here are things people—okay, the members of my family—have said about me at home: ‘‘Mommy is always grumpy.’ ‘Why are you so tense?’ ‘You’re too mean to live in this house and I want you to go back to work for the rest of your life!’” —Kristin van Ogtrop, page 161 “I didn’t want to be a bad mother I wanted to be my mother-safe, protective, rational, calm-without giving up all my anger, because my anger fueled me.” — Elissa Schappell, page 195
