Ever idiosyncratic, Fence evades the tedium of the decade with this anthology, co-edited by all thirteen of Fence's editors, past and present, including founding editor Rebecca Wolff and current coeditor Charles Valle; fiction edits Jonathan Lethem, Ben Marcus, and Lynne Tillman; poetry editors Caroline Crumpacker, Anthony Hawley, Katy Lederer, Matthew Rohrer, Christopher Stackhouse, and Max Winter; and nonfiction editors Frances Richard and Jazon Zuzga. In addition to presenting a stunningly eclectic compendium of poetry, short fiction, criticism, and creative nonfiction, much of it by younger writers who appeared in Fence at the beginning of careers that went on to be dazzling, this volume includes reflective essays by editors on their experiences with selected texts, with authors, with the magazine as a collective, and with their own editorial identities, and serves as an indispensable record of the inception and continuation of one of the most influential literary journals of its time.
A historical document so significant it requires two volumes. Fence evades the tedium of the decade with this anthology, co-edited by eleven editors, past and present, including founder, Rebecca Wolff; fiction editors, Jonathan Lethem, Ben Marcus, and Lynne Tillman; poetry editors, Caroline Crumpacker, Katy Lederer, Matthew Rohrer, Christopher Stackhouse, and Max Winter; and nonfiction editors, Frances Richard and Jason Zuzga. In addition to presenting a stunningly eclectic compendium of poetry, short fiction, criticism, and creative nonfiction, much of it by writers who appeared in Fence at the beginning of careers that went on to be dazzling, these volumes include reflective essays by editors on their experiences with selected texts, with authors, with the magazine as a collective, and with their own editorial identities, and serves as an indispensable record of the inception and continuation of one of the most influential literary journals of its time.
Ever idiosyncratic, Fence evades the tedium of the decade with this anthology, co-edited by eleven of Fence's editors past and present, including founding editor Rebecca Wolff ; fiction editors Jonathan Lethem, Ben Marcus, and Lynne Tillman; poetry editors Caroline Crumpacker, Katy Lederer, Matt hew Rohrer, Christopher Stackhouse, and Max Winter; and nonfiction editors Frances Richard and Jason Zuzga. In addition to presenting a stunningly eclectic compendium of poetry, short fiction, criticism, and creative nonfiction, much of it by younger writers who appeared in Fence at the beginning of careers that went on to be dazzling, this volume includes refl ective essays by editors on their experiences with selected texts, with authors, with the magazine as a collective, and with their own editorial identities, and serves as an indispensable record of the inception and continuation of one of the most infl uential literary journals of its time.
Gwen Hill has lived on Green Valley Avenue all her adult life. Here she brought her babies home, nurtured her garden and shared life's ups and downs with her best friend and neighbour, Babs. So when Babs dies and the house next door is sold, Gwen wonders how the new family will fit settle into this cosy community. Francesca Desmarchelliers has high hopes for the house on Green Valley Avenue. It's a clean slate for Frankie, who has moved her brood from Sydney's inner city to the leafy north shore street in a bid to save her marriage and keep her rambunctious family together. To maintain her privacy and corral her wandering children, Frankie proposes a fence between their properties, destroying Gwen's lovingly cultivated front garden. Soon the neighbours are in an escalating battle that becomes about more than just council approvals, and boundaries aren't the only things at stake.
"Nicholas, the illegitimate son of a retired fencing champion, is a scrappy fencing wunderkind, and dreams of getting the chance and the training to actually compete. Through clashes, rivalries, and romance between teammates, Nicholas and the boys of Kings Row will discover there's much more to fencing than just foils and lunges"--Page [4] of cover.
"Nice Hat. Thanks." is an innovative book based on the recorded improvised poetic collaborations between two award-winning poets, Joshua Beckman and Matthew Rohrer. "Nice Hat. Thanks. "is a collection of transcriptions of these collaborations, with poems ranging from a few words to several pages.
There are many ways to show our devotion to an author besides reading his or her works. Graves make for popular pilgrimage sites, but far more popular are writers' house museums. What is it we hope to accomplish by trekking to the home of a dead author? We may go in search of the point of inspiration, eager to stand on the very spot where our favorite literary characters first came to life—and find ourselves instead in the house where the author himself was conceived, or where she drew her last breath. Perhaps it is a place through which our writer passed only briefly, or maybe it really was a longtime home—now thoroughly remade as a decorator's show-house. In A Skeptic's Guide to Writers' Houses Anne Trubek takes a vexed, often funny, and always thoughtful tour of a goodly number of house museums across the nation. In Key West she visits the shamelessly ersatz shrine to a hard-living Ernest Hemingway, while meditating on his lost Cuban farm and the sterile Idaho house in which he committed suicide. In Hannibal, Missouri, she walks the fuzzy line between fact and fiction, as she visits the home of the young Samuel Clemens—and the purported haunts of Tom Sawyer, Becky Thatcher, and Injun' Joe. She hits literary pay-dirt in Concord, Massachusetts, the nineteenth-century mecca that gave home to Hawthorne, Emerson, and Thoreau—and yet could not accommodate a surprisingly complex Louisa May Alcott. She takes us along the trail of residences that Edgar Allan Poe left behind in the wake of his many failures and to the burned-out shell of a California house with which Jack London staked his claim on posterity. In Dayton, Ohio, a charismatic guide brings Paul Laurence Dunbar to compelling life for those few visitors willing to listen; in Cleveland, Trubek finds a moving remembrance of Charles Chesnutt in a house that no longer stands. Why is it that we visit writers' houses? Although admittedly skeptical about the stories these buildings tell us about their former inhabitants, Anne Trubek carries us along as she falls at least a little bit in love with each stop on her itinerary and finds in each some truth about literature, history, and contemporary America.
Aliera Carstairs just doesn't fit in. She's always front and center at the fencing studio, but at school she's invisible. And she's fine with that . . . until Avery Castle walks into her first period biology class.
From the author of Pulitzer-nominated The Devil’s Highway and national bestseller The Hummingbird’s Daughter comes an exquisitely composed collection of poetry on life at the border. Weaving English and Spanish languages as fluidly as he blends cultures of the southwest, Luis Urrea offers a tour of Tijuana, spanning from Skid Row, to the suburbs of East Los Angeles, to the stunning yet deadly Mojave Desert, to Mexico and the border fence itself. Mixing lyricism and colloquial voices, mysticism and the daily grind, Urrea explores duality and the concept of blurring borders in a melting pot society.
