This is the book for any one that has been or is going to go to a gentlemen's club. A must have for men that don't know how to control them selves at the strip club. We all know some one that needs help with going to strip club. This book has the secrets behind a successful, thrifty trip to a strip club. You will intensify your trip to the strip club just by reading this book. If you like strip clubs, you will love Nine Rules To The Strip Club!
Strippers may be the main attraction of strip clubs, but their work is bolstered by people who are rarely meaningfully considered: those who organize, supervise, manage, or coordinate the labour of erotic dancers, including managers, bouncers, and disc jockeys. Playing the Supporting Role contends it is essential to explore the managerial layer in order to have a comprehensive understanding of the power relations and working conditions in the erotic dance sector – and, consequently, distinguish banal or beneficial from unfair or exploitative sex-industry labour practices. Focusing primarily on third parties in the erotic dance sector, this book examines who these individuals are; how they manage clients, workers, security, and stigma; the services and resources they provide; and, in turn, strippers’ experiences and perceptions of these practices. Through qualitative interview data with third parties and strippers from two Ontario cities, Playing the Supporting Role ultimately advances an understanding of third-party work as gendered, classed, and racialized occupational performance in a stigmatized labour sector that is simultaneously over- and under-regulated.
Lily Burana had given up on stripping years before she accepted a marriage proposal-but decided to strip her way from Florida to Alaska before settling down. Lily, now a successful journalist, looks back at stripping with a writer's perspective. Her humorous yet hard-edged memoir deftly describes funky clubs and offbeat characters, the exhilaration that overtakes a dancer on stage-and the darker realities that assail her heart when she's out of the spotlight. Strip City is both a hugely entertaining insider's account of a hidden world and a moving voyage of self-discovery. Lily Burana has written for The New York Times Book Review, GQ, New York magazine, The Village Voice, Spin, and Salon. She lives in New York State. This is her rst book.
B-drinking is a strategy whereby dancers, waitresses, and otherwise legally employed women illegally solicit drinks from tourists for pay. Unique to the ethnographic literature on strip clubs, Bourbon Street, B-Drinking, and the Sexual Economy of Tourism focuses on the role of alcohol sales in the sexual economy of Bourbon Street, New Orleans. Relying on historical material, Demovic reveals that the intimate encounters B-girls have provided have been a part of the tourism service economy since the beginning of the twentieth century. The evolution of “B-girldom” as an imagined identity created through changing representations of the practice over the decades have both reflected and constructed the experiences of women working in New Orleans’ nightclubs. The B-drinker is an iconic character found in fictional and nonfictional accounts of the city. B-girls inhabit an ambiguous structural position in the performance of heritage tourism in New Orleans. Participant observation and interviews reveal that by the 1990s women who worked as B-drinkers were significant stakeholders in French Quarter tourism, able to use their informal networks to seize power over working conditions in the tourism economy of Bourbon Street. Demovic focuses on how these marginalized but critical workers have responded to stigma by creating tight knit groups which continue to support one another decades after leaving their work on Bourbon Street. This book adds the New Orleans example to a broader understanding of how sex work evolves in ways that reflect regional history and culture. Widening the ethnographic lens, Demovic looks past strip tease itself and to the economic activities of such workers when they are off the stage.
It’s challenging to live the life of a stripper, especially a respectable one. This intimate, erotic, and sensuous work is not for everyone, and offers fulfillment in a variety of ways for every woman who chooses this profession. Within a candid guidebook gleaned from her experience working undercover as a house mother in three Dallas strip clubs and interviews with more than fifteen hundred private dancers over a decade, Ella provides a glimpse into the lives of those who twerk for a living while providing the knowledge and footing for women to succeed in the business. While documenting the stripping industry, the kinds of women who strip, and why women choose this kind of work, Ella shares survival techniques that invite dancers to boost their income, save time, become more independent, and learn behaviors that will prevent them from compromising integrity and values. Straight Talk for Exotic Dancers is a stripper’s roadmap filled with advice, survival tips, solutions to common problems, and lessons from real-life situations that will help any private dancer successfully navigate through the business.
Prostitution and pornography are linked with racism and male dominance as well as with imperialism, militarism (including torture) and global corporate culture. The result is devastating harm for women and children within these industries. Subjected to physical and psychological violence - poverty, drug addiction and homelessness are their usual companions. With its mix of personal stories, theory, research, testimony, and accounts of current activism, Not For Sale will be an invaluable resource for all those seeking to inform themselves about the realities of the sex business and will serve to strengthen and broaden feminist resistance to pornography and prostitution.
In Strip Club, Kim Price‒Glynn takes us behind the scenes at a rundown club where women strip out of economic need, a place where strippers’ stories are not glamorous or liberating, but emotionally demanding and physically exhausting. Strip Club reveals the intimate working lives of not just the women up on stage, but also the patrons and other workers who make the place run: the owner‒manager, bartenders, dejays, doormen, bouncers, housemoms, and cocktail waitresses. Price‒Glynn spent fourteen months at The Lion’s Den working as a cocktail waitress, and her uncommonly deep access reveals a conflict‒ridden workplace, similar to any other workplace, one where gender inequalities are reproduced through the everyday interactions of customers and workers. Taking a novel approach to this controversial and often misunderstood industry, Price‒Glynn draws a fascinating portrait of life and work inside the strip club.
Katherine Liepe-Levinson has spent three years researching heterosexual female and male striptease in North America: this is the first full length theoretically informed study of striptease.
What kind of woman dances naked for money? Bernadette Barton takes us inside countless strip bars and clubs, from upscale to back road as well as those that specialize in lap dancing, table dancing, topless only, and peep shows, to reveal the startling lives of exotic dancers. Originally published in 2006, the product of years of first-hand research in strip clubs around the country, Stripped is a classic portrait of what it’s like for those who choose to strip as a profession. Barton explores why women begin stripping, the initial excitement and financial rewards of the work, the dangers of the life—namely, drugs and prostitution—and, inevitably, the difficulties in staying in the business over time, especially for their relationships, sexuality and self-esteem. In this completely revised and updated edition, Barton returns to the strip clubs she originally studied to observe the major changes in the industry that have occurred over the last decade. She examines how “raunch culture” affects exotic dancers’ treatment by their clientele, who are now accustomed to seeing nudity and sexualized performance in accessible, R and X -rated media from a variety of outlets, particularly the Internet. Barton explores how new media has transformed exotic dancing, allowing dancers to build an online brand, but also introducing possibilities for customers to take unauthorized nude photos and videos of the entertainers.. And finally, Barton speaks to new dancers as well as dancers she interviewed in the previous edition, examining how the toll of stripping still impacts the lives of exotic dancers in a changing industry. Incorporating new scholarship, new observations, and increased awareness of emerging media technology, Barton brings a fresh and important perspective on the challenges that women face working in the still-thriving world of exotic dancing.
