80’s The Gold Decade Of The Horror Movie
80’s The Gold Decade Of The Horror Movie

Author: Matteo Tortora

Publisher: Self-Publish

Published: 2014-11-18

Total Pages: 351

ISBN-13:

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A journey into the numerous Horror Films of the 80's analyzed under a "religious" profile which is purely Catholic. The diversification of the analysis is, of course, an issue that interests us. In fact, of all the films taken into consideration, this journey not only gives a brief opinion of the film, but it also shows the depth and thoughts shared and prepared by the Catholic Cinematographic Center. This Centre analyzes the plot and also evaluates the film under an ethical, moral and religious aspect in order to indicate if Catholics are able to watch it. The result is a really interesting insight and sometimes it has a fun perspective. We must acknowledge, however, that the critical Catholic knows how to diversify religious opinion from the technical-creative aspects. This means that a film can be recognized as a masterpiece but not get the clearance for visibility. 65 deepened critical articles of the most important films of the decade. Over 9000 Horror Movies from 1980 to 1989 linked to external resources for Cast, Posters, Images and Reviews. The electronic version of this book is designed in Kindle, PDF and Epub format. This is an interactive book. An Internet connection is not essential although it is recommended so the reader can take advantage of the many external links that are present in the work.

Ad Nauseam
Ad Nauseam

Author: Michael Gingold

Publisher:

Published: 2018

Total Pages: 0

ISBN-13: 9781948221054

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As featured in Entertainment Weekly, The New York Times, The Wall Street Journal, Fangoria, and more! Growing up in the 1980s, Michael Gingold became obsessed with horror movies, and his love of the genre led him to become a Fangoria writer and editor for nearly 30 years, as well as a Rue Morgue contributor. But before all that, he took his scissors to local newspapers, collecting countless ads for horror movies, big and small. Ad Nauseam: Newsprint Nightmares from the 1980s is a year-by-year deep dive into the Gingold archive, with more than 450 ads! Within these pages you'll see rare alternate art for Gremlins, Child's Play, The Blob remake, and the Friday the 13th and A Nightmare on Elm Street franchises. You'll also revel in oddities including Psycho from Texas, Dracula Blows His Cool, Blood Hook, Zombie Island Massacre, and many more. Gingold provides personal recollections and commentary, and unearths vintage reviews to reveal what critics of the time were saying about these films. He also interviews the men behind legendary exploitation distributor Aquarius Releasing to learn how they built buzz for shockers like Make Them Die Slowly and Doctor Butcher M.D. Steel yourselves, genre junkies--Ad Nauseam is an unmatched journey into the wild world of 1980s horror movies!

The Camps of the Sadists
The Camps of the Sadists

Author: Laura Cremonini

Publisher: Self-Publish

Published: 2020-10-25

Total Pages: 280

ISBN-13:

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Nazi exploitation (also Nazisploitation) is a subgenre of exploitation film and sexploitation film that involves Nazis committing sex crimes, often as camp or prison overseers during World War II. Most follow the women in prison formula, only relocated to a concentration camp, extermination camp, or Nazi brothel, and with an added emphasis on sadism, gore, and degradation. The most infamous and influential title (which set the standards of the genre) is a Canadian production, Ilsa, She Wolf of the SS (1974). Its surprise success and sequels led European filmmakers, mostly in Italy, to produce dozens of similar films. While the Ilsa series were profitable, the other films were mostly box-office flops, and the genre all but vanished by the mid-1980s.In Italy, these films are known as part of the "il sadiconazista" cycle, which were inspired by such art-house films as Liliana Cavani's The Night Porter (1974), Pier Paolo Pasolini's Salò, or the 120 Days of Sodom (1975), and Tinto Brass's Salon Kitty (1976). Prominent directors of the genre include Paolo Solvay (La Bestia in Calore, also known as The Beast in Heat and SS Hell Camp), Cesare Canevari (Last Orgy of the Third Reich, also known as L'ultima orgia del III Reich, Gestapo's Last Orgy and Caligula Reincarnated as Hitler), and Alain Payet (Train spécial pour SS, also known as Special Train for Hitler and Helltrain), all from 1977. (Definition from wikipedia) Contents of the book: The Camps of the Sadists. Lager SSadis Kastrat Kommandantur (1976), Lager SSadis Kastrat Kommandantur - Le deportate della sezione speciale SS, Le lunghe notti della Gestapo (1977), Liebes Lager (1976), L'ultima orgia del III Reich (1977), Salò o le 120 giornate di Sodoma (1975), Salon Kitty (1976), Train spécial pour SS, SS Lager 5: L'inferno delle donne (1977). Of each film: Plot, Criticism of the Catholic Film Center and Scenes from the movie.

Horror Movie Posters
Horror Movie Posters

Author: Richard Allen

Publisher:

Published: 1998

Total Pages: 0

ISBN-13: 9781887893251

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Featuring hundreds of movie posters from silent films to the present day. This book includes some of the best known posters for movies such as: The Phantom of the Opera (1925); Dracula (1931); The Mummy's Curse (1944); Invasion of the Body Snatchers (1956); Psycho (1960); Clockwork Orange (1971); Nightmare on Elm Street (1984); Scream (1996).

Ghouls, Gimmicks, and Gold
Ghouls, Gimmicks, and Gold

Author: Kevin Heffernan

Publisher: Duke University Press

Published: 2004-03-25

Total Pages: 333

ISBN-13: 0822385554

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The Creature from the Black Lagoon, the Tingler, the Mole People—they stalked and oozed into audiences’ minds during the era that followed Boris Karloff’s Frankenstein and preceded terrors like Freddy Krueger (A Nightmare on Elm Street) and Chucky (Child’s Play). Ghouls, Gimmicks, and Gold pulls off the masks and wipes away the slime to reveal how the monsters that frightened audiences in the 1950s and 1960s—and the movies they crawled and staggered through—reflected fundamental changes in the film industry. Providing the first economic history of the horror film, Kevin Heffernan shows how the production, distribution, and exhibition of horror movies changed as the studio era gave way to the conglomeration of New Hollywood. Heffernan argues that major cultural and economic shifts in the production and reception of horror films began at the time of the 3-d film cycle of 1953–54 and ended with the 1968 adoption of the Motion Picture Association of America’s ratings system and the subsequent development of the adult horror movie—epitomized by Rosemary’s Baby. He describes how this period presented a number of daunting challenges for movie exhibitors: the high costs of technological upgrade, competition with television, declining movie attendance, and a diminishing number of annual releases from the major movie studios. He explains that the production and distribution branches of the movie industry responded to these trends by cultivating a youth audience, co-producing features with the film industries of Europe and Asia, selling films to television, and intensifying representations of sex and violence. Shining through Ghouls, Gimmicks, and Gold is the delight of the true horror movie buff, the fan thrilled to find The Brain that Wouldn’t Die on television at 3 am.

The Philosophy of Horror
The Philosophy of Horror

Author: Thomas Fahy

Publisher: University Press of Kentucky

Published: 2010-04-30

Total Pages: 270

ISBN-13: 0813173701

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Sitting on pins and needles, anxiously waiting to see what will happen next, horror audiences crave the fear and exhilaration generated by a terrifying story; their anticipation is palpable. But they also breathe a sigh of relief when the action is over, when they are able to close their books or leave the movie theater. Whether serious, kitschy, frightening, or ridiculous, horror not only arouses the senses but also raises profound questions about fear, safety, justice, and suffering. From literature and urban legends to film and television, horror’s ability to thrill has made it an integral part of modern entertainment. Thomas Fahy and twelve other scholars reveal the underlying themes of the genre in The Philosophy of Horror. Examining the evolving role of horror, the contributing authors investigate works such as Mary Shelley’s Frankenstein (1818), horror films of the 1930s, Stephen King’s novels, Stanley Kubrick’s adaptation of The Shining (1980), and Alfred Hitchcock’s Psycho (1960). Also examined are works that have largely been ignored in philosophical circles, including Truman Capote’s In Cold Blood (1965), Patrick Süskind’s Perfume (1985), and James Purdy’s Narrow Rooms (2005). The analysis also extends to contemporary forms of popular horror and “torture-horror” films of the last decade, including Saw (2004), Hostel (2005), The Devil’s Rejects (2005), and The Hills Have Eyes (2006), as well as the ongoing popularity of horror on the small screen. The Philosophy of Horror celebrates the strange, compelling, and disturbing elements of horror, drawing on interpretive approaches such as feminist, postcolonial, Marxist, and psychoanalytic criticism. The book invites readers to consider horror’s various manifestations and transformations since the late 1700s, probing its social, cultural, and political functions in today’s media-hungry society.

Trick 'r Treat: Days of the Dead
Trick 'r Treat: Days of the Dead

Author: Michael Dougherty

Publisher: Legendary Comics

Published: 2015-10-06

Total Pages: 146

ISBN-13: 1937278883

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From the twisted imagination of Trick ‘r Treat creator Michael Dougherty (director of the upcoming Krampus and Trick ‘r Treat 2 and screenwriter of X-Men 2 and Superman Returns) alongside a top-notch team of creators including writers Todd Casey and Zach Shields (Krampus), Marc Andreyko (Batwoman) and artists Fiona Staples (Saga), Stephen Byrne (Buffy/Angel), Stuart Sayger (Bram Stoker’s Death Ship) and Zid (Son of Merlin) comes this 4-part collection that paves the way for the Trick ‘r Treat film sequel. Days of the Dead takes readers on a journey through Halloween history with 4 chilling new Trick ‘r Treat tales. Discover old-world lovers whose romance takes a chilling turn and Western pioneers who discover the dark side of the frontier. Travel to 1950s Los Angeles for a tale of pure horror noir and into the heart of small-town America to see some pranksters taught a lesson they'll never forget. Across centuries of Halloween horror, wherever fear lies, Sam will be waiting… From the Trade Paperback edition.

A New Pot of Gold
A New Pot of Gold

Author: Stephen Prince

Publisher: Univ of California Press

Published: 2002-03-15

Total Pages: 602

ISBN-13: 9780520232662

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Facing an economic crisis in the 1980s, Hollywood moved to control the markets of videotape, pay-cable and pay-per-view. This volume examines the transformation that took the industry from the production of theatrical film to media software.

'80s Action Movies on the Cheap
'80s Action Movies on the Cheap

Author: Daniel R. Budnik

Publisher: McFarland

Published: 2017-03-21

Total Pages: 260

ISBN-13: 1476626871

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The 1980s was the decade when the action film as it's now known came into being. Nonstop, big-budget excitement became the standard as epic adventures like Raiders of the Lost Ark and The Road Warrior set the tone for the summer blockbusters of Sylvester Stallone, Arnold Schwarzenegger and Chuck Norris. Homages (and ripoffs) made with lesser budgets followed every hit, especially with the advent of direct-to-video releases. Providing detailed commentary on 284 films, this book explores the excitement, audacity and sheer weirdness of '80s low budget action cinema, from the American Ninja series to dime-a-dozen barbarian pictures to such bargain-basement productions as The Courier of Death, Kill Squad and Samurai Cop.

Make My Day
Make My Day

Author: J. Hoberman

Publisher: The New Press

Published: 2019-07-02

Total Pages: 382

ISBN-13: 1620971003

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Named a Best Book of the Year by Financial Times "Singular, stylish and slightly intoxicating in its scope." —Rolling Stone Acclaimed media critic J. Hoberman's masterful and majestic exploration of the Reagan years as seen through the unforgettable movies of the era The third book in a brilliant and ambitious trilogy, celebrated cultural and film critic J. Hoberman's Make My Day is a major new work of film and pop culture history. In it he chronicles the Reagan years, from the waning days of the Watergate scandal when disaster films like Earthquake ruled the box office to the nostalgia of feel-good movies like Rocky and Star Wars, and the delirium of the 1984 presidential campaign and beyond. Bookended by the Bicentennial celebrations and the Iran-Contra affair, the period of Reagan's ascendance brought such movie events as Jaws, Apocalypse Now, Blade Runner, Ghostbusters, Blue Velvet, and Back to the Future, as well as the birth of MTV, the Strategic Defense Initiative, and the Second Cold War. An exploration of the synergy between American politics and popular culture, Make My Day is the concluding volume of Hoberman's Found Illusions trilogy; the first volume, The Dream Life, was described by Slate's David Edelstein as "one of the most vital cultural histories I've ever read"; Film Comment called the second, An Army of Phantoms, "utterly compulsive reading." Reagan, a supporting player in Hoberman's previous volumes, here takes center stage as the peer of Indiana Jones and John Rambo, the embodiment of a Hollywood that, even then, no longer existed.