Steve Hutchison reviews 300 action horror films and ranks them. Each article includes a picture of the main antagonist, a release year, a synopsis, a star rating, and a review.
Steve Hutchison reviews 300 horror science fiction films and ranks them. Each article includes a picture of the main antagonist, a release year, a synopsis, a star rating, and a review.
Steve Hutchison reviews 300 horror adventure films and ranks them. Each article includes a picture of the main antagonist, a release year, a synopsis, a star rating, and a review.
Steve Hutchison reviews 300 horror fantasy films and ranks them. Each article includes a picture of the main antagonist, a release year, a synopsis, a star rating, and a review.
Steve Hutchison reviews 300 horror comedies and ranks them. Each article includes a picture of the main antagonist, a release year, a synopsis, a star rating, and a review.
The following recommendations represent the top 13% of 2250 horror movie reviews. I use a classification method that combines genres, subgenres, ambiances, and antagonists. My evaluation ratings are stars, story, creativity, action, quality, creepiness, and rewatchability
Steve Hutchison reviews 300 action horror films and ranks them. Each article includes a picture of the main antagonist, a release year, a synopsis, a star rating, and a review.
Movies and television series are excellent tools for teaching political science and international relations. Understanding how stories in various film and television genres illustrate political ideas can better assist students and fans understand and appreciate the political subtext of these media products. This book examines politics through five film genres and their variants. Gangster movies focus on American and other organized crime. They reached their zenith in the films of Francis Ford Coppola and Martin Scorsese. Political thrillers express paranoia about secrecy and political conspiracies, while action movies channel anger at foreign and domestic threats to order. Superhero films and TV present modern characters who seek to serve society as they face personal struggles about their individual identities. War movies promote positive images of wars when conflicts are perceived as successful, but often include antiwar messages when wars turn out badly. Western movies fell out of favor in the 1970s and 1980s but have undergone a renaissance since the 1990s. Westerns can be taken as either political parables, or as meditations on policing, anarchy, community organization. The author argues that while these genres all offer escape, they also offer important political lessons.
Why do humans feel the need to scream at horror films? In Why Horror Seduces, author Matthias Clasen looks to evolutionary social science to show how the horror genre is a product of human nature.
A Dictionary of Film Studies covers all aspects of its discipline as it is currently taught at undergraduate level. Offering exhaustive and authoritative coverage, this A-Z is written by experts in the field, and covers terms, concepts, debates, and movements in film theory and criticism; national, international, and transnational cinemas; film history, movements, and genres; film industry organizations and practices; and key technical terms and concepts. Since its first publication in 2012, the dictionary has been updated to incorporate over 40 new entries, including computer games and film, disability, ecocinema, identity, portmanteau film, Practice as Research, and film in Vietnam. Moreover, numerous revisions have been made to existing entries to account for developments in the discipline, and changes to film institutions more generally. Indices of films and filmmakers mentioned in the text are included for easy access to relevant entries. The dictionary also has 13 feature articles on popular topics and terms, revised and informative bibliographies for most entries, and more than 100 web links to supplement the text.