... - 30 Chants populaires russes...
Author: G. O. Deutsch
Publisher:
Published:
Total Pages:
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: G. O. Deutsch
Publisher:
Published:
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Anatoly Konstantinovich Lyadov
Publisher:
Published: 1906
Total Pages: 48
ISBN-13:
DOWNLOAD EBOOKAuthor: Nikolay Rimsky-Korsakov
Publisher:
Published: 1925
Total Pages: 210
ISBN-13:
DOWNLOAD EBOOKAuthor: Anatole Liadow
Publisher:
Published:
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Harold Reeves (Firm)
Publisher:
Published: 1919
Total Pages: 620
ISBN-13:
DOWNLOAD EBOOKAuthor: New York Public Library. Slavonic Division
Publisher:
Published: 1974
Total Pages: 854
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published:
Total Pages: 0
ISBN-13:
DOWNLOAD EBOOKAuthor: Board of Music Trade (UNITED STATES OF AMERICA)
Publisher:
Published: 1870
Total Pages: 594
ISBN-13:
DOWNLOAD EBOOKAuthor: Rebecca Beasley
Publisher: OUP Oxford
Published: 2013-09-26
Total Pages: 326
ISBN-13: 0191636630
DOWNLOAD EBOOKRussia in Britain offers the first comprehensive account of the breadth and depth of the British fascination with Russian and Soviet culture, tracing its transformative effect on British intellectual life from the 1880s, the decade which saw the first sustained interest in Russian literature, to 1940, the eve of the Soviet Union's entry into the Second World War. By focusing on the role played by institutions, disciplines and groups, libraries, periodicals, government agencies, concert halls, publishing houses, theatres, and film societies, this collection marks an important departure from standard literary critical narratives, which have tended to highlight the role of a small number of individuals, notably Sergei Diaghilev, Constance Garnett, Theodore Komisarjevsky, Katherine Mansfield, George Bernard Shaw and Virginia Woolf. Drawing on recent research and newly available archives, Russia in Britain shifts attention from individual figures to the networks within which they operated, and uncovers the variety of forces that enabled and structured the British engagement with Russian culture. The resulting narrative maps an intricate pattern of interdisciplinary relations and provides the foundational research for a new understanding of Anglo-Russian/Soviet interaction. In this, it makes a major contribution to the current debates about transnationalism, cosmopolitanism and 'global modernisms' that are reshaping our knowledge of nineteenth- and early twentieth-century British culture.