2G Essays: Kersten Geers. Without Content.
Author: Kersten Geers
Publisher: Walther Konig Verlag
Published: 2021-07-15
Total Pages: 144
ISBN-13: 9783960988878
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2G Essays: Smiljan Radic
Author: Smiljan Radic
Publisher: Walther Konig Verlag
Published: 2019
Total Pages: 0
ISBN-13: 9783960984870
DOWNLOAD EBOOKThis compilation of essays by the Chilean architect Smiljan Radic covers 20 years of written production. The texts were written for various reasons: on the occasion of the publication of a book, as lectures or to accompany an exhibition.
2G: Fala Atelier (Porto)
Author: Pedro Bandeira
Publisher: Walther Konig Verlag
Published: 2019
Total Pages: 0
ISBN-13: 9783960985952
DOWNLOAD EBOOKFala is a young architecture practice founded in 2013 in Porto, and led by Filipe Magalhães, Ana Luisa Soares and Ahmed Belkhodja. Hedonistic yet restrained, the studio takes lightness and joy very seriously. Their projects can be characterized by a strong tendency towards autonomy, or better: towards an emerging independence of architectural language. Many of the refurbishment projects in Porto were initiated by private investors, trying to make a fortune by real estate speculation. After the economic crisis of 2008 the downtowns of Porto and Lisbon were confronted with a rampant boom in tourism. Speculation was propelled by special governmental measures such as the relief of a far-reaching protection against dismissal or the easy availability of golden visas. This may be the reason why some of Fala's projects come across like topical declinations of the same program: separation of auxiliary functions from the main space, zoning of the plan, opening and staging of the view onto a small courtyard.
The Urban Fact
Author: Kersten Geers
Publisher: Walther Konig Verlag
Published: 2021
Total Pages: 0
ISBN-13: 9783960989769
DOWNLOAD EBOOKThe Urban Fact examines Aldo Rossis formulation of a theory of the city, developed over the period of roughly ten years, from Architecture of the City published in 1966, to Analogous City exhibited in 1976. Rossis theory is not taken as an abstract argument, but is seen through his work from that period. A careful selection of twenty-three projects is presented here at face value. These projects, bound by the reality of their setting, but also charged with cultural and civic ambition, illustrate the intricacy of an architectural project as a complex 'whole'. They also demonstrate how architecture could contribute to the changing urban context of the field, hinting at an oeuvre painfully aware of its limitations and stubborn in its intentions.
The Difficult Whole
Author: Kersten Geers
Publisher: Park Publishing (WI)
Published: 2016
Total Pages: 0
ISBN-13: 9783906027845
DOWNLOAD EBOOKIn the 1960s, American architect Robert Venturi made a case for the difficult whole, opposing mainstream modern architecture that ignores all the intricacies of life and produces pure space, or "easy unity". The architecture Venturi was aiming for embraces diversities, inevitable in any project. This new book, edited by Architecture Without Content, a research group at Ecole Polytechnique Federale de Lausanne's School of Architecture, offers a fresh analysis and a thorough re-evaluation of Venturi s idea of "the difficult whole" as both a looking glass and a possible tool for architecture today. Through a radical re-reading of found material from the Venturi Scott Brown archives, the editors seek to propose a credible alternative to contemporary architectural discourse. Its format combines the ambiguity of interpretation with the factual material, keeping the precision of the argument. This elusive position is elaborated in essays, complemented by interviews with Kazunari Sakamoto and Alvaro Siza.Around 35 projects by Venturi Scott Brown, and also by Alvaro Siza and James Stirling, form a visual narrative with original plans and sections and other archive material as well as new perspective images and photographs especially produced for this book.
The Possibility of an Absolute Architecture
Author: Pier Vittorio Aureli
Publisher: MIT Press
Published: 2011-02-11
Total Pages: 268
ISBN-13: 0262515792
DOWNLOAD EBOOKArchitectural form reconsidered in light of a unitary conception of architecture and the city. In The Possibility of an Absolute Architecture, Pier Vittorio Aureli proposes that a sharpened formal consciousness in architecture is a precondition for political, cultural, and social engagement with the city. Aureli uses the term absolute not in the conventional sense of “pure,” but to denote something that is resolutely itself after being separated from its other. In the pursuit of the possibility of an absolute architecture, the other is the space of the city, its extensive organization, and its government. Politics is agonism through separation and confrontation; the very condition of architectural form is to separate and be separated. Through its act of separation and being separated, architecture reveals at once the essence of the city and the essence of itself as political form: the city as the composition of (separate) parts. Aureli revisits the work of four architects whose projects were advanced through the making of architectural form but whose concern was the city at large: Andrea Palladio, Giovanni Battista Piranesi, Étienne Louis-Boullée, and Oswald Mathias Ungers. The work of these architects, Aureli argues, addressed the transformations of the modern city and its urban implications through the elaboration of specific and strategic architectural forms. Their projects for the city do not take the form of an overall plan but are expressed as an “archipelago” of site-specific interventions.
Architecture as a Craft
Author: Michiel Riedijk
Publisher:
Published: 2010
Total Pages: 231
ISBN-13:
DOWNLOAD EBOOKThe 15 essays in "Architecture as a craft" present a vision of the architectural discipline in which the essence is sought in the craft itself. The book is based on the symposium of the same name that the Delft University of Technology organised in 2009. The authors include the architects Michiel Riedijk, Sou Fujimoto and Gregg Pasquarelli. Society imposes stringent demands on the designs of architects, for example in the field of sustainability. Programmes of requirements are drawn up for this purpose that exert a strong influence on the design. The contributors to "Architecture as a craft", however, consider that it is necessary to grasp the structure of a design without these external influences playing a role. The craft of the architect is approached in this book from three perspectives: the position adopted by the architect in the design and construction process, the composition of the design, and the choice of materials of the design.
Subcultural Karate Turtles
Author: Adam Green
Publisher: Pioneer Works Press
Published: 2022-01-04
Total Pages: 70
ISBN-13: 9781945711152
DOWNLOAD EBOOKA satirical graphic novel by artist, musician, creative polymath and Moldy Peaches founder Adam Green (born 1981), Subcultural Karate Turtles is a parody of the popular Teenage Mutant Ninja Turtles cartoon. Green reimagines the turtles as subcultural artists who must battle the mainstream to determine the future of art. Set in an intergalactic Kabuki theater, the book is a play inside of a comic book. Against the backdrop of childhood iconography, the psychedelic dialogue functions as a critique of cultural theory.0In 2019, Green published War and Paradise, a graphic novel about the clash of humans with machines, the meeting of spirituality with singularity and the bidirectional relationship between life and the afterlife. Subcultural Karate Turtles continues Green?s brilliant elaborations of the psychedelic and the satirical, the political and the spiritual.
Lateness
Author: Peter Eisenman
Publisher: Princeton University Press
Published: 2020-07-07
Total Pages: 120
ISBN-13: 0691203911
DOWNLOAD EBOOKA provocative case for historical ambiguity in architecture by one of the field's leading theorists Conceptions of modernity in architecture are often expressed in the idea of the zeitgeist, or "spirit of the age," an attitude toward architectural form that is embedded in a belief in progressive time. Lateness explores how architecture can work against these linear currents in startling and compelling ways. In this incisive book, internationally renowned architect Peter Eisenman, with Elisa Iturbe, proposes a different perspective on form and time in architecture, one that circumvents the temporal constraints on style that require it to be "of the times"—lateness. He focuses on three twentieth-century architects who exhibited the qualities of lateness in their designs: Adolf Loos, Aldo Rossi, and John Hejduk. Drawing on the critical theory of Theodor Adorno and his study of Beethoven's final works, Eisenman shows how the architecture of these canonical figures was temporally out of sync with conventions and expectations, and how lateness can serve as a form of release from the restraints of the moment. Bringing together architecture, music, and philosophy, and drawing on illuminating examples from the Renaissance and Baroque periods, Lateness demonstrates how today's architecture can use the concept of lateness to break free of stylistic limitations, expand architecture's critical capacity, and provide a new mode of analysis.
Architecture's Desire
Author: K. Michael Hays
Publisher: MIT Press
Published: 2009-10-02
Total Pages: 203
ISBN-13: 0262513021
DOWNLOAD EBOOKTheorizes an architectural ethos of extreme self-reflection and finality from a Lacanian perspective. While it is widely recognized that the advanced architecture of the 1970s left a legacy of experimentation and theoretical speculation as intense as any in architecture's history, there has been no general theory of that ethos. Now, in Architecture's Desire, K. Michael Hays writes an account of the “late avant-garde” as an architecture systematically twisting back on itself, pondering its own historical status, and deliberately exploring architecture's representational possibilities right up to their absolute limits. In close readings of the brooding, melancholy silence of Aldo Rossi, the radically reductive “decompositions” and archaeologies of Peter Eisenman, the carnivalesque excesses of John Hejduk, and the “cinegrammatic” delirium of Bernard Tschumi, Hays narrates the story of architecture confronting its own boundaries with objects of ever more reflexivity, difficulty, and intransigence. The late avant-garde is the last architecture with philosophical aspirations, an architecture that could think philosophical problems through architecture rather than merely illustrate them. It takes architecture as the object of its own reflection, which in turn produces an unrelenting desire. Using the tools of critical theory together with the structure of Lacan's triad imaginary-symbolic-real, Hays constructs a theory of architectural desire that is historically specific and yet sets the terms and the challenges of all subsequent architectural practice, including today's.
