Tall, short, big, small, athletic, artistic . . . cousins may look different and have different interests and abilities, but that just makes them one extraordinary family! From Maricela’s bilingual spelling skills to Mario’s tech whiz abilities, no two cousins are alike—and that’s just the way they like it. All the cousins are muy entusiasmados for the surprise at the end of their family gathering!
Cousins evaluates our present religious condition and reflects on the importance of tradition, spirituality, and mysticism in understanding ourselves and others.
From leading photography expert Me Ra Koh, "The Photo Mom," comes the book for parents with little to no photography experience who want to capture better portraits and photos of their families using any camera. What parent doesn’t want to capture the perfectly imperfect joy of family life through photos? From holidays and vacations to portraits and shared moments, celebrated photographer (and mom) Me Ra Koh not only helps moms and dads take better photos, but inspires them to discover photography as a way to connect with, cherish, and celebrate their family. With forty beautiful “photo recipes” anyone can follow—with any camera—preserving your family’s story has never been easier!
The Desclergues of la Villa Ducal de Montblanc (2nd edition) is a comprehensive ancestral chronicle, meticulously tracing the Desclergues family lineage from the Greek era through the Villa Ducal de Montblanc in Tarragona to the present in Belgium. This omnibus edition compiles the entire acclaimed series, offering an exhaustive account of the Desclergues of Montblanc alongside the author's other ancestral lines, including de Patin, de Patin de Langemark, Lesage, Benoit, Den Dauw, 't Kint, Surmont, de Croock, Ardan, Lammens, Decaestecker, and de Silva of Uduwara in Sri Lanka. This scholarly work is enriched by a comprehensive DNA analysis, providing genetic depth to the historical narrative. Each family line is intricately contextualized within its historical setting, with facsimile images of archival records offering tangible evidence of the past. This beautifully illustrated book presents a visually engaging experience, enhancing historical insights and making it an invaluable resource for students, historians, and anyone passionate about genealogical studies. Nico Felicien Declercq, a full professor at the Georgia Institute of Technology, is a distinguished scholar. With a Ph.D. from Ghent University and an MSc from the Catholic University of Leuven, his prolific academic career encompasses numerous published works. His passion for history and genealogy led him to meticulously document his ancestral lineage, culminating in this comprehensive work. Professor Declercq's interdisciplinary approach and dedication to rigorous research have earned him a reputation for excellence in the scientific community and among genealogical enthusiasts. He is also the author of several philosophical novels published under a pseudonym.
The later diaries of Eliza Frances Andrews, an upper-class Southern woman whose earlier diaries have already been published as The Wartime Journal of a Georgia Girl: 1864-1865. Covering the period 1870-1872, the diaries cover her trip to New Jersey to visit Northern relatives and the beginnings of her first novel, ending with her mother's death. Annotation copyrighted by Book News, Inc., Portland, OR
How psychological ideas of space have profoundly affected architectural and artistic expression in the twentieth century. Beginning with agoraphobia and claustrophobia in the late nineteenth century, followed by shell shock and panic fear after World War I, phobias and anxiety came to be seen as the mental condition of modern life. They became incorporated into the media and arts, in particular the spatial arts of architecture, urbanism, and film. This "spatial warping" is now being reshaped by digitalization and virtual reality. Anthony Vidler is concerned with two forms of warped space. The first, a psychological space, is the repository of neuroses and phobias. This space is not empty but full of disturbing forms, including those of architecture and the city. The second kind of warping is produced when artists break the boundaries of genre to depict space in new ways. Vidler traces the emergence of a psychological idea of space from Pascal and Freud to the identification of agoraphobia and claustrophobia in the nineteenth century to twentieth-century theories of spatial alienation and estrangement in the writings of Georg Simmel, Siegfried Kracauer, and Walter Benjamin. Focusing on current conditions of displacement and placelessness, he examines ways in which contemporary artists and architects have produced new forms of spatial warping. The discussion ranges from theorists such as Jacques Lacan and Gilles Deleuze to artists such as Vito Acconci, Mike Kelley, Martha Rosler, and Rachel Whiteread. Finally, Vidler looks at the architectural experiments of Frank Gehry, Coop Himmelblau, Daniel Libeskind, Greg Lynn, Morphosis, and Eric Owen Moss in the light of new digital techniques that, while relying on traditional perspective, have radically transformed the composition, production, and experience—perhaps even the subject itself—of architecture.
