Abstraction in Reverse

Abstraction in Reverse

Author: Alexander Alberro

Publisher: University of Chicago Press

Published: 2017-05-25

Total Pages: 320

ISBN-13: 022639400X

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During the mid-twentieth century, Latin American artists working in several different cities radically altered the nature of modern art. Reimagining the relationship of art to its public, these artists granted the spectator an unprecedented role in the realization of the artwork. The first book to explore this phenomenon on an international scale, Abstraction in Reverse traces the movement as it evolved across South America and parts of Europe. Alexander Alberro demonstrates that artists such as Tomás Maldonado, Jesús Soto, Julio Le Parc, and Lygia Clark, in breaking with the core tenets of the form of abstract art known as Concrete art, redefined the role of both the artist and the spectator. Instead of manufacturing autonomous art, these artists produced artworks that required the presence of the spectator to be complete. Alberro also shows the various ways these artists strategically demoted regionalism in favor of a new modernist voice that transcended the traditions of the nation-state and contributed to a nascent globalization of the art world.


Latin American Art of the 20th Century

Latin American Art of the 20th Century

Author: Edward Lucie-Smith

Publisher:

Published: 2004

Total Pages: 224

ISBN-13: 9780500203569

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A survey of Latin American art discusses major subjects and themes and the interrelationship of politics, society, and art; looks at Latin American folk art; and examines the work of notable artists.


Art in Latin America

Art in Latin America

Author: Dawn Ades

Publisher: Yale University Press

Published: 1989-01-01

Total Pages: 400

ISBN-13: 9780300045611

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This authoritative and beautiful book presents the first continuous narrative history of Latin American art from the years of the Independence movements in the 1820s up to the present day. Exploring both the indigenous roots and the colonial and post-colonial experiences of the various countries, the book investigates fascinating though little-known aspects of nineteenth and twentieth-century art and also provides a context for the contemporary art of the continent.


Resisting Categories: Latin American And/or Latino?

Resisting Categories: Latin American And/or Latino?

Author: Mari Carmen Ramirez

Publisher: Yale University Press

Published: 2012-01-01

Total Pages: 1162

ISBN-13: 0300146973

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"This anthology of more than 165 seminal writings by influential twentieth- and twenty-first century artists and critics who explore and challenge complex definitions of what it means to be 'Latin American' or 'Latino' is designed to be an indispensable tool for the study of Latin American and Latino art"--


Inverted Utopias

Inverted Utopias

Author: Héctor Olea Galaviz

Publisher: Yale University Press

Published: 2004-01-01

Total Pages: 618

ISBN-13: 0300102690

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In the twentieth century, avant-garde artists from Mexico, Central and South America, and the Caribbean created extraordinary and highly innovative paintings, sculptures, assemblages, mixed-media works, and installations. This innovative book presents more than 250 works by some seventy of these artists (including Gego, Joaquin Torres-Garcia, Xul Solar, and Jose Clemente Orozco) and artists' groups, along with interpretive essays by leading authorities and newly translated manifestoes and other theoretical documents written by the artists. Together the images and texts showcase the astonishing artistic achievements of the Latin American avant-garde. The book focuses on two decisive periods: the return from Europe in the 1920s of Latin American avant-garde pioneers; and the expansion of avant-garde activities throughout Latin America after World War II as artists expressed their independence from developments in Europe and the United States. As the authors explain, during these periods Latin American art was fueled by the belief that artistic creations could present a form of utopia - an inversion of the original premise that drove the European avant-garde - and serve as a model for


Twentieth-Century Art of Latin America

Twentieth-Century Art of Latin America

Author: Jacqueline Barnitz

Publisher: University of Texas Press

Published: 2015-10-30

Total Pages: 0

ISBN-13: 9781477301081

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The product of Jacqueline Barnitz's more than forty years of studying and teaching, Twentieth-Century Art of Latin America surveys the major currents in and artists of Mexico, the Caribbean, and South America (including Brazil). This new edition has been refreshed throughout to include new scholarship on several modern movements, such as abstraction in the River Plate region and the Cuban avant-garde. A new chapter covers art since 1990. In all, 30 percent of the images in this edition are new, and thirty-four additional artists are discussed and illustrated.


Art of Latin America

Art of Latin America

Author: Marta Traba

Publisher: Inter-American Development Bank

Published: 1994-01-01

Total Pages: 197

ISBN-13: 0940602733

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Marta Traba, one of Latin America's most controversial art critics, examines the works of over 1,000 artists from the first 80 years of the 20th century. This book is an indispensable reference for anyone interested in studying the evolution of Latin American art.


Our America

Our America

Author: Smithsonian American Art Museum

Publisher: Giles

Published: 2014

Total Pages: 374

ISBN-13:

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Explores how one group of Latin American artists express their relationship to American art, history and culture.


Academies and Schools of Art in Latin America

Academies and Schools of Art in Latin America

Author: Oscar E. Vázquez

Publisher: Routledge

Published: 2020-05-28

Total Pages: 311

ISBN-13: 1351187538

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This edited volume’s chief aim is to bring together, in an English-language source, the principal histories and narratives of some of the most significant academies and national schools of art in South America, Mexico, and the Caribbean, from the late 18th to the early 20th centuries. The book highlights not only issues shared by Latin American academies of art but also those that differentiate them from their European counterparts. Authors examine issues including statutes, the influence of workshops and guilds, the importance of patronage, discourses of race and ethnicity in visual pedagogy, and European models versus the quest for national schools. It also offers first-time English translations of many foundational documents from several significant academies and schools. This book will be of interest to scholars in art history, Latin American and Hispanic studies, and modern visual cultures.


Latin American Art Since 1900

Latin American Art Since 1900

Author: Edward Lucie-Smith

Publisher: National Geographic Books

Published: 2020-04-14

Total Pages: 0

ISBN-13: 0500204586

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An extraordinary synthesis of more than a century’s worth of art across Central and South America, Latin American Art Since 1900 covers everyone from popular figures such as Diego Rivera and Frida Kahlo, to a wide range of other artists who are less well-known outside Latin America. In this classic survey, now updated with full-color images throughout, Edward Lucie-Smith introduces the art of Latin America from 1900 to the present day. Lucie-Smith examines major artists such as Diego Rivera and Frida Kahlo, as well as dozens of less familiar Latin American artists and exiled artists from Europe and the United States who spent their lives in South America, such as Leonora Carrington. The author explains the political context for artistic development and sets the works in national, cultural, and international frameworks. Featured in this book are the artists who have searched for indigenous roots and local tradition; explored abstraction, expressionism, and new media; entered into dialogue with European and North American movements, while insisting on reaching a wide, popular audience for their work; and created an energetic, innovative, and varied art scene across the South American continent. With a new chapter that extends the discussion into the twenty-first century, a constant theme of Latin American Art Since 1960 is the embrace of the experimental and the new by artists across Latin America.