20th Century Art: a Resource for Educators (in Acq)

20th Century Art: a Resource for Educators (in Acq)

Author: Stella Paul

Publisher: Metropolitan Museum of Art

Published: 1999

Total Pages: 191

ISBN-13: 0870998994

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This package for educators includes a looseleaf three-ring binder, a videotape, and a CD-ROM. The material is not meant as a linear history of this century's art, but rather as a guide to some of the Museum's exceptional works. It can be used on its own in the classroom or as enhancement for a trip to the Museum. Each of 32 paintings is presented with a full-page reproduction, an essay, and strategies for discussion. The videotape contains a 10-minute exploration of one piece of installation art. The CD-ROM is an electronic version of the printed material. Though it may be a peripheral point, Georgia O'Keefe is the only woman whose work is represented.


Caravans of Gold, Fragments in Time

Caravans of Gold, Fragments in Time

Author: Kathleen Bickford Berzock

Publisher: Princeton University Press

Published: 2019-02-26

Total Pages: 313

ISBN-13: 069118268X

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Issued in conjunction with the exhibition Caravans of Gold, Fragments in Time, held January 26, 2019-July 21, 2019, Mary and Leigh Block Museum of Art, Northwestern University, Evanston, Illinois.


Forgery Beyond Deceit

Forgery Beyond Deceit

Author: John North Hopkins

Publisher: Oxford University Press

Published: 2023-05-30

Total Pages: 462

ISBN-13: 0192696599

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What do forgeries do? Forgery Beyond Deceit: Fabrication, Value, and the Desire for Ancient Rome explores that question with a focus on forgery in ancient Rome and of ancient Rome. Its chapters reach from antiquity to the twentieth century and cover literature and art, the two areas that predominate in forgery studies, as well as the forgery of physical books, coins, and religious relics. The book examines the cultural, historical, and rhetorical functions of forgery that extend beyond the desire to deceive and profit. It analyses forgery in connection with related phenomena like pseudepigraphy, fakes, and copies; and it investigates the aesthetic and historical value that forgeries possess when scholarship takes seriously their form, content, and varied uses within and across cultures. Of particular interest is the way that forgeries embody a desire for the ancient and for the recovery of the fragmentary past of ancient Rome.


Twentieth-Century American Art

Twentieth-Century American Art

Author: Erika Doss

Publisher: OUP Oxford

Published: 2002-04-26

Total Pages: 288

ISBN-13: 0191587745

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Jackson Pollock, Georgia O'Keeffe, Andy Warhol, Julian Schnabel, and Laurie Anderson are just some of the major American artists of the twentieth century. From the 1893 Chicago World's Fair to the 2000 Whitney Biennial, a rapid succession of art movements and different styles reflected the extreme changes in American culture and society, as well as America's position within the international art world. This exciting new look at twentieth century American art explores the relationships between American art, museums, and audiences in the century that came to be called the 'American century'. Extending beyond New York, it covers the emergence of Feminist art in Los Angeles in the 1970s; the Black art movement; the expansion of galleries and art schools; and the highly political public controversies surrounding arts funding. All the key movements are fully discussed, including early American Modernism, the New Negro movement, Regionalism, Abstract Expressionism, Pop Art, and Neo-Expressionism.


Ancient Art and its Commerce in Early Twentieth-Century Europe

Ancient Art and its Commerce in Early Twentieth-Century Europe

Author: Guido Petruccioli

Publisher: Archaeopress Publishing Ltd

Published: 2022-12-29

Total Pages: 314

ISBN-13: 1803272570

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John Marshall (1862-1928) was an antiquities expert hired by the Metropolitan Museum of New York. An attentive observer of the antiquities trade, Marshall's archive, photographs and annotations on more than 1000 objects, shines light on the secretive world of art dealing and how objects arrived at the largest museums of Europe and North America.