Abrāo's work has been described by The Outline as "an existential funhouse of familiar thoughts" that "publicly grapples with pillars of its own existence within the influencer economy." Alongside The Outline, her work has been featured in publications such as The Atlantic, Dazed, The Harvard Crimson, and The Face, among others. In response to Abrāo's work, Dazed Magazine wrote, "Gabi debunks the myth that wellness is the preserve of the privileged, and in doing so hands it back to the masses," and Notes on Shapeshifting is a reminder that we are agents of the change that we seek. Gabi Abrāo's Notes on Shapeshifting is an ode to existing in physical form, fully aware of the changing energy that flows through every aspect of it. As Abrāo writes, "tapping into the ether body to take a break from the demands of the earth body, / making peace with ephemerality, / lightness, / shapeshifting". Throughout this collection, you are invited to travel through various states; pure infatuation to heartbreak, confidence to defeat, from a skepticism for living to a full-on trust in it. And Notes on Shapeshifting yearns to soothe and arouse along the way.
NATIONAL BESTSELLER • From one of the world’s leading physicists and author of the Pulitzer Prize finalist The Elegant Universe, comes “an astonishing ride” through the universe (The New York Times) that makes us look at reality in a completely different way. Space and time form the very fabric of the cosmos. Yet they remain among the most mysterious of concepts. Is space an entity? Why does time have a direction? Could the universe exist without space and time? Can we travel to the past? Greene has set himself a daunting task: to explain non-intuitive, mathematical concepts like String Theory, the Heisenberg Uncertainty Principle, and Inflationary Cosmology with analogies drawn from common experience. From Newton’s unchanging realm in which space and time are absolute, to Einstein’s fluid conception of spacetime, to quantum mechanics’ entangled arena where vastly distant objects can instantaneously coordinate their behavior, Greene takes us all, regardless of our scientific backgrounds, on an irresistible and revelatory journey to the new layers of reality that modern physics has discovered lying just beneath the surface of our everyday world.
Henry Daniel’s Liber Uricrisiarum is the earliest known work of academic medicine written in Middle English, presented here for the first time in a complete edition. Working in the late 1370s, Daniel combined authoritative medicine from written sources with his own personal experience, creating a text that stands out for its linguistic originality, intellectual scope, and wide circulation. Extant in over three dozen manuscript witnesses and two early modern print copies, Liber Uricrisiarum describes medieval humoral theory, anatomy, physiology, disease, medical astronomy, reproductive processes, and more, all within the broader context of uroscopic diagnosis. The introduction situates the text and its author in their medical, intellectual, linguistic, and bibliographic contexts, outlining the uroscopic tradition to which Daniel contributes, and describing the relationships among the many manuscripts containing the Liber Uricrisiarum. This edition presents the Middle English text, with a general glossary, glossary of proper names, and explanatory notes that explain obscure words and phrases and identify Daniel’s sources. It also includes the complete set of diagrams contained in the Royal manuscript; appendices providing the Latin and English versions of the prologue and epilogue; an extensive translation from one of Daniel’s important sources, Isaac Israeli’s De urinis; tables relevant to Daniel’s astronomical measurements; and an analysis of the Royal manuscript’s dialect. Cumulatively, the edition and apparatus introduce readers to an important yet understudied text, the details of which will have significant impact on studies of medieval medicine and science, intellectual history, and Middle English language and literature.
Earth. The Final Frontier Contrary to popular belief, Earth is not an insignificant blip on the universe’s radar. Our world proves anything but average in Guillermo Gonzalez and Jay W. Richards’ The Privileged Planet: How Our Place in the Cosmos Is Designed for Discovery. But what exactly does Earth bring to the table? How does it prove its worth among numerous planets and constellations in the vastness of the Milky Way? In The Privileged Planet, you’ll learn about the world’s life-sustaining capabilities, water and its miraculous makeup, protection by the planetary giants, and how our planet came into existence in the first place.
He's Just Not in the Stars is a sinful combination of He's Just Not That into You, Sex and the City, and The Secret Language of Birthdays. If all is fair in love and war, this is the right ammunition. . . . Hindsight is 20/20. Love is blind. With all that good and bad vision out there, who's gonna give you some serious insight? Sex columnist and love astrology expert Jenni Kosarin is taking names and kicking astrological butt. . . . Flirt. Crush. Boyfriend. Ex-boyfriend. Husband. Whatever. What's his potential? What's he looking for? How do you fix things once you've messed up? Which sign will give you another chance and which won't? Find out his idiosyncrasies before you date him. Find out who's ready for a relationship and who'll still be hanging out in twentysomething bars in fifteen years. (Uh. Creepy.) Here, get the scoop on how your man stacks up. Decipher. Crack the code. Get stellar advice. The concept is revolutionary: Combine his Sun Sign with his Venus. That's all. No "rising signs," no tricking his mother into telling you what time he was born. No cookie-cutter generalizations. This book is frighteningly specific. Filled with sixty easy-to-follow combos, it's illustrated with ironic, gossip-filled, shocking real-life examples of famous celebs such as: Colin Firth (Virgo, Venus in Libra): Virgo + Libra = sexy and subtle combo Orlando Bloom (Capricorn, Venus in Pisces): Capricorn is all for security, Pisces is a full-on romantic = good guy Chris Rock (Aquarius, Venus in Capricorn): Aquarius can be about partnership when Capricorn grounds it Ethan Hawke (Scorpio, Venus in Scorpio): Ladykiller double sign combo Antonio Banderas (Leo, Venus in Virgo): Hint: the Virgo makes him stay . . . plus many, many others. By defining him in a way that's never been done before, He's Just Not in the Stars gives it to you straight. No tiptoeing around. No hugging and sharing. No coddling. Deal with it. (Cue drum roll.) This is for the woman who wants to take charge of her own destiny. Is he in the stars? Time won't tell. Jenni Kosarin will. He's Just Not in the Stars is the last hip, irreverent relationship book you'll ever want. Throw away the rest . . . They're taking up space where your happily married pictures should go.
Dubbed by his fellow Futurists the "King of Time," Velimir Khlebnikov (1885-1922) spent his entire brief life searching for a new poetic language to express his convictions about the rhythm of history, the correspondence between human behavior and the "language of the stars." The result was a vast body of poetry and prose that has been called hermetic, incomprehensible, even deranged. Of all this tragic generation of Russian poets (including Blok, Esenin, and Mayakovsky), Khlebnikov has been perhaps the most praised and the more censured. This first volume of the Collected Works, an edition sponsored by the Dia Art Foundation, will do much to establish the counterimage of Khlebnikov as an honest, serious writer. The 117 letters published here for the first time in English reveal an ebullient, humane, impractical, but deliberate working artist. We read of the continuing involvement with his family throughout his vagabond life (pleas to his smartest sister, Vera, to break out of the mold, pleas to his scholarly father not to condemn and to send a warm overcoat); the naive pleasure he took in being applauded by other artists; his insistence that a young girl's simple verses be included in one of the typically outrageous Futurist publications of the time; his jealous fury at the appearance in Moscow of the Italian Futurist Marinetti; a first draft of his famous zoo poem ("O Garden of Animals!"); his seriocomic but ultimately shattering efforts to be released from army service; his inexhaustibly courageous confrontation with his own disease and excruciating poverty; and always his deadly earnest attempt to make sense of numbers, language, suffering, politics, and the exigencies of publication. The theoretical writings presented here are even more important than the letters to an understanding of Khlebnikov's creative output. In the scientific articles written before 1910, we discern foreshadowings of major patterns of later poetic work. In the pan-Slavic proclamations of 1908-1914, we find explicit connections between cultural roots and linguistic ramifications. In the semantic excursuses beginning in 1915, we can see Khlebnikov's experiments with consonants, nouns, and definitions spelled out in accessible, if arid, form. The essays of 1916-1922 take us into the future of Planet Earth, visions of universal order and accomplishment that no longer seem so farfetched but indeed resonate for modern readers.
A unique collection of thirty experiments ranging from ancient astronomy to cosmology, each containing one or more challenges for the reader. The progression here is from the Earth outward through the solar system to the stellar and galactic realm. Topics include the shape of the sky; Stonehenge as a stone-age abacus; determining the size of the Earth; the distance of the moon, stars and planets; planetary mass, density, temperature and atmosphere; the speed of light; the nature of the quiet and active sun; photometry and spectroscopy; star clusters and variable stars; and fundamental properties of stars.
The International Astronomical Union (IAU) was founded in 1919, in the wake of the First World War, together with its sister Unions in related natural sciences. It will thus turn 100 years in 2019. Written by a mixed team of insiders and outsiders, this book presents the IAU in the changing context of the historical, scientific and technological development of astronomy during the past 100 years. While much important scientific progress took place already before 1945, the book naturally focuses on the accelerating evolution during the second half of the century. In the past few decades, the previously narrow IAU focus on organising professional astronomy has broadened to include societally relevant activities such as addressing the hazard of asteroid impacts, the planetary status of Pluto in the Solar System, and the hugely successful International Year of Astronomy. Most recently, it is spearheading a combination of science literacy and public outreach. The book will be of interest to professional astronomers as well as an astronomically interested general audience. The book features live personal interviews with as many of the key actors as still possible.
