2012 Songwriter's Market

2012 Songwriter's Market

Author: Adria Haley

Publisher: Penguin

Published: 2011-10-07

Total Pages: 508

ISBN-13: 1599632462

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The Most Trusted Guide to Songwriting Success For 35 years, Songwriter’s Market has provided the most complete and up-to-date information songwriters need to place their songs with music publishers, record companies, record producers, managers, booking agents, music firms and more. In the 2012 edition you also gain access to: • Hundreds of songwriting placement opportunities • Power-packed articles on taking charge of your career—including how to navigate the constantly evolving world of social media and discover alternative routes to songwriting success • Listings for songwriting organizations, conferences, workshops, retreats, colonies, contests, and venues (a brand new addition to the listings; a helpful tool for indie artists booking their own tours) Take charge of your songwriting career today with the 2012 Songwriter’s Market. Includes an exclusive 60-minute FREE WEBINAR with music licensing expert Sarah Gavigan that will teach you how to find new placements for your music "Songwriter’s Market is a valuable resource for songwriters, especially those living away from traditional music centers. It’s stuffed full of useful information." —Pat Pattison, author of Songwriting Without Boundaries and Writing Better Lyrics "Learn how to create buzz as an artist. This is an excellent resource to determine the kind of entrance you want to make into the world of singer-songwriters." —Amy Stroup, indie artist, The Other Side of Love Sessions


Traveler

Traveler

Author: Bobbie Malone

Publisher: University of Oklahoma Press

Published: 2022-09-15

Total Pages: 272

ISBN-13: 0806191384

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For five decades, as a singer, musician, songwriter, and producer, Tim O’Brien has ceaselessly explored the vast American musical landscape. While Appalachia and Ireland eventually became facets of the defining myth surrounding him and his music, he has digested a broad array of roots styles, reshaping them to his own purposes. Award-winning biographer Bobbie Malone and premier country music historian Bill C. Malone have teamed again, this time to chronicle O’Brien’s career and trace the ascent of Hot Rize and its broadening and enrichment of musical traditions. At the beginning of that career, O’Brien moved from his native West Virginia to the Rocky Mountain West. In just a few years, he became the lead singer, mandolin and fiddle player, and principal songwriter of beloved 1980s bluegrass band Hot Rize. Seeking to move beyond bluegrass, he next went to Nashville. O’Brien’s success in navigating the shoals of America’s vast reservoir of folk musical expressions took him into the realm of what is now called Americana. The core of Tim O’Brien’s virtuosity is his abiding and energetic pursuit of the next musical adventure. As a traveler, he has ranged widely in choosing the next instrument, song, style, fellow musicians, or venue. Written with O’Brien’s full cooperation and the input of family, friends, colleagues, and critics, Traveler provides the first complete, behind-the-scenes picture of a thoroughly American self-made musical genius—the boy who grew up listening to country artists at the WWVA Wheeling Jamboree and ended up charting a new course through American music.


Leftover Salmon

Leftover Salmon

Author: Tim Newby

Publisher: Rowman & Littlefield

Published: 2019-02-08

Total Pages: 409

ISBN-13: 1538113309

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For thirty years, Leftover Salmon has blended musical styles from rock and bluegrass to zydeco and Cajun into an undeniably original sound and forever influenced generations of bands from across the musical spectrum. Emerging from the progressive bluegrass world and coming of age as one the original jam bands, Leftover Salmon rose to become architects of what has become known as Jamgrass—a style in which bluegrass can break free through nontraditional instrumentation and stylistic experimentation. In this book, Tim Newby presents an intimate portrait of Leftover Salmon through its band members, family, friends, former bandmates, managers, and countless musicians. Leftover Salmon was born from the heart and soul of America itself, playing music that reflects the sounds emanating from the Appalachian hills, the streets of New Orleans, the clubs of Chicago, the plains of Texas, and the mountains in their home state of Colorado. Newby reveals Leftover Salmon’s story as one that is crucialto American music and needs to be told now.


Billboard

Billboard

Author:

Publisher:

Published: 2011-04-02

Total Pages: 816

ISBN-13:

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In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.


The Portable Community

The Portable Community

Author: Robert Owen Gardner

Publisher: Routledge

Published: 2020-02-17

Total Pages: 164

ISBN-13: 1351022040

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This book explores the various ways in which individuals use music and culture to understand and respond to changes in their natural and built environments. Drawing on over 15 years of ethnographic fieldwork, interviews, and participant observation, the author develops the thesis that the relationships, networks, and intimate forms of social interaction in the “portable” community cultivated at bluegrass festival events are significant cultural formations that shape participants’ relationships to their localities. With specific attention to the ways in which the strength of these relationships are translated into meaningful sites of community identity, place, and action following devastating local floods that destroyed homes and businesses, displacing residents for years, The Portable Community: Place and Displacement in Bluegrass Festival Life sheds light on the strength of such communities when tested and under external threat. A study of the central role of arts and music in grappling with social and environmental change, including their role in facilitating disaster relief and recovery, this volume will appeal to scholars of sociology with interests in symbolic interactionism, the sociology of music, culture, and the sociology of disaster.


Americana Music

Americana Music

Author: Lee Zimmerman

Publisher: Texas A&M University Press

Published: 2019-01-23

Total Pages: 334

ISBN-13: 1623497027

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With roots in Appalachia, the Mississippi Delta, New Orleans, the Piedmont, Memphis, and the prairies of Texas and the American West, the musical genre called Americana can prove difficult to define. Nevertheless, this burgeoning trend in American popular music continues to expand and develop, winning new audiences and engendering fresh, innovative artists at an exponential rate. As Lee Zimmerman illustrates in Americana Music: Voices, Visionaries, and Pioneers of an Honest Sound, “Americana” covers a gamut of sounds and styles. In its strictest sense, it is a blanket term for bluegrass, country, mountain music, rockabilly, and the blues. By a broader definition, it can encompass roots rock, country rock, singer/songwriters, R&B, and their various combinations. Bob Dylan, Hank Williams, Carl Perkins, and Tom Petty can all lay valid claims as purveyors of Americana, but so can Elvis Costello, Solomon Burke, and Jason Isbell. Americana is new and old, classic and contemporary, trendy and traditional. Mining the firsthand insights of those whose stories help shape the sound—people such as Ralph Stanley, John McEuen (Nitty Gritty Dirt Band), Chris Hillman (Byrds, Flying Burrito Brothers), Paul Cotton and Rusty Young (Poco), Shawn Colvin, Kinky Friedman, David Bromberg, the Avett Brothers, Amanda Shires, Ruthie Foster, and many more—Americana Music provides a history of how Americana originated, how it reached a broader audience in the ’60s and ’70s with the merging of rock and country, and how it evolved its overwhelmingly populist appeal as it entered the new millennium.


Killer Technique: Voice

Killer Technique: Voice

Author: Michaela Neller

Publisher: Mel Bay Publications

Published: 2013-07-09

Total Pages: 17

ISBN-13: 161911416X

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Just like a guitar, saxophone, piano, clarinet or flute, the voice is an instrument that requires training and education. Consistent practice, along with an understanding of the parts and mechanics of the voice, will help improve vocal flexibility, agility and range. This provides more control, giving you the ability tosing anything you hear. Unlike a conventional instrument, the voice is part of your anatomy and carried at all times. It requires unique care and awareness that other instruments do not. This book is a convenient way to keep helpful reminders and exercises with you on the go. The material includes information on vocal anatomyand the breathing system, safe and healthy techniques, and how to incorporate proper vocal care into your lifestyle. The book also contains essential vocal warm-ups. Although written in specific keys, the exercises should be transposed to other keys within your range (moving up and down in half steps). Just like stretching and warming up before a rigorous physical workout, it is important to warm up the voice before singing full out


Leftover Salmon

Leftover Salmon

Author: Tim Newby

Publisher: Rowman & Littlefield Publishers

Published: 2019-01-11

Total Pages: 408

ISBN-13: 9781538113295

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Newby presents an intimate portrait of the cult sensation jam band Leftover Salmon through its band members, family, friends, former band-mates, record label owners, managers, and the countless musicians. This book reveals Leftover Salmon's crucial contribution to American music as they've influenced countless other bands while garnering the respect of countless fans.


Music in the Social and Behavioral Sciences

Music in the Social and Behavioral Sciences

Author: William Forde Thompson

Publisher: SAGE Publications

Published: 2014-07-18

Total Pages: 1350

ISBN-13: 1452283028

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This first definitive reference resource to take a broad interdisciplinary approach to the nexus between music and the social and behavioral sciences examines how music affects human beings and their interactions in and with the world. The interdisciplinary nature of the work provides a starting place for students to situate the status of music within the social sciences in fields such as anthropology, communications, psychology, linguistics, sociology, sports, political science and economics, as well as biology and the health sciences. Features: Approximately 450 articles, arranged in A-to-Z fashion and richly illustrated with photographs, provide the social and behavioral context for examining the importance of music in society. Entries are authored and signed by experts in the field and conclude with references and further readings, as well as cross references to related entries. A Reader's Guide groups related entries by broad topic areas and themes, making it easy for readers to quickly identify related entries. A Chronology of Music places material into historical context; a Glossary defines key terms from the field; and a Resource Guide provides lists of books, academic journals, websites and cross-references. The multimedia digital edition is enhanced with video and audio clips and features strong search-and-browse capabilities through the electronic Reader’s Guide, detailed index, and cross references. Music in the Social and Behavioral Sciences, available in both multimedia digital and print formats, is a must-have reference for music and social science library collections.