Thomas Hood and nineteenth-century poetry
Thomas Hood and nineteenth-century poetry

Author: Sara Lodge

Publisher: Manchester University Press

Published: 2016-05-16

Total Pages: 240

ISBN-13: 1526101645

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This is the first modern critical study of Thomas Hood, the popular and influential nineteenth-century poet, editor, cartoonist and voice of social protest. Acclaimed by Dickens, the Brownings and the Rossettis, Hood’s quirky, diverse output bridges the years between 1820 and 1845 and offers fascinating insights for Romanticists and Victorianists alike. Lodge’s timely book explores the relationship between Hood’s playfulness, his liberal politics, and contemporary cultural debate about labour and recreation, literary materiality and urban consumption. Each chapter examines something distinctive of interdisciplinary interest, including the early nineteenth-century print culture into which Hood was born; the traditional, urban and political ramifications of the grotesque art and literature aesthetic; the cultural politics of Hood’s trademark puns; theatre, leisure and the ‘labour question’. Lively and accessible, this book will appeal to scholars of nineteenth-century English Literature, Visual Arts and Cultural Studies.

The Retrospective Review (1820-1828) and the Revival of Seventeenth Century Poetry
The Retrospective Review (1820-1828) and the Revival of Seventeenth Century Poetry

Author: Jane Campbell

Publisher: Wilfrid Laurier Univ. Press

Published: 2006-01-01

Total Pages: 77

ISBN-13: 0889208662

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This essay had its beginning in an investigation of changing attitudes to seventeenth-century Pre-Restoration poetry during the English Romantic period. In the course of that research, Jane Campbell discovered that a relatively little-known periodical, the Retrospective Review, which was published in London from 1820 to 1828, appeared to have played an interesting part in the rehabilitation of the poets of the earlier period. This book, then, is an attempt to outline the history of this review, to place it against its literary background, and to assess its role in the critical re-evaluation of the poets of the earlier seventeenth century—an age to which the Retrospective’s contributors and their contemporaries looked with fascination as well as with an affectionate feeling of kinship.