Paperback reprint of a classic military history of Australia's part in WWI, first published in 1946. The author was an official war correspondent with the Australian Imperial Force and edited the 12-volume official history of Australia's fighting services. This book is a condensation of that official history, and describes major campaigns and strategies, as well as giving a brief political, social and industrial background. Includes maps and an index.
Surviving the Great War is the first detailed analysis of Australians in German captivity in WW1. By placing the hardships of prisoners of war in a broader social and military content, this book adds a new dimension to the national wartime experience and challenges popular representations of Australia's involvement in the First World War.
Australia's War, 1914-18 explores Australia's involvement in the First World War and the effect this had on the nation' s society. In this very accessible book, Joan Beaumont, Pam Maclean, Marnie Haig-Muir and David Lowe focus on: where Australians fought and why; the tensions and realignments within Australian politics in the period of 1914-18; the stresses of the war on Australian society, especially on women and those whom wartime hysteria cast in the role of the 'enemy' at home; the impact of the war on the country's economy; the role played by Australia in international diplomacy; and finally, the creation and influence of the Anzac legend. Once dominated by the battlefield and official accounts of the war correspondent and official historian, C.E.W. Bean, Australian writing on the war has acquired a new depth and sophistication. Studies of the home front reveal a society riven by divisions without precedent in the nation's history. This single volume will be invaluable to tertiary students and of enormous interest to the reader concerned with the social, political and military history of Australia.
This book presents the history of the British Tank Corps and the history of Great Britain's tanks. The author summarizes the campaigns of World War I emphasizing the role of the tanks during each of the battles.
In 'Now It Can Be Told,' Philip Gibbs offers a candid and unvarnished portrait of World War I, which stands out in stark contrast to the sanitized versions that were permissible under wartime censorship. Gibbs masterfully employs a rich, journalistic prose style that captures the harrowing experiences and untold stories of soldiers on the Western Front. His work is not only a literary accomplishment but also a piece of historical journalism that has significantly contributed to the contemporary understanding of the Great War. Within the literary context, his narrative breaks free from the constraints of his time, providing a raw and essential account of the true costs of conflict. Philip Gibbs, an esteemed war correspondent, bore witness to the atrocities of the First World War, through which he experienced the indelible traumas and heroism of the battlefield firsthand. This direct exposure to the horrors of war informed his reflective and compassionate approach in documenting the lives of soldiers and civilians affected by the conflict. Gibbs's narrative is fuelled by an urgency to reveal the truths that wartime censorship had suppressed, a testament to his commitment to journalistic integrity and transparency. The book comes highly recommended for readers with an interest in military history, journalism, and the literature of war. Gibbs's 'Now It Can Be Told' transcends its own era to resonate with contemporary audiences seeking a deeper understanding of the human condition amidst the chaos of war. It is an essential read for anyone who wishes to grasp the reality of warfare beyond the romanticism and valor often depicted, unveiling the courage, tragedy, and sometimes the mundanity, of life on the front lines.
'May the eyes of Canada never be blind to that glorious light which shines upon our young national life from the deeds of those "who counted not their lives dear unto themselves"'. When World War I broke out in the summer of 1914, the Canadian chaplain Frederick George Scott volunteered for service despite his fears. He spent four long years in the trenches on the western front, where he developed close bonds with his fellow soldiers and sought to maintain his faith while the world around him collapsed into chaos. In evocative language befitting his background as a poet, Scott lays bare the horrors of modern warfare. Filled with heart-wrenching descriptions and tragic detail, The Great War as I Saw It is a powerful meditation on the Canadian experience during World War I and an important look into the life of the ordinary soldier.
First published in 1922 in a very limited edition, this mammoth work is the most comprehensive, single-volume record of the nation's commitment in the first total war in British history. Until August 1914, wars, as far as Great Britain was concerned, had been the business of the regular armed forces, supplemented by eager volunteers, motivated by patriotism and a sense of adventure. They had marched away behind the bands, with the Colours flying and the enthusiastic cheers of onlookers ringing in their ears. Apart from the families of the men doing the fighting, however, war had little effect on the wider population. In August 1914 most people expected the war to follow this previous pattern: the surge of patriotism, the Mafeking-style jingoism, the rush of volunteers eager to get to the fighting before it was all over. But within a couple of months, when the casualty lists of then First Battle of Ypres began to appear, the mood began to change, as people perceived the true nature of modern war. The record of this response is made clear in the monthly and annual statistical returns displayed in this volume. The scope of 'Statistics' is hugely impressive. It is divided into thirty-two parts, each dealing with a different aspect of the war effort - personnel, animals and materiel - under separate section headings, with the detail presented in clear, tabular form, frequently accompanied by a narrative of events or commentary. The wealth of detail displayed is formidable. For example, the 200-page part dealing with Strength of the Forces has tables showing monthly recruiting figures, strength returns by theatres, returns of Labour and Native personnel serving abroad, growth of individual Arms of the Service (infantry, artillery, cavalry etc.) and tables of consolidated figures. Casualty lists include those incurred in hospital ships, with individual ship details, and there are also figures for major offensives, such as the Somme, Arras, Passchendaele, Cambrai etc. Other parts deal with discipline - courts martial, crime and punishment statistics; consolidated list of honours and awards; texts of armistices; munitions production and expenditure, including the cost of certain bombardments during major battles. There is a fifty-page outline diary of the main events in the various Theatres of War and, under a separate heading, a diary of the air raids over the UK and coastal bombardments with resulting casualties.
Expertise, Authority and Control charts the development of Australian military medicine in the First World War in the first major study of the Australian Army Medical Corp in over seventy years. It examines the provision of medical care to Australian soldiers during the Dardanelles campaign and explores the imperial and medical-military hierarchies that were blended and challenged during the campaign. By the end of 1918, the AAMC was a radically different organisation. Using army orders, unit war diaries and memoranda written to disseminate information within the Australian Imperial Forces (AIF) and between British and Australian soldiers, it maps the provision of medical care through casualty clearance and evacuation, rehabilitation, and the prevention and treatment of venereal disease. In doing so, she reassesses Australian military medicine and maps the transition to an infrastructure for the AIF in the field, especially in response to conflicts with traditional imperial, military and medical hierarchies.
