The Armory Show at 100

The Armory Show at 100

Author: Marilyn S. Kushner

Publisher: Giles

Published: 2013

Total Pages: 0

ISBN-13: 9781907804045

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A groundbreaking re-examination of the seminal 1913 New York art show.


Documents of the 1913 Armory Show

Documents of the 1913 Armory Show

Author: Kenyon Cox

Publisher: Hol Art Books

Published: 2009

Total Pages: 196

ISBN-13: 0982325738

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On February 17, 1913, the American Association of Painters and Sculptors opened the Armory Show in New York. The ad-hoc association had started out with the modest goal of showing some of the ¿new¿ art coming out of Europe--Duchamp, Matisse, Picasso and many more of today¿s acknowledged masters. What they ultimately created was a sprawling showcase of some of the most ground-breaking (many said subversive) art America had ever seen. This volume includes original documents from this exhibition, and collects the complete text of "For and Against: Views on the Infamous 1913 Armory Show" (ISBN 978-0-9823257-1-1) and "The New Spirit: Pamphlets from the Infamous 1913 Armory Show" (ISBN 978-0-9823257-2-8)


The New Spirit

The New Spirit

Author: Gail Stavitsky

Publisher:

Published: 2013

Total Pages: 0

ISBN-13: 9780988311305

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Published on the occasion of an exhibition held Feb. 17-June 16, 2013, at the Montclair Art Musem, Montclair, N.J.


The Story of the Armory Show

The Story of the Armory Show

Author: Milton Wolf Brown

Publisher:

Published: 1988

Total Pages: 362

ISBN-13:

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"Chronicles how this landmark exhibition was put together, how it looked, and how it was received ... With twenty-one new color images and a completely updated catalogue raisonné of all the paintings, sculptures, and prints in the original show"--Cover.


Lists

Lists

Author: Liza Kirwin

Publisher: Princeton Architectural Press

Published: 2010-03-15

Total Pages: 212

ISBN-13: 9781568988887

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From the weekly shopping list to the Ten Commandments, our lives are shaped by lists. Whether dashed off as a quick reminder, or carefully constructed as an inventory, this humble form of documentation provides insight into its maker's personal habits and decision-making processes. This is especially true for artists, whose day-to-day acts of living and art-making overlap and inform each other. Artists' lists shed uncover a host of unbeknownst motivations, attitudes, and opinions about their work and the work of others. Lists presents almost seventy artifacts, including "to do" lists, membership lists, lists of paintings sold, lists of books to read, lists of appointments made and met, lists of supplies to get, lists of places to see, and lists of people who are "in." At times introspective, humorous, and resolute, but always revealing and engaging, Lists is a unique firsthand account of American cultural history that augments the personal biographies of some of the most celebrated and revered artists of thelast two centuries. Many of the lists are historically important, throwing a flood of light on a moment, movement, or event; others are private, providing an intimate view of an artist's personal life: Pablo Picasso itemized his recommendations for the Armory Show in 1912; architect Eero Saarinen enumerated the good qualities of the then New York Times art editor and critic Aline Bernstein, his second wife; sculptor Alexander Calder's address book reveals the whos who of the Parisian avant-garde in the early twentieth century. In the hands of their creators, these artifacts become works of art in and of themselves. Lists includes rarely seen specimens by Vito Acconci, Leo Castelli, Joseph Cornell, Hans Hofmann, Franz Kline, Willem de Kooning, Lee Krasner, H. L. Mencken, Robert Motherwell, Barnett Newman, Jackson Pollock, Richard Pousette-Dart, Robert Rauschenberg, Ad Reinhardt, Mark Rothko, Clyfford Still, and Andrew Wyeth.


New York 1913

New York 1913

Author: Martin Green

Publisher: Macmillan Reference USA

Published: 1988

Total Pages: 352

ISBN-13:

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In this work, Green shows how two notable, seemingly quite disparate events of the pre-WW I era converged, both in time and place, and (more importantly) in their enthusiasm for radical art and radical politics. Champions of the Armory Show and the Paterson Strike Pageant interpreted these events as liberating forces from bourgeois tastes and bourgeois economics. Their common cause notwithstanding, Green notes the lines of divergence between these two celebrations and among their supporters, both then and in the years that immediately followed.


The Cubies' ABC

The Cubies' ABC

Author: Mary Chase Mills Lyall

Publisher: Good Press

Published: 2021-04-26

Total Pages: 34

ISBN-13:

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This book was written by Mary Mills Lyall in collaboration with her architect husband Earl Harvey Lyall, who also illustrated it. "The Cubies' ABC" is a delightful and humorous satirical alphabet book that makes fun of Cubists while pretending to be a kid's book. Three unidentified individuals are called The Cubies. Each has green hair and is one of three different colors: blue, mustard, and magenta. Instead of using cubes to build them, Earl Lyall used pyramids. They frequently feature jack-o'-lantern-like leering grins, have red triangle eyes and mouths, and have triangular shapes. They frequently scowl and come out as purposefully dim-witted. They swoon over anything Cubist and mock objectivity throughout the entire book.


Walter Pach (1883-1958)

Walter Pach (1883-1958)

Author: Laurette E. McCarthy

Publisher: Penn State Press

Published: 2011

Total Pages: 259

ISBN-13: 0271037407

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"Explores the career of Walter Pach (1883-1958), an influential figure in twentieth-century art and culture. As critic, agent, liaison, and lecturer, Pach helped win the acceptance of modern European, American, and Mexican art throughout the North American continent"--Provided by publisher.


Walt Kuhn

Walt Kuhn

Author: Walt Kuhn

Publisher: DC Moore Gallery, New York

Published: 2013

Total Pages: 0

ISBN-13: 9780984806362

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Walt Kuhn (1877-1949) is best known for his bold, modernist paintings of showgirls and circus performers. He was deeply involved with theater and the circus for much of his life, and his work was informed by years of close observation. Combining a modernist impulse with a showman's instincts, Kuhn created portraits that penetrate the veneer of burlesque shows and circuses as well as vigorously rendered still lifes. Kuhn was one of the principal organizers of the 1913 Armory Show, and from about 1922 to 1925, he also turned theater professional, writing and directing satirical skits and pantomimes. In the late 1920s, his mature style emerged through a unique melding of modernist principles with an updated realism. This first major exhibition catalogue of Kuhn's work in decades, timed to coincide with the 100th anniversary of the Armory Show, brings his work back into the spotlight.