Offers a guide to census indexes, including federal, state, county, and town records, available in print and online; arranged by year, geographically, and by topic.
Volume I. Quilts and textiles, Ceramics, Silver, Weaponry, Furniture, Vernacular architecture, Native American art -- volume II. Photography, Fine art.
Genealogists and other historical researchers have valued the first two editions of this work, often referred to as the genealogist's bible."" The new edition continues that tradition. Intended as a handbook and a guide to selecting, locating, and using appropriate primary and secondary resources, The Source also functions as an instructional tool for novice genealogists and a refresher course for experienced researchers. More than 30 experts in this field--genealogists, historians, librarians, and archivists--prepared the 20 signed chapters, which are well written, easy to read, and include many helpful hints for getting the most out of whatever information is acquired. Each chapter ends with an extensive bibliography and is further enriched by tables, black-and-white illustrations, and examples of documents. Eight appendixes include the expected contact information for groups and institutions that persons studying genealogy and history need to find. ""
The True Story Behind True Grit Immortalized in the classic novel and films, the real "Rooster" Cogburn was as bold, brash, and bigger-than-life as the American West itself. Now, in this page-turning account, Cogburn's great-great-grandson reveals the truth behind the fiction--and the man behind the myth. . . He was born in 1866 in Fancy Hill, Arkansas, the descendant of pioneers and moonshiners. Six foot three, dark eyed, and a dead shot with a rifle, Franklin "Rooster" Cogburn was as hard as the rocky mountain ground his family settled. The only authority the Cogburn clan recognized was God and a gun. And though he never packed a badge, Rooster meted out his own brand of justice--taking on a posse of U.S. deputy marshals in a blazing showdown of gunfire and blood. Now a wanted man, with a $500 reward on his head, Rooster would ultimately have to defend himself before a hanging judge. Proud, stubborn, fearless, and ornery to the bitter end. A fascinating portrait of a true American icon, Rooster shows us the making of a legend--fashioned by Arkansas newspaperman Charles Portis with bits and pieces of historical figures, including Deputy Reuben M. Fry, one-eyed Deputy Marshal Cal Whitson, Joseph Peppers (Lucky Ned), Joseph Spurling (Mattie Ross's grandfather) and bank robber Frank Chaney (scar-faced Tom Chaney.) Behind it all stood a man named "Rooster," with two good eyes and a tale all his own. With never-before-seen photos Some folks are just born to tell tall tales. Brett Cogburn was reared in Texas and the mountains of Southeastern Oklahoma. He was fortunate enough for many years to make his living from the back of a horse, where on cold mornings cowboys still straddled frisky broncs and dragged calves to the branding fire on the end of a rope from their saddlehorns. Growing up around ranches, livestock auctions, and backwoods hunting camps filled Brett's head with stories, and he never forgot a one. In his own words: "My grandfather taught me to ride a bucking horse, my mother gave me a love of reading, and my father taught me how to hunt my own meat and shoot straight. Cowboys are just as wild as they ever were, and I've been damn lucky to have known more than a few." The West is still teaching him how to write. His first novel, Panhandle, will be published in November 2012. Brett Cogburn lives in Oklahoma with his family.
Long out of print and found only in rare-book stores, it is now available to a contemporary audience with this new paperback edition. When slavery was abolished by the Emancipation Proclamation, there were slaves in every county of the state, and almost half the population was directly involved in slavery as either a slave, a slaveowner, or a member of an owner’s family. Orville Taylor traces the growth of slavery from John Law’s colony in the early eighteenth century through the French and Spanish colonial period, territorial and statehood days, to the beginning of the Civil War. He describes the various facets of the institution, including the slave trade, work and overseers, health and medical treatment, food, clothing, housing, marriage, discipline, and free blacks and manumission. While drawing on unpublished material as appropriate, the book is, to a great extent, based on original, often previously unpublished, sources. Valuable to libraries, historians in several areas of concentration, and the general reader, it gives due recognition to the signficant place slavery occupied in the life and economy of antebellum Arkansas.