1576 to 1660, Part I
Author: Glynne William Gladstone Wickham
Publisher: Psychology Press
Published: 2002
Total Pages: 320
ISBN-13: 9780415197854
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Author: Glynne William Gladstone Wickham
Publisher: Psychology Press
Published: 2002
Total Pages: 320
ISBN-13: 9780415197854
DOWNLOAD EBOOKAuthor: Glynne Wickham
Publisher: Routledge
Published: 2013-06-17
Total Pages: 470
ISBN-13: 1136288325
DOWNLOAD EBOOKThis volume forms part of the 5 volume set Early English Stages 1300-1660. This set examines the history of the development of dramatic spectacle and stage convention in England from the beginning of the fourteenth century to 1660.
Author: Glynne Wickham
Publisher:
Published: 2002
Total Pages: 408
ISBN-13: 9780415197847
DOWNLOAD EBOOKAuthor: Glynne William Gladstone Wickham
Publisher: Columbia University Press
Published: 1959
Total Pages: 408
ISBN-13: 9780231089388
DOWNLOAD EBOOKAuthor: Glynne William Gladstone Wickham
Publisher:
Published: 1959
Total Pages: 470
ISBN-13:
DOWNLOAD EBOOKAuthor: Glynne Wickham
Publisher: Routledge
Published: 2013-06-17
Total Pages: 465
ISBN-13: 1136288392
DOWNLOAD EBOOKThis volume forms part of the 5 volume set Early English Stages 1300-1660. This set examines the history of the development of dramatic spectacle and stage convention in England from the beginning of the fourteenth century to 1660.
Author: Glynne William Gladstone Wickham
Publisher:
Published: 1959
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published:
Total Pages: 573
ISBN-13: 0198117353
DOWNLOAD EBOOKAuthor: Glynne William Gladstone Wickham
Publisher:
Published: 1959
Total Pages: 408
ISBN-13: 9780710022868
DOWNLOAD EBOOKAuthor: Michael O'Connell
Publisher: Oxford University Press
Published: 2000-01-13
Total Pages: 209
ISBN-13: 0195344022
DOWNLOAD EBOOKThis study argues that the century after the Reformation saw a crisis in the way that Europeans expressed their religious experience. Focusing specifically on how this crisis affected the drama of England, O'Connell shows that Reformation culture was preoccupied with idolatry and that the theater was frequently attacked as idolatrous. This anti-theatricalism notably targeted the traditional cycles of mystery plays--a type of vernacular, popular biblical theater that from a modern perspective would seem ideally suited to advance the Reformation project. The Idolatrous Eye provides a wide perspective on iconoclasm in the sixteenth century, and in so doing, helps us to understand why this biblical theater was found transgressive and what this meant for the secular theater that followed.