“Paul Revenson loves to share the Gospel in music and poetry, and he does it with passion and conviction. You will find spiritual comfort and encouragement here.” —David Epstein, Senior Pastor, Calvary Baptist Church, N.Y.C. . “Paul Revenson’s poems are Biblically based and quite imaginative. They brim with truth and common sense, plus interesting rhymes. They are a great devotional source.” —Frank Boggs, First recording vocal artist, Word Records. Smyrna, Ga. “The poet has the uncanny talent to express the Christian worldview in both classical and contemporary flair. Each poem will speak to your heart and mind, and give you a deeper understanding of what it means to be a ‘child of God’.” —Brenda Milliner—N.Y.C. urban missionary.
"Hardcover Edition 2009 by Hampton Roads Publishing Company, originally published 2003 by Element, an imprint of HarperCollins Publishers UK"--Title page verso.
Radio messages from J. Vernon McGee delighted and enthralled listeners for years with simple, straightforward language and clear understanding of the Scripture. Now enjoy his personable, yet scholarly, style in a 60-volume set of commentaries that takes you from Genesis to Revelation with new understanding and insight. Each volume includes introductory sections, detailed outlines and a thorough, paragraph-by-paragraph discussion of the text. A great choice for pastors - and even better choice for the average Bible reader and student! Very affordable in a size that can go anywhere, it's available as a complete 60-volume series, in Old Testament or New Testament sets, or individually.
From the Psalms to the Prophets, from job to Ecclesiastes, much of the Bible is written in poetry. The poems of the Bible include some of its best known and most beloved passages: "The Lord is my shepherd," "Let justice roll down like waters," "By the rivers of Babylon," "Remember your Creator," "Arise, shine, for thy light is come!" These poems live in the hearts of those who are familiar with the Bible and offer rich rewards to anyone who is approaching the world's greatest book for the first time. In The Great Poems of the Bible, Harvard scholar James Kugel presents original translations of the most beautiful and important poems of the Scripture. Taken together, these poems represent the very essence of the Hebrew Bible. Reading them one after another is like taking a guided tour through Scripture, meeting firsthand some of its most important teachings and opening the way to an understanding of the Bible as a whole. Each poem is accompanied by an eloquent and accessible explanation of the poem's language, and a reflection on its meaning. These learned, compact essays introduce readers to the broader spiritual world of ancient Israel. What did people in biblical times believe about God? Where is a person's soul located and what does it do? Is there an afterlife? How does one come to "know" God? Why wasn't Eve meant to be Adam's "helpmate" (Kugel shows how this was just a translator's slip-up), and what does the Bible have to say about the role of women? Kugel's sparkling translations of the poems, together with the fascinating insights that accompany them, distill the very best that the Bible and modern scholarship have to offer. Kugel brings new life to some of history's greatest poems, and offers a new look at a Bible we thought we already knew. Here, in one volume, is a "Bible's bible" that belongs in every home.
This unique collection of "CHRISTMAS CLASSICS: 150+ Novels, Stories & Poems (Illustrated Edition)" has been designed and formatted to the highest digital standards. Life and Adventures of Santa Claus (L. Frank Baum) Christmas At Sea (Robert Louis Stevenson) The Little City of Hope (F. Marion Crawford) The Gift of the Magi (O. Henry) The First Christmas Of New England (Harriet Beecher Stowe) The Holy Night (Selma Lagerlöf) Christmas in the Olden Time (Walter Scott) Christmas In India (Rudyard Kipling) The Twelve Days of Christmas Silent Night Ring Out, Wild Bells (Alfred Lord Tennyson) Christmas with Grandma Elsie (Martha Finley) Little Lord Fauntleroy (Frances Hodgson Burnett) Anne of Green Gables (Lucy Maud Montgomery) The Christmas Angel (Abbie Farwell Brown) Black Beauty (Anna Sewell) The Christmas Child (Hesba Stretton) Granny's Wonderful Chair (Frances Browne) The Romance of a Christmas Card (Kate Douglas Wiggin) Wind in the Willows (Kenneth Grahame) The Birds' Christmas Carol (Kate Douglas Wiggin) The Wonderful Life - Story of the life and death of our Lord (Hesba Stretton) A Merry Christmas & Other Christmas Stories (Louisa May Alcott) Little Gretchen and the Wooden Shoe (Elizabeth Harrison) A Letter from Santa Claus (Mark Twain) Where Love Is, God Is (Leo Tolstoy) Peter Pan and Wendy (J. M. Barrie) Little Women (Louisa May Alcott) The Wonderful Wizard of OZ (L. Frank Baum) The Christmas Angel (Abbie Farwell Brown) The Tale of Peter Rabbit (Beatrix Potter) Toinette and the Elves (Susan Coolidge) The Heavenly Christmas Tree (Fyodor Dostoevsky) At the Back of the North Wind (George MacDonald) Christmas at Thompson Hall (Anthony Trollope) The Princess and the Goblin (George MacDonald) Thurlow's Christmas Story (John Kendrick Bangs) Christmas Every Day (William Dean Howells) The Lost Word (Henry van Dyke) The Nutcracker and the Mouse King (E. T. A. Hoffmann) The Little Match Girl The Elves and the Shoemaker...
"Jewish texts and traditions. An expression of this was the remarkable turn to Bible translation. In the century and a half between Moses Mendelssohn's pioneering translation and the final one by Martin Buber and Franz Rosenzweig, German Jews produced sixteen different translations of at least the Pentateuch. Buber and Rosenzweig famously critiqued bourgeois German Judaism as a craven attempt to establish social respectability to facilitate Jews' entry into the middle class through a vapid, domesticated account of Judaism. Exploring Bible translations by Moses Mendelssohn, Leopold Zunz, and Samson Raphael Hirsch, I argue that each sought to ground a "reformation" of Judaism along bourgeois lines, which involved aligning Judaism with a Protestant concept of religion. They did so because they saw in bourgeois values the best means to serve God and the authentic actualization of Jewish tradition. Through their learned, creative Bible translations, Mendelssohn, Zunz, and Hirsch presented distinct visions of middle-class Judaism that affirmed Jewish nationhood while lighting the path to a purposeful, emotionally rich, spiritual life grounded in ethical responsibility"--
One cold winter evening, after I'd read a short book of poems, I felt unenthused and a bit sad. My pondering led me to the thought that poetry must be truly inspired to be lively and meaningful to a reader. I even felt that it would be almost impossible to put forth verse without some quickening from deep within. Well, the next morning, I awoke with a gush of thoughtful rhymes! I exclaimed to my husband, "This is my dream come true!" With notebook and pen in hand, I made my way to an all-day couch, then poured out my first poem, "Dream," with several more on its trail. Thus was Jubilee Poetry born on January 16, 2017! This vibrant flow worked into fifty poems to highlight the year of Jubilee. Half of my pieces are acrostic style, with the titles spread downward as the left column. Many poems specifically magnify God's love and truth that responded to my weakness, pain, and desperate struggles. A few are longer works, such as "150 Psalms," which presents a line of verse for each lovely Psalm, and "Old" and "New" Testaments, which also feature an uplifting caption for every book of the Holy Bible. Two valuable indexes are provided after the poetry: first is an alphabetical listing of all fifty poems, along with related Scripture references and songs; second is a list of twenty six godly goals, along with supportive Scriptures and poems. These are tools to bring ready information to prepare ministry themes and Church programs, besides being key components of my ‘JUBILEE Daily Devotional Schedule' offered at the end of the book! I pray that this ‘inspired' work would glorify my wonderful Lord and Savior, Jesus Christ, and help grow His Kingdom on this vast earth, one precious soul at a time. Please, Jesus, touch and heal every broken heart, with billows of grace and mercy. Shower down Your love to liberate captive souls from sin and sorrow, and to spring up unto everlasting life. May Your deep ever call to our deep, flooding many empty wells with sweet joy and grand JUBILEES!
Craig Broyles examines the Psalms as a diverse collection of poems whose main roots are in Jerusalem's worship services. Both in the past and in the present, they provide dynamic liturgies though which the worshipper encounters God--often with vigorous dialogue--and finds meaning for life. Broyles makes the best of contemporary scholarship on the Psalms accessible to both general readers and serious students.
Volume III: The Remaining 65 Psalms Each of the 85 Psalms (83 poems) discussed in the previous volume of Major Poems of the Hebrew Bible has the highly remarkable feature of scoring an exact integer as the average number of syllables per colon; sometimes seven or nine, more often eight, which may be called the central normative figure of Biblical poetry. This can only mean that the classical poets did count their syllables. Moreover, they succeeded in bringing about a creative merger between various forms of numerical perfection and the structure of their songs, which is generally underpinned by the correct articulation in strophes and stanzas. The breakthrough of this discovery became possible on the basis of (a) a refined recipe for establishing the original (i.e. pre-Masoretic) syllable structure of the ancient Hebrew, and (b) a definition of the colon. In those poems in which the correct colometry is difficult to delimit, it can be established only by a three-pronged approach tackling syntax, prosody and semantics and able to combine them. In this third volume, the 65 remaining Psalms are subject of structural analysis, and once more are covered by full syllable counts. Although these songs do not seek to apply the exact integers, they display the other forms of numerical perfection on more than one textual level, so that they embody the same poetics. This will be no different in volume IV, which deals with Job 15-42 and will be published as the final volume in the Major Poems of the Hebrew Bible project.
