In this hardbound edition of the 14th novel in the New Tom Swift Invention Series, Tom is approached by the U.S. Navy to do the impossible: make their RADAR-invisible ships truly invisible, even to the human eye in broad daylight! Things progress almost too well before disaster strikes. During a test of a small car outfitted with the technology, a group of terrorists and turncoats kidnap Tom, nearly killing him as they steal the invisible coupe. He must come up with a way to not just see his nearly perfectly invisible car, he must also do it in some way so that he doesn't ruin its use in the Navy project. It is a balance of tasks that are almost too much for the young inventor to juggle. And, with the Navy and the FBI breathing down his neck, has Tom overstretched himself on this one?
This interdisciplinary study analyzes the ways in which signs of masculinity have been performed across a wide variety of contexts and genres - including literature, classical ballet, sports, rock music, films and computer games - from the early nineteenth century to the present day.
This book is a printed edition of the Special Issue "The Challenges of the Humanities, Past, Present, and Future - Volume 1" that was published in Humanities
From the bestselling author of My Ex-Best Friend's Wedding comes a novel about four friends who share a passion for a beloved British television show that will change all of their lives. When the concierge of The Alexander, a historic Atlanta apartment building, invites his fellow residents to join him for weekly screenings of Downton Abbey, four very different people find themselves connecting with the addictive drama, and—even more unexpectedly—with each other... Samantha Davis married young and for the wrong reason: the security of old Atlanta money—for herself and for her orphaned brother and sister. She never expected her marriage to be complicated by love and compromised by a shattering family betrayal. Claire Walker is now an empty nester and struggling author who left her home in the suburbs for the old world charm of The Alexander, and for a new and productive life. But she soon wonders if clinging to old dreams can be more destructive than having no dreams at all. And then there’s Brooke MacKenzie, a woman in constant battle with her faithless ex-husband. She’s just starting to realize that it’s time to take a deep breath and come to terms with the fact that her life is not the fairy tale she thought it would be. For Samantha, Claire, Brooke—and Edward, who arranges the weekly gatherings—it will be a season of surprises as they forge a bond that will sustain them through some of life’s hardest moments—all of it reflected in the unfolding drama, comedy, and convergent lives of Downton Abbey.
“An urgent and engaging look at how American politics have become the founding fathers’ worst nightmare” (The Daily Beast). America’s political system is dysfunctional. We know it, yet the problem seems intractable—after every election, voters discover yet again that political “leaders” are simply quarreling in a never-ending battle between the two warring tribes. As a former congressman, Mickey Edwards witnessed firsthand how important legislative battles can devolve into struggles not over principle but over party advantage. He offers graphic examples of how this problem has intensified and reveals how political battles have become nothing more than conflicts between party machines. In this critically important book, he identifies exactly how our political and governing systems reward intransigence, discourage compromise, and undermine our democracy—and describes exactly what must be done to banish the negative effects of partisan warfare from our political system and renew American democracy. “Overcoming tribalism and knee-jerk partisanship is the central challenge of our time. Mickey Edwards shows why and how in this fascinating book filled with sensible suggestions.” —Walter Isaacson, New York Times–bestselling author of Leonardo da Vinci “Many Americans, whether Democrats, Republicans, independent or otherwise, would welcome a few more like [Edwards] in office.” —The Boston Globe
Through the intensive examination of films, magazines, advertising and critical texts, Dyer analyses the historical, ideological and aesthetic significance of stars, changing the way we understand screen icons. Paying particular attention to icons including Marlon Brando, Bette Davis, Marlene Dietrich, Marilyn Monroe and John Wayne.
Tom Cruise is a Hollywood superstar like no other. World famous since his debut in the 1980s, he remains among the highest paid actors. Why has his persona resonated so powerfully with millions of viewers? Using psychoanalytic theory, "Tom Cruise: Performing Masculinity in Post Vietnam Hollywood" demonstrates how his star persona sublimates anxieties about masculinity. Amid Reagan-era military jingoism and concern over declining industrial labour, he represented a new model of American masculinity based on white-collar upward mobility. Spanning blockbuster films such as Risky Business (1983), Jerry Maguire (1996) and the Mission: Impossible series (1996 - 2011), this book illustrates how his characters exemplify entrepreneurialism, charisma, technological gadgetry and verbal acuity to redefine male success. His newly emotive type - 'help me help you' - also successfully overcomes interpersonal conflicts with patriarchal authority and senior women in the workplace, and navigates race relations. The first scholarly study of Tom Cruise's celebrity, this book surveys his entire career and builds on Richard Dyer's 'star theory.' It develops the core dynamic of his star persona, a mix of projected character traits and 'real life' trivia or gossip, and establishes that his box office success reflects his persona's ability to work through the psychodynamic preoccupations of his films. This exceptional appeal evolved, at times characterised by complicity with 1980s materialistic hedonism (Taps, 1981), male spectacle (Magnolia, 1999), or his use of martial technology (War of the Worlds, 2005), and their attendant psychic meanings. Recent shifts in American culture, however, in tandem with Tom Cruise's growing evangelism for the Church of Scientology, may be threatening his appeal. Ultimately, this book offers a picture of how stars reflect the values and crises of their societies, and fills a substantial gap in scholarship on celebrity studies, critical cultural analysis, masculinity studies, and film theory.
Although none of the luxury fibres, including silk, is produced in large quantities, their particular and unique qualities of fineness, softness, warmth and pleasurable handle mean that they occupy a very important place in the luxury apparel and fine furnishing trades.This book covers all aspects of the growth, physical characteristics, production, marketing and consumption of silk, mohair, cashmere, camelhair, Alpaca, Llama, Vicuna, Guanaco, Yak and Musk Ox fibres. The image of these fabrics is of course all important and the book describes in detail those rare occasions when a lower priced and lower quality version of a luxury fibre has damaged its overall reputation. Some natural fibres covered here including spider silk are also increasingly finding applications within the technical textiles sector where their high performance thermal properties and bio-mimetic qualities in particular, are very useful.This is an essential reference for all those involved in any part of the luxury fibre trade. - Covers all aspects of the growth, physical characteristics, production, marketing and consumption of silk, mohair, cashmere, camelhair, Alpaca, Llama, Vicuna, Guanaco, Yak and Musk Ox fibres - Describes the rare occasions when a lower priced and lower quality version of a luxury fibre has damaged its overall reputation
(Easy Piano Personality). Easy piano arrangements of all 12 tracks from one of the bestselling albums of all time: Beautiful * Home Again * I Feel the Earth Move * It's Too Late * (You Make Me Feel Like) A Natural Woman * Smackwater Jack * So Far Away * Tapestry * Way Over Yonder * Where You Lead * Will You Love Me Tomorrow (Will You Still Love Me Tomorrow) * You've Got a Friend.
