Military Police enforce regulations and laws. However, some situations in war zones don't fit perfectly inside the lines. Follow the ongoing challenges that one MP faces as he grapples with gray areas between right and wrong in Vietnam.
Military Police serving in the Vietnam War faced danger and challenges from not only the Viet Cong but also from an unexpected enemy. 13 Moons: Anticipation reveals the inner war encountered by one policeman and the moral and emotional turmoil because of his responses. Ben Thieu Long struggled with intense, conflicted emotions in the final month of his tour. Anxiously anticipating his return home, he reacted erratically to threats to his safety. When he crossed the line, his actions left him with a weight of rage and guilt that he would carry long after his tour ended.
Military Police are typically hard-core and very disciplined. However, after nearly a year in Vietnam, even the most dedicated began to show signs of wavering. Follow one soldier's experience down the rabbit hole of war. Another argument over the war. We see more conflict in the hooch lately than outside the wire. “I’m with Luke,” Sergeant Kaminsky declared. John insisted, “This isn’t your fight.” The Sergeant stepped closer. “People like you are undermining our government.” “I don’t believe that ‘my country right or wrong’ crap!” Tucker scoffed. “Anybody in uniform who doesn’t support this war is a traitor. You’re worse than those anti-war assholes back home,” the Sergeant countered. “It’s a free country. I have the right to free speech." “You don’t have any rights. You follow orders – period!” the Sergeant bellowed. “You’re lucky that bullshit letter from the commie-loving Senator hasn’t been ripped up, Ben,” Luke interjected. Ben cringed. “That's private. It’s inside my footlocker.” Sergeant Kaminski pointed. “THAT isn’t private property. It belongs to the U.S. Government.” “Well, I still have the right to my opinion.” "Only if you keep it to yourself. We don’t want to hear it!”
Winner of the National Book Critics Circle Award for Nonfiction, this brilliantly reported and beautifully crafted book explores the clash between a medical center in California and a Laotian refugee family over their care of a child.
This remarkable and timely ethnography explores how fishing communities living on the fringe of the South China Sea in central Vietnam interact with state and religious authorities as well as their farmer neighbors—even while handling new geopolitical challenges. The focus is mainly on marginal people and their navigation between competing forces over the decades of massive change since their incorporation into the Socialist Republic of Vietnam in 1975. The sea, however, plays a major role in this study as does the location: a once-peripheral area now at the center of a global struggle for sovereignty, influence and control in the South China Sea. The coastal fishing communities at the heart of this study are peripheral not so much because of geographical remoteness as their presumed social “awkwardness”; they only partially fit into the social imaginary of Vietnam’s territory and nation. The state thus tries to incorporate them through various cultural agendas while religious reformers seek to purify their religious practices. Yet, recently, these communities have also come to be seen as guardians of an ancient fishing culture, important in Vietnam’s resistance to Chinese claims over the South China Sea. The fishers have responded to their situation with a blend of conformity, co-option and subtle indiscipline. A complex, triadic relationship is at play here. Within it are various shifting binaries—for example, secular/religious, fishers/farmers, local ritual/Buddhist doctrine, and so forth—and different protagonists (state officials, religious figures, fishermen and women) who construct, enact, and deconstruct these relations in shifting alliances and changing contexts. Fishers, Monks and Cadres is a significant new work. Its vivid portrait of local beliefs and practices makes a powerful argument for looking beyond monolithic religious traditions. Its triadic analysis and subtle use of binaries offer startlingly fresh ways to view Vietnamese society and local political power. The book demonstrates Vietnam is more than urban and agrarian society in the Red River Basin and Mekong Delta. Finally, the author builds on intensive, long-term research to portray a region at the forefront of geopolitical struggle, offering insights that will be fascinating and revealing to a much broader readership.
The Sun is so powerful, so much bigger than us, that it is a terrifying subject. Yet though we depend on it, we take it for granted. Amazingly the first book of its kind, CHASING THE SUNis a cultural and scientific history of our relationship with the star that gives us life. Richard Cohen, applying the same mix of wide-ranging reference and intimate detail that won outstanding reviews for By the Sword, travels from the ancient Greek astronomers to modern-day solar scientists, from Stonehenge to Antarctica (site of the solar eclipse of 2003, when penguins were said to sing), Mexico's Aztecs to the Norwegian city of Tromso, where for two months of the year there is no Sun at all. He introduces us to the crucial 'sunspot cycle' in modern economics, the religious dances of Indian tribesmen, the histories of sundials and calendars, the plight of migrating birds, the latest theories of global warming, and Galileo recording his discoveries in code, for fear of persecution. And throughout, there is the rich Sun literature -- from the writings of Homer through Dante and Nietzsche to Keats, Shelley and beyond. Blindingly impressive and hugely readable, this is a tour de force of narrative non-fiction.
The experience of modernization -- the dizzying social changes that swept millions of people into the capitalist world -- and modernism in art, literature and architecture are brilliantly integrated in this account.
“Rarely will a book touch your heart like A Place to Call Home. So sit back, put up your feet, and enjoy.”—The Atlanta Journal and Constitution Twenty years ago, Claire Maloney was the willful, pampered, tomboyish daughter of the town's most respected family, but that didn’t stop her from befriending Roan Sullivan, a fierce, motherless boy who lived in a rusted-out trailer amid junked cars. No one in Dunderry, Georgia—least of all Claire’s family--could understand the bond between these two mavericks. But Roan and Claire belonged together . . . until the dark afternoon when violence and terror overtook them, and Roan disappeared from Claire's life. Now, two decades later, Claire is adrift, and the Maloneys are still hoping the past can be buried under the rich Southern soil. But Roan Sullivan is about to walk back into their lives. . . . By turns tender and sexy and heartbreaking and exuberant, A Place to Call Home is an enthralling journey between two hearts—and a deliciously original novel from one of the most imaginative and appealing new voices in Southern fiction. Praise for A Place to Call Home “A beautiful, believable love story.”—Chicago Tribune “For sheer storytelling virtuosity, Ms. Smith has few equals.”—Richmond Times-Dispatch “Enchanting new novel . . . a beautiful love story of reunion.”—The News & Observer, Raleigh, NC “Stylishly written, filled with Southern ease and humor.”—Tampa Tribune
A brilliant, clear-eyed consideration of the visual representation of violence in our culture--its ubiquity, meanings, and effects. Considered one of the greatest critics of her generation, Susan Sontag followed up her monumental On Photography with an extended study of human violence, reflecting on a question first posed by Virginia Woolf in Three Guineas: How in your opinion are we to prevent war? "For a long time some people believed that if the horror could be made vivid enough, most people would finally take in the outrageousness, the insanity of war." One of the distinguishing features of modern life is that it supplies countless opportunities for regarding (at a distance, through the medium of photography) horrors taking place throughout the world. But are viewers inured—or incited—to violence by the depiction of cruelty? Is the viewer’s perception of reality eroded by the daily barrage of such images? What does it mean to care about the sufferings of others far away? First published more than twenty years after her now classic book On Photography, which changed how we understand the very condition of being modern, Regarding the Pain of Others challenges our thinking not only about the uses and means of images, but about how war itself is waged (and understood) in our time, the limits of sympathy, and the obligations of conscience.
NATIONAL BESTSELLER • NATIONAL BOOK AWARD AND NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • From the Pulitzer Prize-winning author of The Looming Tower comes “an utterly necessary story” (The Wall Street Journal) that pulls back the curtain on the church of Scientology: one of the most secretive organizations at work today. • The Basis for the HBO Documentary. Scientology presents itself as a scientific approach to spiritual enlightenment, but its practices have long been shrouded in mystery. Now Lawrence Wright—armed with his investigative talents, years of archival research, and more than two hundred personal interviews with current and former Scientologists—uncovers the inner workings of the church. We meet founder L. Ron Hubbard, the highly imaginative but mentally troubled science-fiction writer, and his tough, driven successor, David Miscavige. We go inside their specialized cosmology and language. We learn about the church’s legal attacks on the IRS, its vindictive treatment of critics, and its phenomenal wealth. We see the church court celebrities such as Tom Cruise while consigning its clergy to hard labor under billion-year contracts. Through it all, Wright asks what fundamentally comprises a religion, and if Scientology in fact merits this Constitutionally-protected label.