New in paper! Geared towards the development and support of an existing library collection and to the creation of a new library serving Spanish-speaking young readers, this reference includes 1055 books in print that deserve to be read by Spanish-speaking children and young adults (or those wishing to learn Spanish). Schon's selection criteria include quality of art and writing, presentation, and appeal to the intended audience.
Personas de habla Española que quieren aumentar su vocabulario inglés tienen aquí una ayuda indispensable. Se incluyen traducciónes de palabras communes en doce diferentes categorías: familia, días, meses, estaciones, números, colores, alimentos, partes del cuerpo, tiendas, oficios, avisos al público, y animals. La parte principal es como un pequeño diccionario de traducciónes, de a a zero. Cada palabra se usa en una frase en inglés (con una traducción Española) demostrando su uso correcto. Este libro fue preparado por el professor Seymour Resnick, un conocido professor de lenguas. Immigrant students from Latin America, as well as other Spanish speakers, will find this handy little book a tremendous aid in expanding their English vocabularies. Compiled by noted language teacher Seymour Resnick, the text includes more than 1,000 of the most useful and commonly used words in the English language, presented in alphabetical order. To demonstrate how to use the words, the author gives each in a simple English sentence followed by a Spanish translation. After the alphabetical dictionary listing is a section of words divided into 12 helpful categories: family, days, months and seasons, numbers, colors, food, parts of the body, stores, occupations, public notices, and animals. Although designed for Spanish speakers, this book is also an excellent tool for English speakers who wish to improve their Spanish vocabularies.
#1 New York Times bestselling author Nora Roberts—hailed by Publishers Weekly as “a storyteller of immeasurable diversity and talent”—presents the first book in a trilogy about friendship, fate, and the mysterious ways of the heart. When Nell Channing arrives on charming Three Sisters Island, she believes that she’s finally found refuge from her abusive husband—and from the terrifying life she fled so desperately eight months ago… But even in this quiet, peaceful place, Nell never feels entirely at ease. Careful to conceal her true identity, she takes a job as a cook at the local bookstore café—and begins to explore her feelings for the island sheriff, Zack Todd. But there is a part of herself she can never reveal to him, for she must continue to guard her secrets if she wants to keep the past at bay. One careless word, one misplaced confidence, and the new life she’s so carefully created could shatter completely. Just as Nell starts to wonder if she’ll ever be able to break free of her fear, she realizes that the island suffers under a terrible curse—one that can only be broken by the descendants of the Three Sisters, the witches who settled the island back in 1692. And now, with the help of two other strong, gifted women—and the nightmares of the past haunting her every step—she must find the power to save her home, her love, and herself. Don’t miss the other books in the Three Sisters Island Trilogy Heaven and Earth Face the Fire
In this brilliant collection of five short stories and a novella, Pulitzer Prize-winning author Jane Smiley presents six unforgettable portraits exploring the perils of domestic life. I am thirty-five years old, and it seems to me that I have reached the age of grief. Others arrive there sooner. Almost no one arrives much later . . . In the title novella, a man who has reached the 'age of grief' slowly realizes that his wife is in love with someone else. Unsure whether his marriage is best protected by confronting her or by feigning ignorance, he struggles to repress his anguish and to prevent his wife discovering that he is aware of her infidelity . . . Accompanying this novella are five short stories, including The Pleasure of Her Company, in which a lonely, single woman befriends the married couple next door, hoping to learn the secret to their happiness. And Long Distance, in which a man finds himself relieved of the obligation to continue an affair that is no longer compelling to him, only to be waylaid by the guilt he feels at his easy escape.
Es el marco inicial de una doctrina que ha ocasionado profundas repercusiones en el pensamiento y la visión acerca de la vida de una considerable porción de la humanidad. Su estructura está compuesta por cuatro partes que contienen 1019 cuestiones formuladas por Allan Kardec, el Codificador del Espiritismo. Aborda en forma lógica y racional las enseñanzas de los Espíritus desde los aspectos científico, filosófico y religioso. Independientemente de toda creencia o convicción religiosa, la lectura de este libro será de inmenso valor, porque trata acerca de Dios, la inmortalidad del alma, la naturaleza de los Espíritus, sus relaciones con los hombres, las leyes morales, la vida presente, la vida futura y el porvenir de la humanidad, todos asuntos de interés general y de gran actualidad.
"Sevastopol Sketches (Sebastopol Sketches)" is a collection of three works of historical fiction in which Tolstoy draws upon his real life experiences during the Siege of Sevastopol. The titular location draws its name from that of a city in Crimea and takes place during the Crimean war. The three tales in this collection are respectively titled "Sevastopol in December", "Sevastopol in May", and "Sevastopol in August". In the December tale Tolstoy introduces us to Sevastopol by giving the reader a tour and introducing us to the settings, mannerisms, and background that would relevant in the following tales. In the May tale Tolstoy examines the senselessness of war, musings that would lay the foundation for his much larger work and magnum opus "War and Peace." In the third and final tale the fall of the town is detailed. Published in 1855 "Sevastopol" was written near the beginning of the author's literary career. It is a book in which we begin to see the writer exhibit a quality of prose that would one day establish him as the greatest of all writers in the Russian and any other language.
A stunning work of memoir and an unforgettable depiction of the brilliance and madness by one of Surrealism's most compelling figures In 1937 Leonora Carrington—later to become one of the twentieth century’s great painters of the weird, the alarming, and the wild—was a nineteen-year-old art student in London, beautiful and unapologetically rebellious. At a dinner party, she met the artist Max Ernst. The two fell in love and soon departed to live and paint together in a farmhouse in Provence. In 1940, the invading German army arrested Ernst and sent him to a concentration camp. Carrington suffered a psychotic break. She wept for hours. Her stomach became “the mirror of the earth”—of all worlds in a hostile universe—and she tried to purify the evil by compulsively vomiting. As the Germans neared the south of France, a friend persuaded Carrington to flee to Spain. Facing the approach “of robots, of thoughtless, fleshless beings,” she packed a suitcase that bore on a brass plate the word Revelation. This was only the beginning of a journey into madness that was to end with Carrington confined in a mental institution, overwhelmed not only by her own terrible imaginings but by her doctor’s sadistic course of treatment. In Down Below she describes her ordeal—in which the agonizing and the marvelous were equally combined—with a startling, almost impersonal precision and without a trace of self-pity. Like Daniel Paul Schreber’s Memoirs of My Nervous Illness, Down Below brings the hallucinatory logic of madness home.
(abridged and revised) This reference grammar offers intermediate and advanced students a reason ably comprehensive guide to the morphology and syntax of educated speech and plain prose in Spain and Latin America at the end of the twentieth century. Spanish is the main, usually the sole official language of twenty-one countries,} and it is set fair to overtake English by the year 2000 in numbers 2 of native speakers. This vast geographical and political diversity ensures that Spanish is a good deal less unified than French, German or even English, the latter more or less internationally standardized according to either American or British norms. Until the 1960s, the criteria of internationally correct Spanish were dictated by the Real Academia Espanola, but the prestige of this institution has now sunk so low that its most solemn decrees are hardly taken seriously - witness the fate of the spelling reforms listed in the Nuevas normas de prosodia y ortograjia, which were supposed to come into force in all Spanish-speaking countries in 1959 and, nearly forty years later, are still selectively ignored by publishers and literate persons everywhere. The fact is that in Spanish 'correctness' is nowadays decided, as it is in all living languages, by the consensus of native speakers; but consensus about linguistic usage is obviously difficult to achieve between more than twenty independent, widely scattered and sometimes mutually hostile countries. Peninsular Spanish is itself in flux.
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Here is a set of essays on Historia general del Piru that discuss not only the manuscript's physical components--quires and watermarks, scripts and pigments--but also its relation to other Andean manuscripts, Inca textiles, European portraits, and Spanish sources and publication procedures. The sum is an unusually detailed and interdisciplinary analysis of the creation and fate of a historical and artistic treasure.
