This book is a guide to One Hundred Plays addressing the most urgent and important issue of our time: the climate crisis 100 Plays to Save the World is a book to provoke as well as inspire—to start conversations, inform debate, challenge our thinking, and be a launchpad for future productions. Above all, it is a call to arms—to step up, think big, and unleash theatre’s power to imagine a better future into being. Each play is explored with an essay illuminating key themes in climate issues: Resources, Energy, Migration, Responsibility, Fightback, and Hope. 100 Plays to Save the World is an empowering resource for theatre directors, producers, teachers, youth leaders, and writers looking for plays that speak to our present moment.
“An insider’s view of the good things that can emerge from being glued to a screen. . . . A solid piece of pop-culture/business journalism.” —Kirkus Reviews The phenomenal growth of gaming has inspired plenty of hand-wringing since its inception—from the press, politicians, parents, and everyone else concerned with its effect on our brains, bodies, and hearts. But what if games could be good, not only for individuals but for the world? In Power Play, Asi Burak and Laura Parker explore how video games are now pioneering innovative social change around the world. As the former executive director and now chairman of Games for Change, Asi Burak has spent the last ten years supporting and promoting the use of video games for social good, in collaboration with leading organizations like the White House, NASA, World Bank, and The United Nations. The games for change movement has introduced millions of players to meaningful experiences around everything from the Israeli-Palestinian conflict to the US Constitution. Power Play looks to the future of games as a global movement. Asi Burak and Laura Parker profile the luminaries behind some of the movement’s most iconic games, including former Supreme Court judge Sandra Day O’Connor and Pulitzer Prize–winning authors Nicholas Kristof and Sheryl WuDunn. They also explore the promise of virtual reality to address social and political issues with unprecedented immersion, and see what the next generation of game makers have in store for the future.
Contemporary Australian Playwriting provides a thorough and accessible overview of the diverse and exciting new directions that Australian Playwriting is taking in the twenty-first century. In 2007, the most produced playwright on the Australian mainstage was William Shakespeare. In 2019, the most produced playwright on the Australian mainstage was Nakkiah Lui, a Gamilaroi and Torres Strait Islander woman. This book explores what has happened both on stage and off to generate this remarkable change. As writers of colour, queer writers, and gender diverse writers are produced on the mainstage in larger numbers, they bring new critical directions to the twenty-first century Australian stage. At a politically turbulent time when national identity is fractured, this book examines the ways in which Australia’s leading playwrights have interrogated, problematised, and tried to make sense of the nation. Tracing contemporary trends, the book takes a thematic approach to the re-evaluation of the nation that is dramatized in key Australian plays. Each chapter is accompanied by a duologue between two of the playwrights whose work has been analysed, to provide a dual perspective of theory and practice.
This ultimate insider's guide reveals the secrets that none dare admit, told by a show biz veteran who's proven that you can sell your script if you can save the cat!
This book is ideal for anyone keen to understand how contemporary plays and playwrights work, particularly those wanting to write for the stage themselves. Drawing heavily on contemporary practice, it considers moments from a range of plays, with a focus on those from the National Theatre's repertoire. The book embraces a range of different dramaturgical structures and styles popular today; plays by a diverse selection of writers; and the current openness of dramatic form. A book of tools, rather than rules, this guide provides suggestions and provocations, exercises and tricks, examples and discussions. An ideal text for playwrights to hone their craft.
An informed look at the myths and fears surrounding nuclear energy, and a practical, politically realistic solution to global warming and our energy needs. Faced by the world's oil shortages and curious about alternative energy sources, Gwyneth Cravens skeptically sets out to find the truth about nuclear energy. Her conclusion: it is a totally viable and practical solution to global warming. In the end, we see that if we are to care for subsequent generations, embracing nuclear energy is an ethical imperative.
How does the world of theatre and the performing arts intersect with the climate and environmental crisis? This timely book is the first comprehensive account of the sector's response to the defining issue of our time. The book documents a sector in transition and presents theatre professionals, practitioners and organizations with a synthesis of information, knowledge and expertise to guide them to their own endorsement of sustainable thinking and practice. It is illustrated with inspiring case studies and interviews, from London's National Theatre, to Sydney Theatre Company, to the Göteborg Opera and the American Repertory Theatre. These foreground the work of pioneering institutions and individual practitioners whose artistic ingenuity, creative activism and sense of public mission have given shape, content and purpose to what we can now call 'sustainable theatre'. Spanning almost three decades, the book approaches the topic from multiple angles and through an international perspective, recording how climate and environmental concerns have been expressed in cultural policy, arts leadership and organizational ethics; in the greening of infrastructure and daily operations; in the individual and institutional practice of sustainable theatre-making; in performing arts education; and in touring practices and international collaboration. It investigates, too, how the climate crisis influences theatre as a story-teller – on stage and beyond. Written by a leading expert in the field of culture and environmental sustainability and distilling many years of research and hands-on experience, Sustainable Theatre: Theory, Context, Practice is intended to be relevant and useful to professionals involved in the theatre and performing arts sector in many different capacities: from policy-makers, arts leaders and managers to administrators, technicians, artists, scholars and educators.
Lighting the Way: An Anthology of Short Plays About the Climate Crisis includes 49 inspiring plays by writers from around the world. The plays were commissioned for Climate Change Theatre Action 2019, a global distributed theatre festival that coincided with the 25th United Nations Conference of the Parties (COP 25) held in Madrid, Spain under the presidency of the Chilean government. Responding to a prompt asking them to "give center stage to the unsung climate warriors and climate heroes who are lighting the way toward a just and sustainable future," the writers offer a diversity of perspectives and artistic approaches to telling the stories of those who are making a positive impact. Whether exploring the definition of climate heroism, new technologies like mango leather, or giving legal rights to Nature, the plays go beyond the dystopian worlds and apocalyptic scenarios favored by blockbuster movies and sci-fi novels to tell nuanced and empowering stories - stories that give us the courage to get up in the morning and fight for the world we all deserve.Included in this anthology are plays by Hassan Abdulrazzak, Elaine Ávila, Chantal Bilodeau, Yolanda Bonnell, Philip Braithwaite, Damon Chua, Paula Cizmar, Hanna Cormick, Derek Davidson, Sunny Drake, Clare Duffy, Brian Dykstra, Alister Emerson, Georgina Escobar, David Finnigan, David Geary, Nelson Gray, Jordan Hall, Kamil Haque, Monica Hoth, Zainabu Jallo, Vinicius Jatobá, Vitor Jatobá, Marcia Johnson, MaryAnn Karanja, Andrea Lepcio, Joan Lipkin, Philip Luswata, Abhishek Majumdar, Julie McKee, Giovanni Ortega, Mary Kathryn Nagle, Lana Nasser, Yvette Nolan, Matthew Paul Olmos, Corey Payette, Katie Pearl, Shy Richardson and Karina Yager, Kiana Rivera, Madeline Sayet, Stephen Sewell, Lena ?imic with Neal and Sid Anderson, Caridad Svich, Elspeth Tilley, Peterson Toscano, Mike van Graan, Meaza Worku, Marcus Youssef, and Nathan Yungerberg.An introduction by Chantal Bilodeau and essays by Julia Levine, Charissa Menefee, Thomas Peterson, Triga Creative, and Brooke Wood, illustrating various aspects of the Climate Change Theatre Action process and analyzing its impacts, accompany the plays.
