A New York Times Notable Book A San Francisco Chronicle, San Jose Mercury News, and Los Angeles Times Best Book of the Year “A gripping and resonant novel. . . . It immerses the reader in a distant world with startling immediacy and ardor. . . . Riveting.” —Michiko Kakutani, The New York Times In 1886 a shy, middle-aged piano tuner named Edgar Drake receives an unusual commission from the British War Office: to travel to the remote jungles of northeast Burma and there repair a rare piano belonging to an eccentric army surgeon who has proven mysteriously indispensable to the imperial design. From this irresistible beginning, The Piano Tuner launches readers into a world of seductive, vibrantly rendered characters, and enmeshes them in an unbreakable spell of storytelling.
“Follow the piano tuner’s wife as she accompanies the tuner into the homes of some of Hawai‘i’s families. Listen to her interaction with clients: mothers and fathers, aquarium lovers and hoarders, healers and would-be cosmologists. See where imagination can take you, when you encounter the ordinary: an ant condo, a doggie treasure trove. Think about going through the eye of a camel. Dream about being a writer.”
Ingrid Silvian has written a memorable story for children that will help them understand what it was really like to live through events of WWII, how children just like them adapt and survive. Through vignettes in the lives of two young girl friends, one Jewish, one Christian, we experience how everything changed when the Nazis came. Silvian provides a child's eye view of war, both mundane and profound a shift from marbles to shrapnel as the treasure of choice; racing to catch the last train carrying evacuees out of the city and ultimately, who was saved and who was sacrificed. At a time when many of the first hand witnesses of this chilling chapter of history are passing away, Silvian's story provides a valuable link that reaches across generations that will live on in the hearts and minds of a new generation of children. Pam Spence, editor, Ohio Jewish Chronicle, Columbus, OH
Here is a new collection of twelve absorbing, deeply compassionate tales that reveal the subtle revenges of love and indifference, the deep wells of affection, and the strange, breathtaking tricks of chance that make up the texture of our lives. In the rain-washed Italian hills, a forgotten artist's Annunciation brings light to a heartbroken woman; insidiously, in her struggle for love, the second wife of a blind piano tuner distorts his memories of the first; two children, survivors of divorce, mimic their parents' dramas and passions; a mother, tied through love and fear to her son, watches with helpless dread as she realizes the monster he has become.
This “melodious” mix of music, history, and travelogue “reveals a story inextricably linked to the drama of Russia itself . . . These pages sing like a symphony.” —The Wall Street Journal Siberia’s story is traditionally one of exiles, penal colonies, and unmarked graves. Yet there is another tale to tell. Dotted throughout this remote land are pianos—grand instruments created during the boom years of the nineteenth century, as well as humble Soviet-made uprights that found their way into equally modest homes. They tell the story of how, ever since entering Russian culture under the westernizing influence of Catherine the Great, piano music has run through the country like blood. How these pianos traveled into this snowbound wilderness in the first place is testament to noble acts of fortitude by governors, adventurers, and exiles. Siberian pianos have accomplished extraordinary feats, from the instrument that Maria Volkonsky, wife of an exiled Decembrist revolutionary, used to spread music east of the Urals, to those that brought reprieve to the Soviet Gulag. That these instruments might still exist in such a hostile landscape is remarkable. That they are still capable of making music in far-flung villages is nothing less than a miracle. The Lost Pianos of Siberia follows Roberts on a three-year adventure as she tracks a number of instruments to find one whose history is definitively Siberian. Her journey reveals a desolate land inhabited by wild tigers and deeply shaped by its dark history, yet one that is also profoundly beautiful—and peppered with pianos. “An elegant and nuanced journey through literature, through history, through music, murder and incarceration and revolution, through snow and ice and remoteness, to discover the human face of Siberia. I loved this book.” —Paul Theroux
“The natural tone of Nicky Gentil’s richly anecdotal narrative will delight not only pianists and jazz enthusiasts but anyone who just happens to like pianos in general.” - Cadence Info Magazine A collection of humorous, touching, unputdownable stories set in Paris, The Jazz-Girl, the Piano, and the Dedicated Tuner transports you into a feel-good world of jazz, pianos and the little-known art of piano tuning. An entertaining slice of life, regardless of whether or not you play a musical instrument, this book explores the world of Nina Somerville, an Englishwoman who - while others are going through a mid-life crisis - discovers by complete chance her true calling: jazz improvisation. In a bid to enjoy that passion to the full, she purchases the piano of her dreams - a Steinway baby grand - leading her to make yet another discovery: the intricate mysteries of the fascinating piano tuning profession. Against the backdrop of the Eiffel tower and the Champs-Élysées, from the quest for the perfect sound to an unexpected chance to perform in public, music takes Nina on a journey which is at times improbable and hilarious, but equally moving, not to mention extremely informative. Previously published in France, The Jazz-Girl has been greatly received, and has the interesting addition of being musically illustrated on the author’s YouTube channel with some characters playing pieces alluded to in the stories.
In The Piano Tuner, Peter Meinke writes of the foreignness that awaits us when we go abroad and when we answer our own front door to admit a stranger, that confronts us in unfamiliar cities and villages and in the equally disquieting surroundings of our memories and regrets. Often in these stories, what seems a safe, comfortable environment turns suddenly threatening. In the title story, a writer's quiet existence amid his antiques and books is dismantled, piece by piece, by a demonic, beer-bellied piano tuner. In "The Ponoes," a man recalls how, as a young boy living in Brooklyn during World War II, he became a collaborationist in the brutal pranks of two Irish bullies. In "The Twisted River," the sedate collegiality of a Polish university is disrupted when an American on a Fulbright grant attempts to blackmail two faculty members. And in "The Bracelet," a young anthropology student doing field work in Africa finds herself drawn further and further into the role of a priestess of Oshun, into a life dictated by the configuration of cowry shells cast upon the floor. Meinke writes of a world where our control over our lives seldom exists across a border, and often extends no further than our fingertips. Attempts to bridge two cultures, two lives are sometimes successful, as when an actor finds love in the arms of a tough-talking barmaid, but more usually lead to disillusionment, as when a hard-drinking salesman's career is shattered after he is drunk under the table one night by a Polish engineer, or when an English father struggles to find common ground with his American son. Riveting, almost terrifying, the stories in The Piano Tuner tell of decent men and women caught in events that they could never have predicted, would never have chosen.
