I sleep, but my heart wakes, says the Song of Songs. The other nightnames the sleepless night we spend in dreams.From The Interpretation of Dreams to Finnegans Wake, many of the great writing projects of the first half of the twentieth century tell tales of this sleepless night. In the post-war waning of the dreamier modernist projects, writers such as Beckett and Blanchot work through the residual fatigue.The Other Night looks anew into the causes of this fatigue. Beginning by establishing a link between Freud's claim that the dream is a kind of pictographic writing and his metapsychologicalclaim that the dreamrepresents the impossibility of complete sleep, The Other Night studies, in readings of Joyce, Beckett, and Blanchot, the unrest, at once literary and political, in which dreams come to u
The sound of the choir of King's College, Cambridge - its voices perfectly blended, its emotions restrained, its impact sublime - has become famous all over the world, and for many, the distillation of a particular kind of Englishness. This is especially so at Christmas time, with the broadcast of the Festival of Nine Lessons and Carols, whose centenary is celebrated this year. How did this small band of men and boys in a famous fenland town in England come to sing in the extraordinary way they did in the twentieth and early twenty-first centuries? It has been widely assumed that the King's style essentially continues an English choral tradition inherited directly from the Middle Ages. In this original and illuminating book, Timothy Day shows that this could hardly be further from the truth. Until the 1930s, the singing at King's was full of high Victorian emotionalism, like that at many other English choral foundations well into the twentieth century. The choir's modern sound was brought about by two intertwined revolutions, one social and one musical. From 1928, singing with the trebles in place of the old lay clerks, the choir was fully made up of choral scholars - college men, reading for a degree. Under two exceptional directors of music - Boris Ord from 1929 and David Willcocks from 1958 - the style was transformed and the choir broadcast and recorded until it became the epitome of English choral singing, setting the benchmark for all other choral foundations either to imitate or to react against. Its style has now been taken over and adapted by classical performers who sing both sacred and secular music in secular settings all over the world with a precision inspired by the King's tradition. I Saw Eternity the Other Night investigates the timbres of voices, the enunciation of words, the use of vibrato. But the singing of all human beings, in whatever style, always reflects in profound and subtle ways their preoccupations and attitudes to life. These are the underlying themes explored by this book.
Christmas is a time when our best is evident in many wonderful ways. Beautifully wrapped gifts placed under a perfectly decorated tree take our hearts and minds on a journey through many of the fondest memories the season brings. The table setting where family and friends will gather stirs our thoughts in kind. Yet it is the human spirit that drives us all to do as well as possible in preparation for the big day. The night before Christmas can be a scene of madness and mayhem, though of a joyful kind; but it is mostly a perfect picture of the ones we love, captured by their unselfish efforts in preparation for the Savior’s birthday.
For fans of Matt Haig and Anthony Horowitz, a “strange, compelling, and ultimately moving head-spinner of a novel” (John Connolly) in which the lives of a disgraced police officer, a prolific author, and an upstanding citizen are inextricably bound together by a series of mysterious deaths. The Other Side of Night begins with a man named David Asha writing about his biggest regret: his sudden separation from his son, Elliot. In his grief, David tells a story. Next, we step into the life of Harriet Kealty, a police officer trying to clear her name after a lapse of judgment. She discovers a curious inscription in a secondhand book—a plea: Help me, he’s trying to kill me. Who wrote this note? Who is “he”? This note leads Harri to David Asha, who was last seen stepping off a cliff. Police suspect he couldn’t cope after his wife’s sudden death. Still, why would this man jump and leave behind his young son? Quickly, Harri’s attention zeroes in on a person she knows all too well. Ben Elmys: once the love of her life. A surrogate father to Elliot Asha and trusted friend to the Ashas. Ben may also be a murderer. Compulsively readable and thought-provoking, “The Other Side of Night is one of those rare books that you’ll still be thinking about long after the last page” (Jenny Blackhurst, author of How I Lost You).
Best to start at the beginning, but the whole’s an enjoyable ride.”—Kirkus Reviews Before the Baudelaires became orphans, before he encountered A Series of Unfortunate Events, even before the invention of Netflix, Lemony Snicket was a boy discovering the mysteries of the world. This is his story. Train travel! Murder! Librarians! A Series Finale! On all other nights, the train departs from Stain'd Station and travels to the city without stopping. But not tonight. You might ask, why is this night different from all other nights? But that's the wrong question. Instead ask, where is this all heading? And what happens at the end of the line? Will the final book in Lemony Snicket's bestselling series, All the Wrong Questions offer any answers? "Snicket...closes his quartet of smart, noirish mysteries...with several bangs (and a poison dart or two). Most questions (wrong and right) are answered by the satisfying close."—Kirkus Reviews
"In the murky London gloom, a knife-wielding gentleman prowls the midnight streets with his faithful watchdog Snuff - gathering together the grisly ingredients they will need for an upcoming ancient and unearthly rite. And all manner of players, both human and undead, are preparing to participate."--Publisher.
The New York Times–bestselling author of Unsinkable “recounts the disaster from the vantage point of nearby vessels” (Publishers Weekly). A few minutes before midnight on April 14, 1912, the “unsinkable” RMS Titanic, on her maiden voyage to New York, struck an iceberg. Less than three hours later, she lay at the bottom of the Atlantic Ocean. While the world has remained fascinated by the tragedy, the drama of those fateful hours was not only played out aboard the doomed liner. It also took place on the decks of two other ships, one fifty-eight miles distant from the sinking Titanic, the other barely ten miles away. The masters of the steamships Carpathia and Californian, Capt. Arthur Rostron and Capt. Stanley Lord, were informed within minutes of each other that their vessels had picked up the distress signals of a sinking ship. Their actions in the hours and days that followed would become the stuff of legend, as one would choose to take his ship into dangerous waters to answer the call for help, while the other would decide that the hazard to himself and his command was too great to risk responding. After years of research, Daniel Allen Butler now tells this incredible story, moving from ship to ship on the icy waters of the North Atlantic—in real time—to recount how hundreds of people could have been rescued, but in the end, only a few outside of the meager lifeboats were saved. He then looks at the US Senate investigation in Washington, and ultimately, the British Board of Trade inquiry in London, where the actions of each captain are probed, questioned, and judged, until the truth of what actually happened aboard the Titanic, the Carpathia, and the Californian is revealed. “Powerful . . . very, very well-done.” —New York Times–bestselling author Clive Cussler
Every year at Christmas time, I see many books on the poem "The Night Before Christmas" by Clement Moore. I asked myself why there was not a poem about the "other night before Christmas" or the birth of Christ. So, I decided to write one. I hope you enjoy and are inspired by it!
A debut middle grade novel about throwing things out -- and letting people in. Family Game Night tackles a tough issue with a light, accessible touch and writing that sparkles with heart. Annabelle has a secret . . . a secret so big she won't allow friends within five miles of her home. Her mom collects things. Their house is overflowing with stuff. It gives Annabelle's sister nightmares, her brother spends as much time as he can at friends' houses, and her dad buries himself in his work.So when a stack of newspapers falls on Annabelle's sister, it sparks a catastrophic fight between their parents--one that might tear them all apart--and Annabelle starts to think that things at home finally need to change. Is it possible for her to clean up the family's mess? Or are they really, truly broken?Mary E. Lambert's moving and heart-breakingly funny debut novel about the things we hold dear--and the things we let go--will resonate with anyone whose life has ever felt just a little too messy.