The Guitar Books of Adrian Le Roy and Robert Ballard (1551-1555)
Author: Robin Brower
Publisher:
Published: 1992
Total Pages: 394
ISBN-13:
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Author: Robin Brower
Publisher:
Published: 1992
Total Pages: 394
ISBN-13:
DOWNLOAD EBOOKAuthor: Adrian Le Roy
Publisher:
Published: 1979
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: James Tyler
Publisher:
Published: 2002
Total Pages: 349
ISBN-13: 019816713X
DOWNLOAD EBOOKMore than twenty years ago James Tyler wrote a modest introduction to the history, repertory, and playing techniques of the four- and five-course guitar. Entitled The Early Guitar: A History and Handbook (OUP 1980), this work proved valuable and enlightening not only to performers and scholarsof Renaissance and Baroque guitar and lute music but also to classical guitarists. This new book, written in collaboration with Paul Sparks (their previous book for OUP, The Early Mandolin, appeared in 1989), presents new ideas and research on the history and development of the guitar and its musicfrom the Renaissance to the dawn of the Classical era.Tyler's systematic study of the two main guitar types found between about 1550 and 1750 focuses principally on what the sources of the music (published and manuscript) and the writings of contemporary theorists reveal about the nature of the instruments and their roles in the music making of theperiod. The annotated lists of primary sources, previously published in The Early Guitar but now revised and expanded, constitute the most comprehensive bibliography of Baroque guitar music to date. His appendices of performance practice information should also prove indispensable to performers andscholars alike.Paul Sparks also breaks new ground, offering an extensive study of a period in the guitar's history--notably c.1759-c.1800--which the standard histories usually dismiss in a few short paragraphs. Far from being a dormant instrument at this time, the guitar is shown to have been central tomusic-making in France, Italy, the Iberian Peninsula, and South America. Sparks provides a wealth of information about players, composers, instruments, and surviving compositions from this neglected but important period, and he examines how the five-course guitar gradually gave way to the six-stringinstrument, a process that occurred in very different ways (and at different times) in France, Italy, Spain, Germany, and Britain.
Author: Christopher Page
Publisher: Cambridge University Press
Published: 2015-07-30
Total Pages: 269
ISBN-13: 1107108365
DOWNLOAD EBOOKThis book reveals the most popular instrument in the world as it was in the age of Elizabeth I and Shakespeare.
Author: Michael Walker
Publisher: Lulu.com
Published: 2015-12-11
Total Pages: 68
ISBN-13: 1329753372
DOWNLOAD EBOOKThese 23 compositions were composed by Adrian le Roy and published in Paris in 1555. Each was accompanied by a Chanson, facsimiles of the original chansons and tablature are included with each new transcription. These pieces have all been transcribed into modern tablature and notation for the modern guitar. Most are playable on the ukulele and, in spite of the reentrant tuning, can create a fairly faithful recreation of the four-course renaissance guitar.
Author: Vivek Kumar
Publisher: Abhishek Publications
Published: 2023-10-30
Total Pages: 107
ISBN-13: 8190317733
DOWNLOAD EBOOKThis book includes: 1.introduction,2.types of guitars,3.chord and anatomy,4.lesson for beginners,5.learning string notes,6.self composing with guitar pieces,7.tips of finger position,8.techniques of playing guitars,9.cultures of guitars
Author: Michael Fleming
Publisher: Boydell & Brewer
Published: 2021
Total Pages: 326
ISBN-13: 1783274212
DOWNLOAD EBOOKUses the rare depictions of musical instruments and musical sources found on the Eglantine Table to understand the musical life of the Elizabethan age and its connection to aspects of culture now treated as separate disciplines ofhistorical study.
Author: Adrian Le Roy
Publisher:
Published: 1979
Total Pages: 280
ISBN-13:
DOWNLOAD EBOOKAuthor: Thomasin LaMay
Publisher: Routledge
Published: 2017-05-15
Total Pages: 499
ISBN-13: 1351916270
DOWNLOAD EBOOKRecent scholarship has offered a veritable landslide of studies about early modern women, illuminating them as writers, thinkers, midwives, mothers, in convents, at home, and as rulers. Musical Voices of Early Modern Women adds to the mix of early modern studies a volume that correlates women's musical endeavors to their lives, addressing early modern women's musical activities across a broad spectrum of cultural events and settings. The volume takes as its premise the notion that while women may have been squeezed to participate in music through narrower doors than their male peers, they nevertheless did so with enthusiasm, diligence, and success. They were there in many ways, but as women's lives were fundamentally different and more private than men's were, their strategies, tools, and appearances were sometimes also different and thus often unstudied in an historical discipline that primarily evaluated men's productivity. Given that, many of these stories will not necessarily embrace a standard musical repertoire, even as they seek to expand canonical borders. The contributors to this collection explore the possibility of a larger musical culture which included women as well as men, by examining early modern women in "many-headed ways" through the lens of musical production. They look at how women composed, assuming that compositional gender strategies may have been used differently when applied through her vision; how women were composed, or represented and interpreted through music in a larger cultural context, and how her presence in that dialog situated her in social space. Contributors also trace how women found music as a means for communicating, for establishing intellectual power, for generating musical tastes, and for enhancing the quality of their lives. Some women performed publicly, and thus some articles examine how this impacted on their lives and families. Other contributors inquire about the economics of music and women, and how in different situations some women may have been financially empowered or even in control of their own money-making. This collection offers a glimpse at women from home, stage, work, and convent, from many classes and from culturally diverse countries - including France, Spain, Italy, England, Austria, Russia, and Mexico - and imagines a musical history centered in the realities of those lives.