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Author: Jennifer M. Kapczynski
Publisher: University of Michigan Press
Published: 2022-02-07
Total Pages: 279
ISBN-13: 0472132911
DOWNLOAD EBOOKHow postwar West German democracy was styled through word, image, sound, performance, and gathering
Author: Ruthven Holmes Byrum
Publisher:
Published: 1920
Total Pages: 132
ISBN-13:
DOWNLOAD EBOOKAuthor: Victoria C. Gardner Coates
Publisher: Encounter Books
Published: 2016-01-05
Total Pages: 329
ISBN-13: 1594037221
DOWNLOAD EBOOKThroughout Western history, the societies that have made the greatest contributions to the spread of freedom have created iconic works of art to celebrate their achievements. Yet despite the enduring appeal of these works—from the Parthenon to Michelangelo’s David to Picasso’s Guernica—histories of both art and democracy have ignored this phenomenon. Millions have admired the artworks covered in this book but relatively few know why they were commissioned, what was happening in the culture that produced them, or what they were meant to achieve. Even scholars who have studied them for decades often miss the big picture by viewing them in isolation from a larger story of human striving. David’s Sling places into context ten canonical works of art executed to commemorate the successes of free societies that exerted political and economic influence far beyond what might have been expected of them. Fusing political and art history with a judicious dose of creative reconstruction, Victoria Coates has crafted a lively narrative around each artistic object and the free system that inspired it. This book integrates the themes of creative excellence and political freedom to bring a fresh, new perspective to both. In telling the stories of ten masterpieces, David’s Sling invites reflection on the synergy between liberty and human achievement.
Author: Valeria Cleveland McDonald
Publisher:
Published: 1929
Total Pages: 56
ISBN-13:
DOWNLOAD EBOOKAuthor: Anthony Gardner
Publisher: Mit Press
Published: 2015
Total Pages: 0
ISBN-13: 9780262028530
DOWNLOAD EBOOKMapping contemporary artists who reject the aesthetics of democratization (and its neoliberal associations) in order to explore alternative politics and practices. From biennials and installations to participatory practices, contemporary art has come to embrace an aesthetic of democratization. Art's capacity for democracy building now defines its contemporary relevance, part of a broader, global glorification of democracy as, it seems, the only legitimate model of politics. Yet numerous artists reject the alignment of art and democracy--in part because democracy has been associated not only with utopian political visions but also with neoliberal incursions and military interventions. It is just this paradox of democracy that Anthony Gardner explores in Politically Unbecoming, examining work from the 1980s to the 2000s by artists who have challenged democracy as the defining political, critical, and aesthetic frame for their work. In doing so, these artists also develop alternative artistic politics and practices that can remap the transformations in art and its politics since the end of the Cold War. The artists whose work Gardner examines all spent their formative years in Eastern or Western Europe, developing "postsocialist" practices in the wake of socialism's eclipse by neoliberalism (and inspired by nonconformist art from socialist-era Europe). All of these artists--who include Ilya Kabakov, the art collective NSK, and Thomas Hirschhorn--depend on participation between audience and artwork; yet for them, participation does not exemplify democratization but rather offers critical engagement with certain tropes of democracy. These artists, Gardner argues, enact an aesthetic that is "politically unbecoming" in two senses: in its withdrawal from overdetermined political categories of contemporary art; and in its perceived indecency in defying the "propriety" of democracy.
Author: Olivier Dabène
Publisher: Springer Nature
Published: 2019-09-24
Total Pages: 261
ISBN-13: 3030269132
DOWNLOAD EBOOKThis book explores street art’s contributions to democracy in Latin America through a comparative study of five cities: Bogota (Colombia), São Paulo (Brazil), Valparaiso (Chile), Oaxaca (Mexico) and Havana (Cuba). The author argues that when artists invade public space for the sake of disseminating rage, claims or statements, they behave as urban citizens who try to raise public awareness, nurture public debates and hold authorities accountable. Street art also reveals how public space is governed. When local authorities try to contain, regulate or repress public space invasions, they can achieve their goals democratically if they dialogue with the artists and try to reach a consensus inspired by a conception of the city as a commons. Under specific conditions, the book argues, street level democracy and collaborative governance can overlap, prompting a democratization of democracy.
Author: Sharon Ann Musher
Publisher: University of Chicago Press
Published: 2015-05-04
Total Pages: 306
ISBN-13: 022624718X
DOWNLOAD EBOOKAt its height in 1935, the New Deal devoted roughly $27 million ($320 million today) to supporting tens of thousands of needy writers, dancers, actors, musicians, and visual artists, who created over 100,000 worksbooks, murals, plays, concertsthat were performed for or otherwise imbibed by millions of Americans. But why did the government get so involved with the arts in the first place? Musher addresses this question and many others by exploring the political and aesthetic concerns of the 1930s, as well as the range of responsesfrom politicians, intellectuals, artists, and taxpayersto the idea of active government involvement in the arts. In the process, she raises vital questions about the roles that the arts should play in contemporary society."
Author: Isaac Edwards Clarke
Publisher:
Published: 1886
Total Pages: 252
ISBN-13:
DOWNLOAD EBOOKThe Democracy of Art -- The Church as Patron of Art --The term "Art" considered -- The Technical Education of a People -- Industrial Art in America -- Dangers Disclosed by the Census -- Education in Relation to Social and Economic Changes -- The Situation in Europe and in the United States -- Education in Art Essential in America -- Addenda - on fashions in Architecture -- Art and Political Economy -- Industrial Relations of England to America in Light of History -- Art industries in America before the Centenial -- The present outlook.
Author: Lucille Wrubel Grindhammer
Publisher:
Published: 1975
Total Pages: 106
ISBN-13:
DOWNLOAD EBOOKAuthor: Nancy S. Love
Publisher: SUNY Press
Published: 2013-12-01
Total Pages: 398
ISBN-13: 1438449119
DOWNLOAD EBOOKDemonstrates how activists and others use art and popular culture to strive for a more democratic future. Doing Democracy examines the potential of the arts and popular culture to extend and deepen the experience of democracy. Its contributors address the use of photography, cartooning, memorials, monuments, poetry, literature, music, theater, festivals, and parades to open political spaces, awaken critical consciousness, engage marginalized groups in political activism, and create new, more democratic societies. This volume demonstrates how ordinary people use the creative and visionary capacity of the arts and popular culture to shape alternative futures. It is unique in its insistence that democratic theorists and activists should acknowledge and employ affective as well as rational faculties in the ongoing struggle for democracy. Nancy S. Love and Mark Mattern have collected a first-rate set of studies that illuminate the intersection between art and politics in the contemporary era. The text demonstrates how activist art and cultural politics can promote democratic politics and how democracy is enriched and enlivened by activist art projects. This book should interest everyone concerned with the fate of art and democracy in the contemporary era and how they can help nourish each other. Douglas Kellner, author of Media Spectacle and Insurrection, 2011: From the Arab Uprisings to Occupy Everywhere
