The CIA and the Media

The CIA and the Media

Author: United States. Congress. House. Permanent Select Committee on Intelligence. Subcommittee on Oversight

Publisher:

Published: 1978

Total Pages: 688

ISBN-13:

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Spooked

Spooked

Author: Nicholas Schou

Publisher: Skyhorse Publishing, Inc.

Published: 2016-06-28

Total Pages: 160

ISBN-13: 1510703411

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The American people depend on a free press to keep a close and impartial watch on the national security operations that are carried out in our name. But in many cases, this trust is sadly misplaced, as leading journalists are seduced and manipulated by the secretive agencies they cover. While the press remains silent about its corrupting relationship with the intelligence community—a relationship that dates back to the Cold War—Spooking the News will blow the lid off this unseemly arrangement. Schou will name names and shine a spotlight on flagrant examples of collusion, when respected reporters have crossed the line and sold out to powerful agencies. The book will also document how the CIA has embedded itself in “liberal” Hollywood to ensure that its fictional spies get the hero treatment on screen. Among the revelations in Spooking the News: • The CIA created a special public affairs unit to influence the production of Hollywood films and TV shows, allowing celebrities involved in pro-CIA projects—including Harrison Ford and Ben Affleck—unique access inside the agency's headquarters. • The CIA vets articles on controversial topics like the drone assassination program and grants friendly reporters background briefings on classified material, while simultaneously prosecuting ex-officers who spill the beans on damaging information.


On All Fronts

On All Fronts

Author: Clarissa Ward

Publisher: Penguin

Published: 2021-09-07

Total Pages: 369

ISBN-13: 0525561498

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“On All Fronts: The Education of a Journalist beautifully outlines . . . what it means to seek the truth. It gave me a new faith in the power of reporting.” —Oprah Winfrey The recipient of multiple Peabody and Murrow awards, Clarissa Ward is a world-renowned conflict reporter. In this strange age of crisis where there really is no front line, she has moved from one hot zone to the next. With multiple assignments in Syria, Gaza, Ukraine, and Afghanistan, Ward, who speaks seven languages, has been based in Baghdad, Beirut, Beijing, and Moscow. She has seen and documented the violent remaking of the world at close range. With her deep empathy, Ward finds a way to tell the hardest stories. On All Fronts is the riveting account of Ward’s singular career and of journalism in this age of extremism. Following a privileged but lonely childhood, Ward found her calling as an international war correspondent in the aftermath of 9/11. From her early days in the field, she was embedding with marines at the height of the Iraq War and reporting from the center of Israel’s war with Hezbollah. Soon she was soon on assignment all over the globe. From her multiple stints entrenched with Syrian rebels to her deep investigations into the Western extremists who are drawn to ISIS, Ward covered Bashar al-Assad’s reign of terror without fear and with courage and compassion. In 2018, Ward rose to new heights at CNN and became a mother. Suddenly, she was doing this hardest of jobs with a whole new perspective. On All Fronts is the unforgettable story of one extraordinary journalist—and of a changing world.


The CIA in Hollywood

The CIA in Hollywood

Author: Tricia Jenkins

Publisher: Univ of TX + ORM

Published: 2016-03-08

Total Pages: 301

ISBN-13: 0292772475

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An in-depth study of the CIA’s collaboration with Hollywood since the mid-1990s, and the important and troubling questions it creates. What’s your impression of the CIA? A bumbling agency that can’t protect its own spies? A rogue organization prone to covert operations and assassinations? Or a dedicated public service that advances the interests of the United States? Astute TV and movie viewers may have noticed that the CIA’s image in popular media has spanned this entire range, with a decided shift to more positive portrayals in recent years. But what very few people know is that the Central Intelligence Agency has been actively engaged in shaping the content of film and television, especially since it established an entertainment industry liaison program in the mid-1990s. The CIA in Hollywood offers the first full-scale investigation of the relationship between the Agency and the film and television industries. Tricia Jenkins draws on numerous interviews with the CIA’s public affairs staff, operations officers, and historians, as well as with Hollywood technical consultants, producers, and screenwriters who have worked with the Agency, to uncover the nature of the CIA’s role in Hollywood. In particular, she delves into the Agency’s and its officers’ involvement in the production of The Agency, In the Company of Spies, Alias, The Recruit, The Sum of All Fears, Enemy of the State, Syriana, The Good Shepherd, and more. Her research reveals the significant influence that the CIA now wields in Hollywood and raises important and troubling questions about the ethics and legality of a government agency using popular media to manipulate its public image. “Fascinating, highly readable . . . Overall, Jenkins’s work is fresh and original, and demonstrates sound scholarship. The author has a passion for the topic that translates to vibrant writing. It is also a concise as well as entertaining look at an aspect of the CIA—its media relations with Hollywood—of which little is known. Enthusiastically written and incorporating effective, illustrative case studies, The CIA in Hollywood is definitely recommended to students of film, media relations, the CIA, and U.S. interagency relations.” —H-War


Finks

Finks

Author: Joel Whitney

Publisher: OR Books

Published: 2017-01-03

Total Pages: 427

ISBN-13: 1682190250

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When news broke that the CIA had colluded with literary magazines to produce cultural propaganda throughout the Cold War, a debate began that has never been resolved. The story continues to unfold, with the reputations of some of America’s best-loved literary figures—including Peter Matthiessen, George Plimpton, and Richard Wright—tarnished as their work for the intelligence agency has come to light. Finks is a tale of two CIAs, and how they blurred the line between propaganda and literature. One CIA created literary magazines that promoted American and European writers and cultural freedom, while the other toppled governments, using assassination and censorship as political tools. Defenders of the “cultural” CIA argue that it should have been lauded for boosting interest in the arts and freedom of thought, but the two CIAs had the same undercover goals, and shared many of the same methods: deception, subterfuge and intimidation. Finks demonstrates how the good-versus-bad CIA is a false divide, and that the cultural Cold Warriors again and again used anti-Communism as a lever to spy relentlessly on leftists, and indeed writers of all political inclinations, and thereby pushed U.S. democracy a little closer to the Soviet model of the surveillance state. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 15.0px; font: 13.0px Helvetica; color: #323333; -webkit-text-stroke: #323333} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 15.0px; font: 13.0px Helvetica; color: #323333; -webkit-text-stroke: #323333; min-height: 16.0px} span.s1 {font-kerning: none}


The World Factbook 2003

The World Factbook 2003

Author: United States. Central Intelligence Agency

Publisher: Potomac Books

Published: 2003

Total Pages: 712

ISBN-13: 9781574886412

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By intelligence officials for intelligent people


Operation Mockingbird

Operation Mockingbird

Author: Charles River

Publisher: Independently Published

Published: 2024-01-16

Total Pages: 0

ISBN-13:

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Freedom of the press isn't just a fundamental right in America but a key part of the democratic process. When the United States secured its independence against Britain in the War of Independence in 1783, there was no certainty about what the new country would look like in terms of national governance. In 1787, delegates from the various states convened in Philadelphia to draft a constitution that would define this. The process involved some fundamental challenges: the new federal government had to be strong enough to act effectively at a national level but not so strong that the rights of states and individual citizens would be subsumed. After a great deal of debate, a solution was agreed upon. The House of Representatives would represent all of the people of the United States, while the Senate would represent the interest of individual states. The president would be elected by the Electoral College. This constitution was adopted in September 1887 and ratified by all states by 1890. However, it contained an important proviso: the Constitution would be subject to amendment through a complex and lengthy process. For many people in the US, especially those suspicious of the power of the new federal government, this was vital. Just two years after the new constitution was adopted, a new Bill of Rights was raised that suggested a total of 12 amendments. The First Amendment (and to many people, one of the most important) forbade Congress from passing laws that related to religion, but also from "abridging the freedom of speech, or of the press." Freedom of the press became one of the core principles of democracy in the United States. People could only place their votes in an informed way if the press was free to provide information about politicians and their actions. Politicians must also know that their actions were accountable through a press that informed voters honestly and accurately. Up to the 1960s, most Americans were confident they had access to a truly free press, but then series of revelations emerged that suggested the Central Intelligence Agency (CIA) had been subverting journalists in the US and elsewhere through the use of bribery, blackmail, and covert operations. By the late 1970s, this alleged CIA plan had a name: Operation Mockingbird. Many people were understandably horrified at the notion that the federal government had attempted to operate counter to the First Amendment through one of its intelligence agencies, and Operation Mockingbird was widely discussed. These debates continue to the present day, including whether there actually was a covert CIA operation named Mockingbird, whether the operation truly sought to subvert the press in the US and elsewhere, and whether the operation really ended by 1976, as the CIA claimed. As such, nearly 50 years later, Operation Mockingbird remains a controversial topic.


The CIA and the Media

The CIA and the Media

Author: United States. Congress. House. Permanent Select Committee on Intelligence. Subcommittee on Oversight

Publisher:

Published: 1978

Total Pages: 666

ISBN-13:

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Presstitutes Embedded in the Pay of the CIA

Presstitutes Embedded in the Pay of the CIA

Author: Udo Ulfkotte

Publisher:

Published: 2020-01-20

Total Pages: 256

ISBN-13: 9781615770175

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The eagerly awaited English edition of "Bought Journalists" was suppressed for three years under the title "Journalists for Hire" -- and still got 24 five-star-only Amazon reviews from would-be readers. 18 months on the bestseller list in Germany. Now it's finally here! Ever get the feeling the media tries to manipulate or lie to you? You have plenty of company! And you are right -- the facts are in. A world-class media insider has blown the whistle on what really goes on inside the media industry. Author Udo Ulfkotte was a respected journalist for 17 years with Germany's newspaper of record, the Frankfurter Allgemeine Zeitung. He begins this explosive exposé by first owning up to his own career, where he had to sell out to have the job. He then reveals the deceptive tricks and secret networks of power within the media. How perks are used to bribe journalists and opinion makers to twist their reporting. How the tone of corruption is set from the top -- play along or quit. How the long arm of the NATO press office enrolls the media to get Europe to support more foreign wars. The elite owners of the media feel it's their right to think for us, and to mold public opinion to their agendas. Their Freedom of the Press is Freedom to Censor the news. Our nation depends on the media to understand our world, just as each one of us depends on our eyes and ears. The media are our senses. When they hide the truth, or lie to us, they put us all in danger. A million people died in Iraq, Libya and Syria because the press didn't just report the news, didn't just lie about the news, but they invented and sold the events that served as pretexts for wars. The author spent years in the Middle East, surviving an attack with chemical weapons supplied by US and German firms. This book is a veteran's guide to the media spider's web. It shows how the system works, sharpens your common sense skepticism, and increases your immunity to the controlled media's attempts to do our thinking for us.