This new MWNF Travel Book was conceived not long before the war started. All texts refer to the pre-war situation and are our expression of hope that Syria, a land that witnessed the evolution of civilisation since the beginnings of human history, may soon become a place of peace and the driving force behind a new and peaceful beginning for the entire region. Bilad al-Sham testifies to a thorough and strategic programme of urban reconstruction and reunification during the 12th and 13th centuries. Amidst a period of fragmentation, visionary leadership came with the Atabeg Nur al-Din Zangi. He revived Syria’s cities as safe havens to restore order. His most agile Kurdish general, Salah al-Din (Saladin), assumed power after he died and unified Egypt and Sham into one force capable of re-conquering Jerusalem from the Crusaders. The Ayyubid Empire flourished and continued the policy of patronage. Though short-lived, this era held long-lasting resonance for the region. Its recognisable architectural aesthetic – austere, yet robust and perfected ‒ survived until modern times. The Ayyubid Era: Art and Architecture in Medieval Syria describes eight thematic Itineraries including, among others, the cities of Damascus, Bosra, Homs, Hama, Aleppo and Raqqa.
The first illustrated, architectural history of the 'Alid shrines, increasingly endangered by the conflict in SyriaThe 'Alids (descendants of the Prophet Muhammad) are among the most revered figures in Islam, beloved by virtually all Muslims, regardless of sectarian affiliation. This study argues that despite the common identification of shrines as 'Shi'i' spaces, they have in fact always been unique places of pragmatic intersectarian exchange and shared piety, even - and perhaps especially - during periods of sectarian conflict. Using a rich variety of previously unexplored sources, including textual, archaeological, architectural, and epigraphic evidence, Stephennie Mulder shows how these shrines created a unifying Muslim 'holy land' in medieval Syria, and proposes a fresh conceptual approach to thinking about landscape in Islamic art. In doing so, she argues against a common paradigm of medieval sectarian conflict, complicates the notion of Sunni Revival, and provides new evidence for the negotiated complexity of sectarian interactions in the period.
Upon the death of Saladin in 1193, his vast empire, stretching from the Yemen to the upper reaches of the Tigris, fell into the hands of his Ayyubid kinsmen. These latter parceled his domains into a number of autonomous principalities, though some common identity was maintained by linking these petty states into a loose confederation, in which each local prince owed allegiance to the senior member of the Ayyubid house. Such an arrangement was, of course, highly unstable, and at first glance Ayyubid history appears to be no more than a succession of unedifying squabbles among countless rival princelings, until at last the family's hegemony was extinguished by two events: 1) a coup d'état staged by the palace guard in Egypt in 1250, and 2) the Mongol occupation of Syria, brief but destructive, in 1260. But appearances to the contrary, the obscure quarrels of Saladin's heirs embodied a political revolution of highest importance in Syro-Egyptian history. The seven decades of Ayyubid rule mark the slow and sometimes violent emergence of a new administrative relationship between Egypt and Syria, one in which Syria was subjected to close centralized control from Cairo for the unprecedented period of 250 years. These years saw also the gradual decay of a form of government—the family confederation—which had been the most characteristic political structure of Western Iran and the Fertile Crescent for three centuries, and its replacement by a unitary autocracy. Finally, it was under the Ayyubids that the army ceased to be an arm of the state and became, in effect, the state itself. When these internal developments are seen in the broader context of world history as it affected Syria during the first half of the thirteenth century—Italian commercial expansion, the Crusades of Frederick II and St. Louis, the Mongol expansion—then the great intrinsic interest of Ayyubid history becomes apparent. Professor Humphreys has developed these themes through close examination of the political fortunes of the Ayyubid princes of Damascus. For Damascus, though seldom the capital of the Ayyubid confederation, was, nevertheless, its hinge. The struggle for regional autonomy vs. centralization, for Syrian independence vs. Egyptian domination, was fought out at Damascus, and the city was compelled to stand no less than eleven sieges during the sixty-seven years of Ayyubid rule. Almost every political process of real significance either originated with the rulers of Damascus or was closely reflected in their policy and behavior. The book is cast in the form of a narrative, describing a structure of politics which was in no way fixed and static, but dynamic and constantly evolving. Indeed, the book does not so much concern the doings of a group of rather obscure princes as it does the values and attitudes which underlay and shaped their behavior. The point of the narrative is precisely to show what these values were, how they were expressed in real life, and how they changed into quite new values in the course of time.
Each volume deals with a wide variety of scholarly subjects, all revolving around the central theme of Syro-Egypt's high and late medieval history. Topics dealt with include archaeology, architecture, codicology, economic, political, and religious history, as well as belles-lettres.
Each volume deals with a wide variety of scholarly subjects, all revolving around the central theme of Syro-Egypt's high and late medieval history. Topics dealt with include archaeology, architecture, codicology, economic, political, and religious history, as well as belles-lettres.
Calligraphy and geometry, two of the most characteristic aspects of much Islamic art, receive full attention in this lucid analysis of the shifts in artistic practice of the 11th and 12th centuries that occurred throughout the Islamic world. Tabbaa, a specialist on the 12th-century leader and art patron Nur al-Din, has taught Islamic art and architectural history at MIT and the U. of Michigan. Annotation copyrighted by Book News, Inc., Portland, OR
"The long reign of Sultan al-Nasir Muhammad was one of the most productive periods for architectural construction, restoration and urban development in the medieval Near East. The building works of this ruler and his amirs transformed the fabric of the Mamluk capital, Cairo, and shaped its future development in decades to come. For most of al-Nasir Muhammads sultanate, Tankiz al-Nasiri ruled as governor of the Syrian province. Tankizs term was one of the longest for any amir to retain a single office and to remain in the good graces of this sultan, known for his mercurial nature. Tankiz played a critical role in Mamluk politics and Syrian history. His lengthy tenure also allowed him to give sustained attention to the built environment of the province. During his term, he undertook an ambitious program of construction that involved monuments, urban works and renewal projects. This book investigates Tankizs building program by identifying the works that he commissioned, exploring the nature of his participation in these works, and situating them within the broader contexts of architectural development in the region and patronage during the Mamluk period. The volume features over 80 photographs and other illustrations, including several in full color. It is fully indexed and provides a wealth of references to primary and secondary literature."
