Willa Cather

Willa Cather

Author: Janis P. Stout

Publisher: University of Virginia Press

Published: 2000-12-29

Total Pages: 408

ISBN-13: 9780813933603

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Previous biographies of Willa Cather have either recycled the traditional view of a writer detached from social issues whose work supported a wholesome view of a vanished America, or they have focused solely on revelations about her private life. Challenging these narrow interpretations, Janis P. Stout presents a Cather whose life and quietly modernist work fully reflected the artistic and cultural tensions of her day. A product of the South--she was born in Virginia--Cather went west with her family at an early age, a participant in the aspirations of Manifest Destiny. Known for her celebrations of immigrants on the prairie, she in fact shared many of the ethnic suspicions of her contemporaries. Loved by a popular audience for her pieties of family and religion, she was in her youth a freethinker who resisted traditional patterns for women's lives, cutting her hair like a boy's and dressing in men's clothing. Seen by critics since the 1930s as a practitioner of an escapist formalism, she was, in Stout's view, profoundly ambivalent about most of the important questions she faced. Cather structured her writing to control her uncertainty and project a serenity she did not in fact feel. Cather has at times been viewed as a writer preoccupied with the past whose literary project had little to do with the intellectual currents of her time. On the contrary, Stout argues, Cather was a full participant in the doubts and conflicts of twentieth-century modernity. Only in recoil from her distress at these conflicts did she turn to overt celebrations of the past and construct a retiring, crotchety persona. The Cather that emerges from Stout's treatment is a modernist conservative in the mold of T. S. Eliot, though more responsive to her time and simultaneously less assured in her pronouncements. Cather's sexuality, too, is more complicated in Stout's version than previous biographers have allowed. Willa Cather: The Writer and Her World presents a woman and an artist who fully exemplifies the ambivalence, the foreboding, and above all the complexity that we associate with the twentieth-century mind.


The Second Western Megapack

The Second Western Megapack

Author: Zane Grey

Publisher: Wildside Press LLC

Published: 2013-04-18

Total Pages: 2124

ISBN-13: 1434446484

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The Second Western Megapack presents a wide-ranging selection of western stories sure to get your pulse racing. Here are action tales of the old west by masters such as Zane Grey, Ed Earl Repp, Robert E. Howard, Clarence E. Mulford, Max Brand -- and many more. More than 2,000 pages of great reading! Complete contents: QUICK PAY FOR MAVERICK MEN, by Ed Earl Repp TOM’S MONEY, by Harriet Prescott Spofford WHILE SMOKE ROLLED, by Robert E. Howard THE AFFAIR AT GROVER STATION, by Willa Cather THE OUTLAW PILOT, by Stephen Payne READY FOR A COFFIN, by Gene Austin BULLDOG CARNEY, by W. A. Fraser DUST, by Marcet and Emanuel Haldeman-Julius THE JIMMYJOHN BOSS, by Owen Wister THE APACHE MOUNTAIN WAR, by Robert E. Howard ABOVE THE LAW, by Max Brand WITH GUTS, GUN, AND SCALPEL, by Archie Joscelyn THE END OF THE TRAIL, by Clarence E. Mulford THE WILD-HORSE HUNTER, by Zane Grey THE HONK-HONK BREED, by Stewart Edward White THE TEXAN SCOUTS, by Joseph A. Altsheler THE ROAD TO BEAR CREEK, by Robert E. Howard A KINSMAN OF RED CLOUD, by Owen Wister NO REPORT, by S. Omar Barke THE LAST OF THE PLAINSMEN, by Zane Grey GUNMAN’S RECKONING, by Max Brand LITTLE BIG HORN MEDICINE, by Owen Wister THE LONE RANGER RIDES, by Fran Striker MAN SIZE, by William MacLeod Raine COLUMBIA AND THE COWBOY, by Alice MacGowan And don't forget to search this ebook store for "Wildside Megapack" to see all the entries in the Megapack series -- including volumes of science fiction, fantasy, horror, mystery, westerns, classics, and much, much more!


Willa Cather

Willa Cather

Author: John Joseph Murphy

Publisher: Associated University Presse

Published: 2008

Total Pages: 356

ISBN-13: 9780838641354

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This book presents interprative approaches to Willa Cather based on materials available in the Drew University Cather Collection. The scholars suggest the work left to do on Willa Cather, and the diverse directions in which scholars now must travel.


Willa Cather

Willa Cather

Author: James Woodress

Publisher: U of Nebraska Press

Published: 1989-01-01

Total Pages: 654

ISBN-13: 9780803297081

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Drawing on letters, interviews, speeches, and reminiscences, looks at the life and career of the American novelist.


Collected Short Fiction, 1892-1912

Collected Short Fiction, 1892-1912

Author: Willa Cather

Publisher: U of Nebraska Press

Published: 1970-01-01

Total Pages: 652

ISBN-13: 9780803207707

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Over forty short stories survey the initial years of discovery and artistic development of the beloved American author


The Racial Railroad

The Racial Railroad

Author: Julia H. Lee

Publisher: NYU Press

Published: 2022-04-26

Total Pages: 304

ISBN-13: 1479812773

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"The Racial Railroad argues the train has been a persistent and crucial site for racial meaning-making in American culture for the past 150 years. This book examines the complex intertwining of race and railroad in literary works, films, visual media, and songs from a variety of cultural traditions in order to highlight the surprisingly central role that the railroad has played - and continues to play - in the formation and perception of racial identity and difference in the United States. Despite the fact that the train has often been an instrument of violence and exclusion, this book shows that it is also ingrained in the imaginings of racialized communities, often appearing as a sign of resistance. The significance of this book is threefold. First, it is the only book that I'm aware of that examines the train multivalently: as a technology, as a mode of transportation, as a space that blurs the line between public and private, as a form of labor, and as a sign. Second, it takes a multiracial approach to cultural narratives concerning the railroad and racial identity, which bolsters my claim about the pervasiveness of the railroad in narratives of race. It signifies across all racial groups. The meaning of that signification may be radically different depending upon the community's own history, but it nevertheless means something. Finally, The Racial Railroad reveals the importance of place in discussions of race and racism. Focusing on the experiences of racialized bodies in relation to the train - which both creates and destroys places - secures a presence for those marginalized subjects. These authors use the train to reveal how race defines the spatial logics of the nation even as their bodies are often deliberately hidden or obscured from public view"--


The Railroad in American Fiction

The Railroad in American Fiction

Author: Grant Burns

Publisher: McFarland

Published: 2015-01-28

Total Pages: 292

ISBN-13: 1476606986

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Nothing better represented the early spirit of American expansion than the railroad. Dominant in daily life as well as in the popular imagination, the railroad appealed strongly to creative writers. For many years, fiction of railroad life and travel was plentiful and varied. As the nineteenth century receded, the railroad's allure faded, as did railroad fiction. Today, it is hard to sense what the railroad once meant to Americans. The fiction of the railroad--often by railroaders themselves--recaptures that sense, and provides valuable insights on American cultural history. This extensively annotated bibliography lists and discusses in 956 entries novels and short stories from the 1840s to the present in which the railroad is important. Each entry includes plot and character description to help the reader make an informed decision on the source's merit. A detailed introduction discusses the history of railroad fiction and highlights common themes such as strikes, hoboes, and the roles of women and African-Americans. Such writers of "pure" railroad fiction as Harry Bedwell, Frank Packard, and Cy Warman are well represented, along with such literary artists as Mark Twain, Thomas Wolfe, Flannery O'Connor, and Ellen Glasgow. Work by minority writers, including Jean Toomer, Richard Wright, Frank Chin, and Toni Morrison, also receives close attention. An appendix organizes entries by decade of publication, and the work is indexed by subject and title.


Our Conrad

Our Conrad

Author: Peter Mallios

Publisher: Stanford University Press

Published: 2010-09-21

Total Pages: 485

ISBN-13: 0804775710

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Our Conrad is about the American reception of Joseph Conrad and its crucial role in the formation of American modernism. Although Conrad did not visit the country until a year before his death, his fiction served as both foil and mirror to America's conception of itself and its place in the world. Peter Mallios reveals the historical and political factors that made Conrad's work valuable to a range of prominent figures—including Fitzgerald, Faulkner, Richard Wright, Woodrow Wilson, and Theodore and Edith Roosevelt—and explores regional differences in Conrad's reception. He proves that foreign-authored writing can be as integral a part of United States culture as that of any native. Arguing that an individual writer's apparent (national, gendered, racial, political) identity is not always a good predictor of the diversity of voices and dialogues to which he gives rise, this exercise in transnational comparativism participates in post-Americanist efforts to render American Studies less insular and parochial.


Ghost Stories by British and American Women

Ghost Stories by British and American Women

Author: Lynette Carpenter

Publisher: Routledge

Published: 2015-01-28

Total Pages: 233

ISBN-13: 1317943538

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Originally published in 1998 and covering a tradition ignored by most critics, this bibliography assembles and documents a large body of supernatural fiction written by women in English from the end of the 18th century to the present. These stories, the work of women whose literary reputations, personal histories, and bodies of work vary widely, challenge the narrow way in which supernatural literature has traditionally been regarded: they indicate a much richer and more complex set of literary responses to the supernatural than has been hitherto acknowledged. The writers included range from Ann Radcliffe and the Gothic novelists to Louisa May Alcott, Charlotte Gilman, and Edith Wharton to such modern writers as Elizabeth Bowen, Jean Rhys, Muriel Spark, and A.S. Byatt. The volume will be of interest to literary and cultural historians and of particular importance to women's studies scholars.