A powerful climate crisis story about love and loss that offers a glimpse of a tangible future in which water is commodified and vulnerable to sabotage that is "close to perfect," "imaginative and far reaching," and "very human and deadly serious" (The Guardian). Water is commodified. The Water Train that serves the city increasingly at risk of sabotage. As news breaks that construction of a gigantic Ice Dock will displace more people than first thought, protestors take to the streets and the lives of several individuals begin to interlock. A nurse on the brink of an affair. A boy who follows a stray dog out of the city. A woman who lies dying. And her husband, a marksman: a man forged by his past and fearful of the future, who weighs in his hands the possibility of death against the possibility of life. From one of the most celebrated writers of his generation, Stillicide is a moving story of love and loss and the will to survive, and a powerful glimpse of the tangible future.
O, The Oprah Magazine's 20 Best Titles of the Year Time Magazine's 100 Books to Read in 2020 Financial Times' Best Books of 2020 Esquire's Best Books of 2020 New York Times Editors' Choice Lit Hub's Best Books of 2020 Bustle's Best Short Story Collections of 2020 Electric Literature's Favorite Short Story Collections of 2020 Library Journal's Best Short Stories of 2020 “Superb. . . . Krauss’s depictions of the nuances of sex and love, intimacy and dependence, call to mind the work of Natalia Ginzburg in their psychological profundity, their intellectual rigor. . . . Krauss’s stories capture characters at moments in their lives when they’re hungry for experience and open to possibilities, and that openness extends to the stories themselves: narratives too urgent and alive for neat plotlines, simplistic resolutions or easy answers.” —Molly Antopol, New York Times Book Review “From a contemporary master, an astounding collection of ten globetrotting stories, each one a powerful dissection of the thorny connections between men and women. . . . Each story is masterfully crafted and deeply contemplative, barreling toward a shimmering, inevitable conclusion, proving once again that Krauss is one of our most formidable talents in fiction.” —Esquire In one of her strongest works of fiction yet, Nicole Krauss plunges fearlessly into the struggle to understand what it is to be a man and what it is to be a woman, and the arising tensions that have existed from the very beginning of time. Set in our contemporary moment, and moving across the globe from Switzerland, Japan, and New York City to Tel Aviv, Los Angeles, and South America, the stories in To Be a Man feature male characters as fathers, lovers, friends, children, seducers, and even a lost husband who may never have been a husband at all. The way these stories mirror one other and resonate is beautiful, with a balance so finely tuned that the book almost feels like a novel. Echoes ring through stages of life: aging parents and new-born babies; young women’s coming of age and the newfound, somewhat bewildering sexual power that accompanies it; generational gaps and unexpected deliveries of strange new leases on life; mystery and wonder at a life lived or a future waiting to unfold. To Be a Man illuminates with a fierce, unwavering light the forces driving human existence: sex, power, violence, passion, self-discovery, growing older. Profound, poignant, and brilliant, Krauss’s stories are at once startling and deeply moving, but always revealing of all-too-human weakness and strength.
"Jones's sense of place is acute, and his passion for the landscape—for its colors, its creatures, its textures, its scents—is absolutely magnetic."—Sarah Waters "A dark, tense, and vital short novel. . . . Profound, powerful, and utterly absorbing."—The Guardian "It is a book about the essentials: life and death, cruelty and compassion. It is a book that will get in your bones, and haunt you."—Daily Telegraph "Cynan Jones's fourth novel, The Dig, is an extraordinarily powerful work—not in spite of its brevity but because of it. . . . In its marriage of profound lyricism and feeling for place, deep human compassion and unflinching savagery, this brief and beautiful novel is utterly unique."—Financial Times Built of the interlocking fates of a badger-baiter and a farmer struggling through lambing season, The Dig unfolds in a stark rural setting where man, animal, and land are at loggerheads. There is no bucolic pastoral here: this is pure, pared-down rural realism, crackling with compressed energy, from a writer of uncommon gifts. Cynan Jones was born near Aberaeron, Wales, in 1975. He is the author of three novels, The Long Dry (winner of a Betty Trask Award, 2007), Everything I Found on the Beach (2011), and The Dig (2014), winner of the Jerwood Fiction Uncovered Prize. He is also the author of Bird, Blood, Snow (2012), the retelling of a medieval Welsh myth. The Dig is his first novel published in the United States.
An irresistible invitation to reject the work ethic and enjoy life's simple pleasures (such as laughing, drinking and lying in the open air), Robert Louis Stevenson's witty and seminal essay on the joys of idleness is accompanied here by his writings on, among other things, growing old, visiting unpleasant places and the overwhelming experience of falling in love. Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are
The American poet John Shade is dead. His last poem, 'Pale Fire', is put into a book, together with a preface, a lengthy commentary and notes by Shade's editor, Charles Kinbote. Known on campus as the 'Great Beaver', Kinbote is haughty, inquisitive, intolerant, but is he also mad, bad - and even dangerous? As his wildly eccentric annotations slide into the personal and the fantastical, Kinbote reveals perhaps more than he should be. Nabokov's darkly witty, richly inventive masterpiece is a suspenseful whodunit, a story of one-upmanship and dubious penmanship, and a glorious literary conundrum.
Dyma nofel gyntaf Dewi Prysor ers y drioleg lwyddiannus, Madarch, Brithyll a Crawia. Mae Lladd Duw yn nofel swmpus, wedi'i lleoli yn Llundain a thref glan y mor ffuglennol. Mae'n ymdrin a chwalfa gwareiddiad o safbwynt y werin bobl. Nofel ddwys-dywyll ond fel sy'n nodweddiadol o'r awdur, mae digon o hiwmor ynddi hefyd.
Like Kafka's The Castle, Invitation to a Beheading embodies a vision of a bizarre and irrational world. In an unnamed dream country, the young man Cincinnatus C. is condemned to death by beheading for "gnostical turpitude," an imaginary crime that defies definition. Cincinnatus spends his last days in an absurd jail, where he is visited by chimerical jailers, an executioner who masquerades as a fellow prisoner, and by his in-laws, who lug their furniture with them into his cell. When Cincinnatus is led out to be executed, he simply wills his executioners out of existence: they disappear, along with the whole world they inhabit.
A boy's coming of age early this century in a village in Wales. A tale of poverty, failed strikes, death, madness, and refuge in religion. The late author was a poet and journalist.
The Gododdin charts the rise and fall of 363 warriors in the battle of Catraeth, around the year 600AD. The men of the Brittonic kingdom of Gododdin rose to unite the Welsh and the Picts against the English, only to meet a devastating fate. Composed by the poet Aneirin, the poem was originally orally transmitted as a sung elegy, passed down for seven centuries before being written down by two medieval scribes. It is comprised of one hundred laments to the named characters who fell, and follows a sophisticated alliterative poetics. Former National Poet of Wales Gillian Clarke is the first poet to create a translation. She animates this historical epic with a modern musicality, making it live in the language of today.
One of Alasdair Gray's most brilliant creations, Poor Things is a postmodern revision of Frankenstein that replaces the traditional monster with Bella Baxter--a beautiful young erotomaniac brought back to life with the brain of an infant. Godwin Baxter's scientific ambition to create the perfect companion is realized when he finds the drowned body of Bella, but his dream is thwarted by Dr. Archibald McCandless's jealous love for Baxter's creation.The hilarious tale of love and scandal that ensues would be "the whole story" in the hands of a lesser author (which in fact it is, for this account is actually written by Dr. McCandless). For Gray, though, this is only half the story, after which Bella (a.k.a. Victoria McCandless) has her own say in the matter.Satirizing the classic Victorian novel, Poor Things is a hilarious political allegory and a thought-provoking duel between the desires of men and the independence of women, from one of Scotland's most accomplished authors.
