Illustrated with beautiful colour photos throughout, On Wings of Diesel takes us on a journey through the fascinating world of Pakistani truck decoration. Ornately adorned and considered as moving artA", these trucks - veritable roving exhibitions - depict all aspects of life and support a highly developed artisanal industry. Examining designs and motifs, the cultural significance of the practice, and the motivations of truck owners, Jamal J. Elias provides a unique window on Pakistan's complex society that addresses questions of culture and religion in an accessible and exciting way.
Drive the streets of Nairobi and you are sure to see many matatus colorful minibuses that transport huge numbers of people around the city. Once ramshackle affairs held together with duct tape and wire, matatus today are name-brand vehicles maxed out with aftermarket detailing. They can be stately black or come in extravagant colors, sporting names, slogans, or entire tableaus, with airbrushed portraits of everyone from Kanye West to Barack Obama, of athletes, movie stars, or the most famous face of all: Jesus Christ. In this richly interdisciplinary book, Kenda Mutongi explores the history of the matatu from the 1960s to the present. As Mutongi shows, matatus offer a window onto many socioeconomic and political facets of late-twentieth-century Africa. In their diversity of idiosyncratic designs they express multiple and divergent aspects of Kenyan life including rapid urbanization, organized crime, entrepreneurship, social insecurity, the transition to democracy, chaos and congestion, popular culture, and many others at once embodying both Kenya's staggering social problems and the bright promises of its future. Offering a shining model of interdisciplinary analysis, Mutongi mixes historical, ethnographic, literary, linguistic, and economic approaches to tell the story of the matatu as a powerful expression of the entrepreneurial aesthetics of the postcolonial world.
In the West, media coverage of Afghanistan and Pakistan is framed by military and political concerns, resulting in a simplistic picture of ageless barbarity, terrorist safe havens, and peoples in need of either punishment or salvation. Under the Drones looks beyond this limiting view to investigate real people on the ground, and to analyze the political, social, and economic forces that shape their lives. Understanding the complexity of life along the 1,600-mile border between Afghanistan and Pakistan can help America and its European allies realign their priorities in the region to address genuine problems, rather than fabricated ones. This volume explodes Western misunderstandings by revealing a land that abounds with human agency, perpetual innovation, and vibrant complexity. Through the work of historians and social scientists, the thirteen essays here explore the real and imagined presence of the Taliban; the animated sociopolitical identities expressed through traditions like Pakistani truck decoration; Sufism’s ambivalent position as an alternative to militancy; the long and contradictory history of Afghan media; and the simultaneous brutality and potential that heroin brings to women in the area. Moving past shifting conceptions of security, the authors expose the West’s prevailing perspective on the region as strategic, targeted, and alarmingly dehumanizing. Under the Drones is an essential antidote to contemporary media coverage and military concerns.
Westerners have a strong impression that Islam does not allow religious imagery. Elias corrects this view. Unearthing shades of meaning in Islamic thought throughout history, he argues that Islamic perspectives on representation and perception should be sought in diverse areas such as optics, alchemy, dreaming, vehicle decoration, Sufi metaphysics.
Forget about Vampires and Werewolves! Dragons are here! Miley is still young, but she is somewhat successful. She is about to give up on her workplace and search for something better. Since she was cheated on, Miley does not trust any man. Her boss is a sexist pig and she's had enough, until he offers the chance of a lifetime, to go photograph an exotic island that has never been explored before. The island is mysterious, exotic and gorgeous. Part of the Galapagos Islands, the land is amazing. But this place may be far more than Miley could have expected. It seems to be filled with unexpected creatures and men who vie for her affection when she wants nothing more than to do her job and get home. Will they begin to wear her down? Will they let her go home back to the city and a life she was not that fond of anyway? Find out what happens when the alpha finds out who actually sent her to photograph and will a war between two clans soon follow?
