Mortal Refrains

Mortal Refrains

Author: Julia A. Moore

Publisher: MSU Press

Published: 1998

Total Pages: 280

ISBN-13:

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In the late 1870s, this gifted writer of hilarious, bad verse had a national following. Mark Twain even wrote that he always carried with him a copy of Julia's first book of poems, The Sentimental Song Book (1876). "I find in them the same grace and melody that attracted me when they were first published twenty years ago, and have held me in happy bonds ever since," he explained. Twain attributed the "deep charm" of Julia's poems to her innocent habit of making "an intentionally humorous episode pathetic and an intentionally pathetic one funny." Twain immortalized Julia's style in the writings of Emmeline Grangerford, a character in The Adventures of Huckleberry Finn. She also influenced the writing--in fact, the career--of the doggerel poet Ogden Nash, who reportedly said that her example convinced him to try to become "a great bad poet" rather than "a bad good poet." The late Walter Blair, a highly respected professor of American literature at the University of Chicago, put it like this in his introduction to the last published collection of Julia's poems in 1928: If these songs [as Julia called her poems] were only a little closer to the conventional modes of meter, rhyme, thought, and expression they would not impress us at all. Touched, however, by the magic wand of genius, the novel works of this great poet cause readers to slump down in their chairs, hold their agitated and aching sides, wipe tears from brimming eyes, and fill the air with the sound of distinctly raucous laughter. Mortal Refrains is the first complete, published collection of Julia Moore's work--poetry, short stories, songs (including sheet music), and newspaper interviews--compiled from the earliest published versions found in various public libraries, rare book collections, museums, and archives.


The Mortal Voice in the Tragedies of Aeschylus

The Mortal Voice in the Tragedies of Aeschylus

Author: Sarah Nooter

Publisher: Cambridge University Press

Published: 2017-10-26

Total Pages: 322

ISBN-13: 1108548628

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Voice connects our embodied existence with the theoretical worlds we construct. This book argues that the voice is a crucial element of mortal identity in the tragedies of Aeschylus. It first presents conceptions of the voice in ancient Greek poetry and philosophy, understanding it in its most literal and physical form, as well as through the many metaphorical connotations that spring from it. Close readings then show how the tragedies and fragments of Aeschylus gain meaning from the rubric and performance of voice, concentrating particularly on the Oresteia. Sarah Nooter demonstrates how voice - as both a bottomless metaphor and performative agent of action - stands as the prevailing configuration through which Aeschylus' dramas should be heard. This highly original book will interest all those interested in classical literature as well as those concerned with material approaches to the interpretation of texts.


The Origins of Evil in Hindu Mythology

The Origins of Evil in Hindu Mythology

Author: Wendy Doniger

Publisher: Univ of California Press

Published: 1980-10-13

Total Pages: 432

ISBN-13: 9780520040984

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Presenting a subject rarely studied, the author shows there is a history of ideas about evil in Hinduism.


The Mortal Hero

The Mortal Hero

Author: Seth L. Schein

Publisher: Univ of California Press

Published: 1984

Total Pages: 240

ISBN-13: 9780520056268

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From the Preface:This book is addressed mainly to non-specialist readers who do not know Greek and who read, study, or teach the Iliad in translation; it also is meant for classical scholars whose professional specialization has prevented them from keeping abreast of recent work on Homer. It is grounded in technical scholarship, to which it constantly referes and is intended to contribute, and I hope that even Homeric specialists will find ideas and interpretations to interest them. I have tried to present clearly what seem to me the most valuable results of modern research and criticism of the Iliad while setting forth my own views. My goal has been to interpret the poem as much as possible on its own mythological, religious, ethical, and artistic terms. The topics and problems I focus on are those that have arisen most often and most insistently when I have thought the poem, in translation and in the original, as I have done every year since 1968. This book is a literary study of the Iliad. I have not discussed historical, archaeologoical, or even linguistic questions except where they are directly relevant to literary interpretation. Throughout I have emphasized what is thematically, ethically, and artistically distinctive in the Iliad in contrast to the conventions of the poetic tradition of which it is an end product.


Traditional Themes and the Homeric Hymns

Traditional Themes and the Homeric Hymns

Author: Cora Angier Sowa

Publisher: Bolchazy-Carducci Publishers

Published: 1984

Total Pages: 404

ISBN-13: 0865160376

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A thorough analysis of the mechanics of the language of Homer as used in the Iliad and the Odyssey.


The Triumph of God

The Triumph of God

Author: Johan Christiaan Beker

Publisher: Fortress Press

Published: 1990

Total Pages: 174

ISBN-13: 9781451410006

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The special character of Paul's interpretation is marked by his ability to embody in his thought and praxis the movement of the incarnation, that is, the condescension of God into the depth of the human condition, so that the eternal Word of the gospel is able to become ever anew a word on target for the people to whom the gospel is addressed.


Merely Mortal?

Merely Mortal?

Author: Antony Flew

Publisher: Prometheus Books

Published: 2011-04-29

Total Pages: 218

ISBN-13: 1615929509

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"Whether we are to live in a future state . . . is the most important question which can possibly be asked. . . . Yet strange perplexities have been raised about the meaning of that identity or sameness of person, which is implied in the notion of our being now and hereafter. . . ." These words, written by the Anglican Bishop Joseph Butler, concisely summarize the crux of the problem which renowned philosopher Antony Flew tackles in this profoundly thoughtful book. Despite the perennial hope of life beyond the grave, Flew shows that there are insuperable difficulties in elucidating postmortem survival on a rational basis. He analyzes the three ways that philosophers of the past have attempted to get around these difficulties: the "reconstitutionist way" (miraculous reassembly of our deceased bodies at some future time, such as the Last Judgment); the "way of the astral body" (a sort of duplicate, undetectable "body," which detaches itself from the material body after death); and the "Platonic-Cartesian way"(an incorporeal mind or soul containing a person's identity which lives on after death). The main problem, says Flew, is the impossibility of logically demonstrating how a person surviving death in any imagined altered state could identify him- or herself as the same person who had previously lived a flesh-and-blood life on the Earth. Flew reviews both the classic arguments of Plato, Aristotle, Aquinas, and Descartes, as well as the modern findings of parapsychology, elucidating this complex issue with logical rigor and engaging wit.


On Our Way

On Our Way

Author: Robert Kastenbaum

Publisher: Univ of California Press

Published: 2004-05-20

Total Pages: 461

ISBN-13: 0520218809

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A profound look at how death and dying is understood, negotiated, and experienced by different cultures.


The Firefighter's Refrain

The Firefighter's Refrain

Author: Loree Lough

Publisher: Harlequin

Published: 2016-05-01

Total Pages: 203

ISBN-13: 1488009066

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He's a man who wants it all…if only he could have it Dreams of stardom took musician and firefighter Sam Marshall far from his Colorado roots. Starting fresh in Nashville hasn't been easy, especially after an injury on the job, but he's working his way to the Grand Ole Opry one open mike at a time, teaching at the fire station to make ends meet. Yet Sam's intentions are shaken when he meets the lovely owner of a local café. Suddenly, Sam's dreams are filled with her. Too bad that as the daughter of country-music wannabes, Finn Leary's been there, done that. She'll never choose a musician. So how can Sam possibly get the girl and keep the guitar?