For this volume, originally published in cloth in 1961, William Carlos Williams collected, and revised, four full-length plays and the libretto of an opera on George Washington. As might be expected of the man who did most in our time to create a new and truly "American" idiom for poetry, Dr. Williams' writing for the stage challenges producers and actors to extend the range of modern drama.
`the most tragic of the poets' Aristotle Euripides was one of the most popular and controversial of all Greek tragedians, and his plays are marked by an independence of thought, ingenious dramatic devices, and a subtle variety of register and mood. He is also remarkable for the prominence he gave to female characters, whether heroines of virtue or vice. In the ethically shocking Medea, the first known child-killing mother in Greek myth to perform the deed in cold blood manipulates her world in order to wreak vengeance on her treacherous husband. Hippolytus sees Phaedra's confession of her passion for her stepson herald disaster, while Electra's heroine helps her brother murder their mother in an act that mingles justice and sin. Lastly, lighter in tone, the satyr drama, Helen, is an exploration of the impossibility of certitude as brilliantly paradoxical as the three famous tragedies. This new translation does full justice to Euripides's range of tone and gift for narrative. A lucid introduction provides substantial analysis of each play, complete with vital explanations of the traditions and background to Euripides's world. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
This is Carlos MortonÍs first collection of plays, the fruit of a ten-year journey that took him from the turmoil of agit-prop theatre to a fellowship with the National Repertory Theatre and advanced academic degrees in drama. The works included here have been produced before audiences, which have varied from San Diego Park pedestrians to Harvard University faculty and students. In his lighter works, Morton has proven himself to be the master of the incongruous, the prince of satire and the poet laureate of the unexpected and comic in daily speech. His serious plays, like The Many Deaths of Danny Rosales, confront audiences with gripping appeals for justice. Whether as a humorist or a tragedian, one note characterizes MortonÍs works: unfettered, expansive imagination.
______________________ 'Too much to do? Stop and read this' - Guardian 'For a fresh take on an eternal dilemma, Overwhelmed is worth a few hours of any busy woman's life – if only to ensure that she doesn't drop off the bottom of her own “To Do” list' - Mail on Sunday ______________________ In her attempts to juggle work and family life, Brigid Schulte has baked cakes until 2 a.m., frantically (but surreptitiously) sent important emails during school trips and then worked long into the night after her children were in bed. Realising she had become someone who constantly burst in late, trailing shoes and schoolbooks and biscuit crumbs, she began to question, like so many of us, whether it is possible to be anything you want to be, have a family and still have time to breathe. So when Schulte met an eminent sociologist who studies time and he told her she enjoyed thirty hours of leisure each week, she thought her head was going to pop off. What followed was a trip down the rabbit hole of busy-ness, a journey to discover why so many of us find it near-impossible to press the 'pause' button on life and what got us here in the first place. Overwhelmed maps the individual, historical, biological and societal stresses that have ripped working mothers' and fathers' leisure to shreds, and asks how it might be possible for us to put the pieces back together. Seeking insights, answers and inspiration, Schulte explores everything from the wiring of the brain and why workplaces are becoming increasingly demanding, to worldwide differences in family policy, how cultural norms shape our experiences at work, our unequal division of labour at home and why it's so hard for everyone – but women especially – to feel they deserve an elusive moment of peace. ______________________ 'Every parent, every caregiver, every person who feels besieged by permanent busyness, must read this book' - Anne-Marie Slaughter, author of Why Women Still Can't Have It All
Here is a perfect little gift: the most beloved poems by the most essential American poet of the last century Gathered here are the gems of William Carlos Williams’s astonishing achievements in poetry. Dramatic, energetic, beautiful, and true, this slim selection will delight any reader—The Red Wheelbarrow & Other Poems is a book to be treasured.
This collection contains nine most important works written and performed between 1973 and 1989. Three of the plays won first positions in national drama competitions (The Cell, the Family Question, and the Headmaster and the Rascals). Subsequently, the Family Question was performed in Detroit and published in Chicago by Bedford publishers. the Cell has been reviewed in various journals and books, Father Kalo commissioned by the Ministry of Health and John Hopkins School of Medicine was a campaign play against the spread of HIV and AIDS. Themes that preoccupy the author include alienation for returnees from the diaspora in Europe and the USA, power and its corrupting influences, ethnicity and with its offshoots of overdependence and nepotism, and intricate relationship encompassing HIV/AIDS, love and marriage. They are multilayered plays variously classified as tragic comedies, allegories, satires, characterised by high sense of humour.
This volume combines some of Craig Lucas’ best known work, including Reckless ("a bittersweet fable for our time"—Frank Rich, The New York Times) and Blue Window ("…the clarity of a Mozart quintet. And it is faultlessly spun."—Dan Sullivan, The Los Angeles Times) with his newest play, Stranger. The three plays continue the author’s exploration of the nature of relationships in an ever increasingly distant society. Craig Lucas is the author of Prelude to a Kiss, both a success on Broadway and as a motion picture, The Dying Gaul, God’s Heart, Missing Persons and Longtime Companion. He is currently at work on numerous projects for theatre and film. Also available by Craig Lucas What I Meant Was: New Plays and Selected One Acts PB $17.95 1-55936-159-X • USA Prelude to a Kiss and Other Plays PB $16.95 1-55936-193-X • USA
Juniper is looking for love, Robert is trying to avoid it, Ollie doesn't know what it is and Meg has resigned herself to never having it. As these four people move through a July day in London, they orbit each other, unaware that they are hurtling towards one moment that could devastate them all. Many Moons opened at groundbreaking Theatre 503 in summer 2011.
