Lydia Mendoza's Life in Music / La Historia de Lydia Mendoza

Lydia Mendoza's Life in Music / La Historia de Lydia Mendoza

Author: Yolanda Broyles-Gonzalez

Publisher: Oxford University Press

Published: 2001-05-17

Total Pages: 274

ISBN-13: 9780195351996

DOWNLOAD EBOOK

Lydia Mendoza began her legendary musical career as a child in the 1920s, singing for pennies and nickels on the streets of downtown San Antonio. She lived most of her adult life in Houston, Texas, where she was born. The life story of this Chicana icon encompasses a 60-year singing career that began with the dawn of the recording industry in the 1920s and continued well into the 1980s, ceasing only after she suffered a devastating stroke. Her status as a working-class idol continues to this day, making her one of the most prominent and long-standing performers in the history of the recording industry and a champion of Chicana/o music. This bilingual edition presents Lydia Mendoza's historia in an interview between the artist and Yolanda Broyles-González: first is the English translation, then the Spanish original, as told by Mendoza herself. Broyles-González concludes the volume with an extended essay on the significance of Mendoza's career and her place in Tejana music and Chicana studies. Known as a lone artist and performer, Lydia Mendoza's voice and twelve-string guitar-playing figure prominently in her ability to both nurture and transmit the vast oral tradition of popular Mexican song with beauty and integrity. She sang the songs of the people across generations in the old tradition; all are indigenous to the Americas, and many of them to Texas. It is the music that emerged from the experiences of native peoples (on both sides of the U.S.-Mexico border) within the colonial context of the nineteenth century. Mendoza's prominence and stature as a Chicana idol stems from her sustained presence and perpetual visibility within a complex network of social and cultural relations in the twentieth century. Along with being one of the earliest female recording and touring artists, she is loved as a voice of working-class sentimiento, sentiment and sentience, through song, which is one of the most cherished of Chicana/o cultural art forms. Through her vast repertoire and unmistakable interpretive skill in the shaping of songs she is a living embodiment of U.S.-Mexican culture and a participant in raza people's protracted struggles for survival.


Lydia Mendoza's Life in Music / La Historia de Lydia Mendoza:Norteno Tejano Legacies includes audio CD

Lydia Mendoza's Life in Music / La Historia de Lydia Mendoza:Norteno Tejano Legacies includes audio CD

Author: Yolanda Broyles-Gonzalez

Publisher: Oxford University Press, USA

Published: 2001-05-17

Total Pages: 256

ISBN-13: 9780195127065

DOWNLOAD EBOOK

Lydia Mendoza began her legendary musical career as a child in the 1920s, singing for pennies and nickels on the streets of downtown San Antonio. She lived most of her adult life in Houston, Texas, where she was born. The life story of this Chicana icon encompasses a 60-year singing career that began with the dawn of the recording industry in the 1920s and continued well into the 1980s, ceasing only after she suffered a devastating stroke. Her status as a working-class idol continues to this day, making her one of the most prominent and long-standing performers in the history of the recording industry and a champion of Chicana/o music. This bilingual edition presents Lydia Mendoza's historia in an interview between the artist and Yolanda Broyles-Gonzalez: first is the English translation, then the Spanish original, as told by Mendoza herself. Broyles-Gonzalez concludes the volume with an extended essay on the significance of Mendoza's career and her place in Tejana music and Chicana studies.Known as a lone artist and performer, Lydia Mendoza's voice and twelve-string guitar-playing figure prominently in her ability to both nurture and transmit the vast oral tradition of popular Mexican song with beauty and integrity. She sang the songs of the people across generations in the old tradition; all are indigenous to the Americas, and many of them to Texas. It is the music that emerged from the experiences of native peoples (on both sides of the U.S.-Mexico border) within the colonial context of the nineteenth century.Mendoza's prominence and stature as a Chicana idol stems from her sustained presence and perpetual visibility within a complex network of social and cultural relations in the twentieth century. Along with being one of the earliest female recording and touring artists, she is loved as a voice of working-class sentimiento, sentiment and sentience, through song, which is one of the most cherished of Chicana/o cultural art forms. Through her vast repertoire and unmistakable interpretive skill in the shaping of songs she is a living embodiment of U.S.-Mexican culture and a participant in raza people's protracted struggles for survival.


La Historia de Lydia Mendoza

La Historia de Lydia Mendoza

Author: Yolanda Broyles-González

Publisher: Oxford University Press, USA

Published: 2003-01-16

Total Pages: 235

ISBN-13: 9780195161830

DOWNLOAD EBOOK

A bilingual account based on interviews describes Lydia Mendoza's sixty-year singing career, from her childhood in the 1920s to the stroke that ended it in the 1980s, and her dedication to Tejano music and Chicano culture.


Tejano Music Queen Lydia Mendoza

Tejano Music Queen Lydia Mendoza

Author: Caroline Bennet

Publisher:

Published: 2020-12-05

Total Pages: 48

ISBN-13:

DOWNLOAD EBOOK

Previous published as Tejano Music Queen Lydia Mendoza 7.13.2020 copyright Ellie Crowe. Hold on to your dream, Lydia told herself. She dreamed of becoming a music star--- a Tejano music queen. But how could she? She was a young Mexican girl living in poverty on the borderlands between Mexico and Texas. Her papa said women could never become Tejano music stars. He said it just wouldn't be right. But Lydia was determined to prove him wrong. Read how Lydia Mendoza fought poverty and discrimination against race and women to become a Latin American music sensation, the Lark of the Border, a Tejano Music Queen, and recipient of the highest music award -- the National Medal of the Arts. Lydia is recognized as one of America's greatest roots music singers.


Southern Music/American Music

Southern Music/American Music

Author: Bill C. Malone

Publisher: University Press of Kentucky

Published: 2021-10-21

Total Pages: 397

ISBN-13: 0813184347

DOWNLOAD EBOOK

The South—an inspiration for songwriters, a source of styles, and the birthplace of many of the nation's greatest musicians—plays a defining role in American musical history. It is impossible to think of American music of the past century without such southern-derived forms as ragtime, jazz, blues, country, bluegrass, gospel, rhythm and blues, Cajun, zydeco, Tejano, rock'n'roll, and even rap. Musicians and listeners around the world have made these vibrant styles their own. Southern Music/American Music is the first book to investigate the facets of American music from the South and the many popular forms that emerged from it. In this substantially revised and updated edition, Bill C. Malone and David Stricklin bring this classic work into the twenty-first century, including new material on recent phenomena such as the huge success of the soundtrack to O Brother, Where Art Thou? and the renewed popularity of Southern music, as well as important new artists Lucinda Williams, Alejandro Escovedo, and the Dixie Chicks, among others. Extensive bibliographic notes and a new suggested listening guide complete this essential study.


The Chicano Latino Literary Prize

The Chicano Latino Literary Prize

Author: Stephanie Fetta

Publisher: Arte Publico Press

Published: 2008-01-01

Total Pages: 352

ISBN-13: 1611923034

DOWNLOAD EBOOK

ñDavid is mine!î Mrs. Renteria shouts out to her neighbors gathered about the dead but handsome young man found in the dry riverbed next to their homes in a Los Angeles barrio. ñDavid?î Tiburcio asked. ñSince when is his name David? He looks to me more like a ƒî Tiburcio glanced at the manÍs face, ñƒ a Luis.î Mrs. RenteriaÍs neighbors call out a litany of names that better suit the mysterious corpse: Roberto, Antonio, Henry, Enrique, Miguel, Roy, Rafael. The very first winner of the Chicano / Latino Literary Prize in 1974, Ron AriasÍ ñThe Wetbackî uses dark humor to reflect on the appearance of a dead brown man in their midst. This landmark collection of prize-winning fiction, poetry, and drama paints a historical and aesthetic panorama of Chicana/o and Latina/o letters over a twenty-five-year period beginning in 1974 and ending in 1999. Most, but not all, of the winning entries are featured in this anthology, which also includes second- and third-place winners, as well as honorable mentions. Now entering its thirty-first year, the award has recognized a wide variety of writers, from established ones such as Juan Felipe Herrera, Michael Nava, and Helena Maria Viramontes, to those that are lesser known. Many of the pieces in this anthology are considered to be foundational texts of Chicana/o and Latina/o literature, and those that are not as widely recognized deserve more serious study and attention. Presented in chronological order, the selected writings are primarily in English, although some are written in Spanish, and others in Spanglish. Some, like Francisco X. AlarconÍs poem ñRaices / Roots,î appear in both languages: ñMis raices / las cargo / siempre / conmigo / enrolladas / me sirven / de almohada.î ñI carry / my roots / with me / all the time / rolled up / I use them / as my pillow.î In addition to the diverse array of authors, styles, and genres, the works included in this collection cover a wide range of themes, from more political issues of ethnic, gender, and class.