Smith was one of the Southwest’s foremost archaeological scholars. In this classic, he reported on the remarkable murals found at Awatovi and other Puebloan sites in the underground ceremonial chambers known as kivas. Now reissued in a stunning facsimile edition, the volume includes color reproductions of the original serigraphs by Louie Ewing.
Excerpt from Kiva Mural Decorations at Awatovi and Kawaika-A: With a Survey of Other Wall Paintings in the Pueblo Southwest In Holbrook, our other contact town on the Railroad, services of agency and assistance were cheerfully and effectively rendered by Mr. Dallas Guttery, manager of the Holbrook wholesale division of Babbitt Brothers' Trading Company. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
For millennia, people of all cultures have decorated the surfaces of their domestic, religious, and public buildings. Earthen architecture in particular has been, and continues to be, a common ground for surface decoration such as paintings, sculpted bas-relief, and ornamental plasterwork. This volume explores the complex issues associated with preserving these surfaces. Case studies from Asia, Europe, Africa, the Middle East, and the Americas are presented. The publication is the result of a colloquium held in 2004 at Mesa Verde National Park, Colorado, co-organized by the Getty Conservation Institute (GCI) and the National Park Service (NPS). The meeting brought together fifty-five conservators, cultural resource managers, materials scientists, engineers, architects, archaeologists, anthropologists, and artists from eleven countries. Divided into four themes--Archaeological Sites, Museum Practice, Historic Buildings, and Living Traditions--the papers examine the conservation of decorated surfaces on earthen architecture within these different contexts.
On October 14-19, 1990, the 6th International Conference on the Conservation of Earthen Architecture was held in Las Cruces, New Mexico. Sponsored by the GCI, the Museum of New Mexico State Monuments, ICCROM, CRATerre-EAG, and the National Park Service, under the aegis of US/ICOMOS, the event was organized to promote the exchange of ideas, techniques, and research findings on the conservation of earthen architecture. Presentations at the conference covered a diversity of subjects, including the historic traditions of earthen architecture, conservation and restoration, site preservation, studies in consolidation and seismic mitigation, and examinations of moisture problems, clay chemistry, and microstructures. In discussions that focused on the future, the application of modern technologies and materials to site conservation was urged, as was using scientific knowledge of existing structures in the creation of new, low-cost, earthen architecture housing.
Archaeologist Watson Smith participated in such important excavations as the Lowry Ruin, the Rainbow Bridge-Monument Valley Expedition, and Awatovi. This volume gathers ten of his essays on archaeological topics--especially on Anasazi and Hopi prehistory. Contents: The Vitality of the Hopi Way: Mural Decorations from Ancient Hopi Kivas Pit House and Kiva Pitfalls: When Is a Kiva? D-Shaped Features: The Kiva at Site 4 The Kiva Beneath the Altar: Room 788 "Ethnology Itself Carried Back": Extent of Ethnographic Studies Among the Pueblos Birds of a Feather: Feathers Pots on the Kiva Wall: Ceremonial Bowls The Potsherd Paradigm: Analysis of Hooks, Scrolls, and Keys A School for Cracked Pots: Schools, Pots, and Potters; The Jeddito School
