Journal of Comparative Literature & Aesthetics
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Published: 2006
Total Pages: 94
ISBN-13:
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Author:
Publisher:
Published: 2006
Total Pages: 94
ISBN-13:
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Published: 2003
Total Pages: 178
ISBN-13:
DOWNLOAD EBOOKAuthor: Bence Nanay
Publisher: Oxford University Press, USA
Published: 2019-10-24
Total Pages: 145
ISBN-13: 0198826613
DOWNLOAD EBOOKAesthetics is a branch of philosophy that explores the nature of art, beauty, and taste. It doesn't just consider traditional artistic experiences such as artworks in a museum or an opera performance, but also everyday experiences such as autumn leaves in the park, or even just the light of the setting sun falling on the kitchen table. It is also about your experience when you choose the shirt you're going to wear today or when you wonder whether you should put more pepper in the soup. Aesthetics is everywhere. It is one of the most important aspects of our life. In this Very Short Introduction Bence Nanay introduces the field of aesthetics, considering both Western and non-Western aesthetic traditions, and exploring why it is sometimes misunderstood or considered to be too elitist - by artists, musicians, and even philosophers. As Nanay shows, so-called 'high art' has no more claims on aesthetics than sitcoms, tattoos, or punk rock. In fact, the scope of aesthetics extends far wider than that of art, high or low, including much of what we care about in life. It is not the job of aesthetics to tell you which artworks are good and which ones are bad. It is not the job of aesthetics to tell you what experiences are worth having. If an experience is worth having for you, it thereby becomes the subject of aesthetics. This realisation is important, because thinking about aesthetics in this inclusive way opens up new ways of understanding old questions about the social aspect of our aesthetic engagements, and the importance of aesthetic values for our own self. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Author: François Jost
Publisher: University of Delaware Press
Published: 1990
Total Pages: 300
ISBN-13: 9780874133639
DOWNLOAD EBOOKThis collection explores the aesthetic principles that pervade all sectors of human activities involving intellectual perceptiveness. The three areas of investigation are aesthetics and rationality in the realm of literary history and criticism; the genres and meanings in the metamorphosis of the arts: and aesthetics in literature, society, and politics.
Author: Ananta C. Sukla
Publisher: Bloomsbury Publishing USA
Published: 2000-12-30
Total Pages: 293
ISBN-13: 031300062X
DOWNLOAD EBOOKConcentrating on scholarship over the past four decades, this multidisciplinary approach to representation considers conceptual issues about representation and applies different theories to various arts. Following an introduction that traces the historical debates surrounding the concept of representation, Part One focuses on representation and language, epistemology, politics and history, sacrificial rites, possible world and postmodernism. Part Two applies current theories to painting, photography, literature, music, dance, and film. Writings highlight the vital role representation plays in the formation and appreciation of major genres of art. This work will appeal to art philosophy and aesthetics scholars and to cultural studies and linguistic scholars. Rather than advocate certain theories, the essays illustrate the inherent complexities of representation.
Author: Charles Altieri
Publisher: Cambridge University Press
Published: 1989
Total Pages: 122
ISBN-13: 9780521330855
DOWNLOAD EBOOKCharles Altieri's groundbreaking new book sets modernist American poetry in a precise cultural context by analyzing how major poets reacted to the challenge posed by modernist painting's radical critique of traditional representational models for art. It argues that modernist poets have tended to resist the received values of their contemporary culture by finding idealizing principles in modes of pure abstraction. It traces the use of such abstraction in literature from Wordsworth, through Baudelaire and Mallarmé, to T.S. Eliot, William Carlos Williams, Marianne Moore, and Gertrude Stein. There are summary chapters also on Wallace Stevens and Ezra Pound, considerations of Cézanne and the Cubists, and a substantial theoretical discussion of the nature of abstract art.
Author: Claudia Breger
Publisher:
Published: 2012
Total Pages: 0
ISBN-13: 9780814211977
DOWNLOAD EBOOKMaps the complexities of imaginative worldmaking in contemporary culture through an aesthetics of narrative performance.
Author: David E. W. Fenner
Publisher: Ohio University Press
Published: 2008
Total Pages: 368
ISBN-13: 0804011044
DOWNLOAD EBOOKFenner presents an overview of the arguments about the importance of considering relevant context in determining the merit of a work of art.
Author: Haun Saussy
Publisher: JHU Press
Published: 2006-05-19
Total Pages: 284
ISBN-13: 9780801883804
DOWNLOAD EBOOKFocuses on the influence of multiculturalism as a concept transforming literary and cultural studies. This book offers a comprehensive survey of comparative criticism in the 1990s. It demonstrates that comparative critical strategies can provide insights into the world's changing, and increasingly colliding, cultures.
Author: G. L. Hagberg
Publisher: Cornell University Press
Published: 2018-09-05
Total Pages: 210
ISBN-13: 1501725432
DOWNLOAD EBOOK"[Art as Language] is in itself extremely valuable as an example of the still largely unappreciated relevance of Wittgenstein's work to traditional philosophical issues.... This book, as a more or less encyclopedic critique of aesthetic theories from a Wittgensteinian perspective, will be enlightening to aesthetic theorists who want to know, not what Wittgenstein said about art, but what the relevance of his work is to their use of language as a point of reference for interpreting art."—Choice"In a series of acute arguments, Hagberg dismantles the region of grand aesthetic theory that defines art in the terms philosophy has traditionally used to define language.... Written with excellence in argumentation, judiciousness, and a capacious knowledge of Wittgenstein."—Daniel Herwitz, Common Knowledge"A clear and intelligent book. Hagberg's strategy is to show the consequences of holding a Wittgensteinian view of language and mind for aesthetic theories which are either based on, or analogous to, other non-Wittgensteinian positions about language and mind. This is an important project."—Stanley Bates, Middlebury College