Interrogating Orientalism

Interrogating Orientalism

Author: Diane Long Hoeveler

Publisher: Ohio State University Press

Published: 2006

Total Pages: 286

ISBN-13: 0814210325

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Introduction : mapping orientalism : representations and pedagogies / Diane Long Hoeveler and Jeffrey Cass -- Interrogating orientalism : theories and practices / Jeffrey Cass -- The female captivity narrative : blood, water, and orientalism / Diane Long Hoeveler -- "Better than the reality" : the Egyptian market in nineteenth-century travel writing / Emily A. Haddad -- Colonial counterflow : from orientalism to Buddhism / Mark Lussier -- Homoerotics and orientalism in William Beckford's Vathek: liberalism and the problem of pederasty / Jeffrey Cass -- Orientalism in Disraeli's Alroy / Sheila A. Spector -- Teaching the quintessential Turkish tale : Montagu's Turkish embassy letters / Jeanne Dubino -- Representing India in drawing-room and classroom : or, Miss Owenson and "those gay gentlemen, Brahma, Vishnu, and Co." / Michael J. Franklin -- "Unlettered tartars" and "torpid barbarians" : teaching the figure of the Turk in Shelley and De Quincey / Filiz Turhan -- "Boundless thoughts and free souls" : teaching Byron's Sardanapalus, Lara, and The corsair / G. Todd Davis -- Byron's The giaour : teaching orientalism in the wake of September 11 / Alan Richardson -- Teaching nineteenth-century orientalist entertainments / Edward Ziter


Restating Orientalism

Restating Orientalism

Author: Wael B. Hallaq

Publisher: Columbia University Press

Published: 2018-07-03

Total Pages: 364

ISBN-13: 0231547382

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Since Edward Said’s foundational work, Orientalism has been singled out for critique as the quintessential example of Western intellectuals’ collaboration with oppression. Controversies over the imbrications of knowledge and power and the complicity of Orientalism in the larger project of colonialism have been waged among generations of scholars. But has Orientalism come to stand in for all of the sins of European modernity, at the cost of neglecting the complicity of the rest of the academic disciplines? In this landmark theoretical investigation, Wael B. Hallaq reevaluates and deepens the critique of Orientalism in order to deploy it for rethinking the foundations of the modern project. Refusing to isolate or scapegoat Orientalism, Restating Orientalism extends the critique to other fields, from law, philosophy, and scientific inquiry to core ideas of academic thought such as sovereignty and the self. Hallaq traces their involvement in colonialism, mass annihilation, and systematic destruction of the natural world, interrogating and historicizing the set of causes that permitted modernity to wed knowledge to power. Restating Orientalism offers a bold rethinking of the theory of the author, the concept of sovereignty, and the place of the secular Western self in the modern project, reopening the problem of power and knowledge to an ethical critique and ultimately theorizing an exit from modernity’s predicaments. A remarkably ambitious attempt to overturn the foundations of a wide range of academic disciplines while also drawing on the best they have to offer, Restating Orientalism exposes the depth of academia’s lethal complicity in modern forms of capitalism, colonialism, and hegemonic power.


Orientalism

Orientalism

Author: Edward W. Said

Publisher: Vintage

Published: 2014-10-01

Total Pages: 434

ISBN-13: 0804153868

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A groundbreaking critique of the West's historical, cultural, and political perceptions of the East that is—three decades after its first publication—one of the most important books written about our divided world. "Intellectual history on a high order ... and very exciting." —The New York Times In this wide-ranging, intellectually vigorous study, Said traces the origins of "orientalism" to the centuries-long period during which Europe dominated the Middle and Near East and, from its position of power, defined "the orient" simply as "other than" the occident. This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding.


Orientalism and Literature

Orientalism and Literature

Author: Geoffrey P. Nash

Publisher: Cambridge University Press

Published: 2019-11-14

Total Pages: 670

ISBN-13: 1108585566

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Orientalism and Literature discusses a key critical concept in literary studies and how it assists our reading of literature. It reviews the concept's evolution: how it has been explored, imagined and narrated in literature. Part I considers Orientalism's origins and its geographical and multidisciplinary scope, then considers the major genres and trends Orientalism inspired in the literary-critical field such as the eighteenth-century Oriental tale, reading the Bible, and Victorian Oriental fiction. Part II recaptures specific aspects of Edward Said's Orientalism: the multidisciplinary contexts and scholarly discussions it has inspired (such as colonial discourse, race, resistance, feminism and travel writing). Part III deliberates upon recent and possible future applications of Orientalism, probing its currency and effectiveness in the twenty-first century, the role it has played and continues to play in the operation of power, and how in new forms, neo-Orientalism and Islamophobia, it feeds into various genres, from migrant writing to journalism.


An Analysis of Edward Said's Orientalism

An Analysis of Edward Said's Orientalism

Author: Riley Quinn

Publisher: CRC Press

Published: 2017-07-05

Total Pages: 124

ISBN-13: 1351352636

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Edward Said’s Orientalism is a masterclass in the art of interpretation wedded to close analysis. Interpretation is characterized by close attention to the meanings of terms, by clarifying, questioning definitions, and positing clear definitions. Combined with one of the main sub-skills of analysis, drawing inferences and finding implicit reasons and assumptions in arguments, interpretation becomes a powerful tool for critical thought. In Orientalism, the theorist, critic and cultural historian Edward Said uses interpretation and analysis to closely examine Western representations of the “Orient” and ask what they are really doing, and why. One of his central arguments is that Western representations of the East and Middle East persistently define it as “other”, setting it up in opposition to the West. Through careful analysis of a range of texts and other materials, Said shows that implicit assumptions about the “Orient’s” otherness underlie much Western thought and writing about it. Clarifying consistently the differences between the real-world East and the constructed ideas of the “Orient”, Said’s interpretative skills power his analysis, and provide the basis for an argument that has proven hugely influential in literary criticism, philosophy, and even politics.


Romantik 4

Romantik 4

Author: Aarhus University Press

Publisher: Aarhus Universitetsforlag

Published: 2016-03-31

Total Pages: 138

ISBN-13: 8771840923

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Romantik: Journal for the Study of Romanticisms includes new research articles on Byron's The Giaour, on spatial memory in Wordsworth and Rousseau, on how the city of Brighton was represented in the early nineteenth century as a centre of fashion, polite sociability, and consumerism, on the construction of a romantic canon in the Faroe Islands, and on Rome as the incubator for romantic artists forming friendships and cultivating artistic communities. Moreover,the issue features reviews of new books published in Scandinavia on the romantic era. Romantik is a multidisciplinary journal dedicated to the study of romantic-era cultural productions and concepts. Romantik is interested in all European and Nordic romanticisms, and not least the connections and disconnections between them - hence, the use of the plural in the subtitle.


Inter-imperiality

Inter-imperiality

Author: Laura Doyle

Publisher: Duke University Press

Published: 2020-11-02

Total Pages: 247

ISBN-13: 1478012617

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In Inter-imperiality Laura Doyle theorizes the co-emergence of empires, institutions, language regimes, stratified economies, and literary cultures over the longue durée. Weaving together feminist, decolonial, and dialectical theory, she shows how inter-imperial competition has generated a systemic stratification of gendered, racialized labor, while literary and other arts have helped both to constitute and to challenge this world order. To study literature is therefore, Doyle argues, to attend to world-historical processes of imaginative and material co-formation as they have unfolded through successive eras of vying empires. It is also to understand oral, performed, and written literatures as power-transforming resources for the present and future. To make this case, Doyle analyzes imperial-economic processes across centuries and continents in tandem with inter-imperially entangled literatures, from A Thousand and One Nights to recent Caribbean fiction. Her trenchant interdisciplinary method reveals the structural centrality of imaginative literature in the politics and possibilities of earthly life.


Quentin Tarantino's Django Unchained

Quentin Tarantino's Django Unchained

Author: Oliver C. Speck

Publisher: Bloomsbury Publishing USA

Published: 2014-07-31

Total Pages: 329

ISBN-13: 1628928395

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Django Unchained is certainly Quentin Tarantino's most commercially-successful film and is arguably also his most controversial. Fellow director Spike Lee has denounced the representation of race and slavery in the film, while many African American writers have defended the white auteur. The use of extremely graphic violence in the film, even by Tarantino's standards, at a time when gun control is being hotly debated, has sparked further controversy and has led to angry outbursts by the director himself. Moreover, Django Unchained has become a popular culture phenomenon, with t-shirts, highly contentious action figures, posters, and strong DVD/BluRay sales. The topic (slavery and revenge), the setting (a few years before the Civil War), the intentionally provocative generic roots (Spaghetti Western and Blaxploitation) and the many intertexts and references (to German and French culture) demand a thorough examination. Befitting such a complex film, the essays collected here represent a diverse group of scholars who examine Django Unchained from many perspectives.


Arab American Drama, Film and Performance

Arab American Drama, Film and Performance

Author: Michael Malek Najjar

Publisher: McFarland

Published: 2015-01-09

Total Pages: 482

ISBN-13: 1476618658

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Beginning with early Arab American playwright, poet and novelist Kahlil Gibran and concluding with contemporary playwright Yussef El Guindi, this book provides an historical overview and critical analysis of the plays, films and performances of self-identified Arab Americans. Playwrights, filmmakers and performers covered include Ameen Fares Rihani, Danny Thomas, Heather Raffo, Ahmed Ahmed, Mona Mansour and Cherien Dabis. These artists, traditionally underrepresented in entertainment, publishing and academia, have created works that exemplify the burgeoning Arab American arts movement. By addressing cinema, stand-up comedy and solo performance, the author introduces audiences to contemporary genres that are shaping Arab American culture in the United States.


Marmaduke Pickthall: Islam and the Modern World

Marmaduke Pickthall: Islam and the Modern World

Author:

Publisher: BRILL

Published: 2017-04-11

Total Pages: 268

ISBN-13: 9004327592

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This new volume of essays marks eighty years since the death of Marmaduke Pickthall. His various roles as translator of the Qurʾan, traveller to the Near East, political journalist writing on behalf of Muslim Turkey, and creator of the Muslim novel are discussed. In later life Pickthall became a prominent member of the British Muslim community in London and Woking, co-worker with Muslims in the Indian subcontinent, supporter of the Khilafat movement, and editor of the journal Islamic Culture under the patronage of the Nizam of Hyderabad. Marmaduke Pickthall: Islam and the Modern World makes an important contribution to the field of Muslims in Europe in the first half of the twentieth century. Contributors are: Humayun Ansari, Adnan Ashraf, James Canton, Peter Clark, Ron Geaves, A.R. Kidwai, Faruk Kokoglu, Andrew C. Long, Geoffrey P. Nash, M. A. Sherif and Mohammad Siddique Seddon.