The Lost Masters
The Lost Masters

Author: Peter Harclerode

Publisher:

Published: 2000

Total Pages: 440

ISBN-13:

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"The Nazis systematically looted Europe's treasurehouses to accumulate a magnificent hoard of important and priceless art collections. Much loot was recovered at war's end, but vast quantities disappeared again, pillaged by Stalin's Red Army and other Allies alike. To this day, many of those who suffered the loss of their collections remain impoverished and empty-handed." "The Lost Masters is an account of the tragic looting of Europe and the victims' attempts to reclaim the precious art heritage in the face of indifference from governments and the international art trade. It also includes the story of how courage possibly saved from destruction the most famous painting in the world, Leonardo da Vinci's Mona Lisa."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The Alana Collection: Italian paintings from the 13th to 15th century
The Alana Collection: Italian paintings from the 13th to 15th century

Author: Miklós Boskovits

Publisher: Edizioni Polistampa

Published: 2009

Total Pages: 278

ISBN-13:

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This book represents the culmination of years of hard work and intense passion. It celebrates the love of beauty as it is manifested in the art collection introduced in the volume. The works catalogued encompass around one fifth of Alanas entire Italian Old Master collection. It is the product of work and research, of numerous visits to different countries and cities in order to see the original works of art, visit art fairs, and seek the advice of a variety of specialists. The collection covers the period that goes from Italian Gothic to Italian High Renaissance art. Alanas aim has always been to build a collection that considers not only the great masters, but also those who followed in their footsteps and added their personal contributions alongside the achievements of the major figures. Alanas ambition has been to chart the history and evolution of the different Italian schools, the ways in which they inspired one another, and ultimately created so many distinctively beautiful works of art. In order to do this, this collection has been conceived as a living one, which continues to improve, evolve and welcome new works. A private and artistic history of each master is given, as well as rich visual reproductions, basic information, and a thorough technical explanation of both the most important masterpieces (those in color) and the ones that are relevant to the style or period (those in black and white). The volume concludes with a table noting the names and locations of the works mentioned in the book, as well as an extensive bibliography.

French Rococo Ébénisterie in the J. Paul Getty Museum
French Rococo Ébénisterie in the J. Paul Getty Museum

Author: Gillian Wilson

Publisher: Getty Publications

Published: 2021-03-30

Total Pages: 721

ISBN-13: 1606066323

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The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture. This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976. The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste. The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer. The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.

European Drawings 2
European Drawings 2

Author: George R. Goldner

Publisher: Getty Publications

Published: 1992-10-08

Total Pages: 374

ISBN-13: 0892362197

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The Getty Museum's collection of drawings was begun in 1981 with the purchase of a Rembrandt nude and has since become an important repository of European works from the fifteenth through the nineteenth century. As in the first volume devoted to the collection (published in 1988 in English and Italian editions), the text is here organized first by national school, then alphabetically by artist, with individual works arranged chronologically. For each drawing, the authors provide a discussion of the work's style, dating, iconography, and relationship to other works, as well as provenance and a complete bibliography.

European Clocks in the J. Paul Getty Museum
European Clocks in the J. Paul Getty Museum

Author: Gillian Wilson

Publisher: Getty Publications

Published: 2013-08-15

Total Pages: 225

ISBN-13: 0892362545

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Among the finest examples of European craftsmanship are the clocks produced for the luxury trade in the eighteenth century. The J. Paul Getty Museum is fortunate to have in its decorative arts collection twenty clocks dating from around 1680 to 1798: eighteen produced in France and two in Germany. They demonstrate the extraordinary workmanship that went into both the design and execution of the cases and the intricate movements by which the clocks operated. In this handsome volume, each clock is pictured and discussed in detail, and each movement diagrammed and described. In addition, biographies of the clockmakers and enamelers are included, as are indexes of the names of the makers, previous owners, and locations.