From Keroncong to Xinyao: The Record Industry in Singapore, 1903–1985

From Keroncong to Xinyao: The Record Industry in Singapore, 1903–1985

Author: Ross Laird

Publisher: Marshall Cavendish International Asia Pte Ltd

Published: 2023-04-01

Total Pages: 398

ISBN-13: 9811864985

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From Keroncong to Xinyao presents a captivating and groundbreaking exploration of Singapore’s vibrant record industry from 1903 to 1985, revealing how Singapore was once a significant recording centre in Southeast Asia. The book highlights the pioneers and innovators of the industry, from performing artists to recording engineers. Records made during this musical heyday covered diverse genres, from Malay keroncong to Chinese opera and pop songs, and, from the 1950s, the rock ’n’ roll wave that was sweeping the world. Beautifully illustrated with photographs, record album art and archival images, this book takes readers on a fascinating journey through the music industry’s triumphs and challenges, revealing its resonating contributions to Singapore’s cultural heritage.


Musical Encounters at the 1889 Paris World's Fair

Musical Encounters at the 1889 Paris World's Fair

Author: Annegret Fauser

Publisher: Boydell & Brewer

Published: 2005

Total Pages: 417

ISBN-13: 1580461859

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The 1889 Exposition universelle in Paris is famous as a turning point in the history of French music, and modern music generally. This book explores the ways in which music was used, exhibited, listened to, and written about during the Exposition universelle. It also reveals the sociopolitical uses of music in France during the 19th century.


Music and Urban Society in Colonial Latin America

Music and Urban Society in Colonial Latin America

Author: Geoffrey Baker

Publisher: Cambridge University Press

Published: 2011

Total Pages: 393

ISBN-13: 0521766869

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Representing pioneering research, essays in this collection investigate musical developments in the urban context of colonial Latin America.


The Oxford Handbook of Children's Musical Cultures

The Oxford Handbook of Children's Musical Cultures

Author: Patricia Shehan Campbell

Publisher: Oxford University Press on Demand

Published: 2013-02-14

Total Pages: 657

ISBN-13: 0199737630

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The Oxford Handbook of Children's Musical Cultures is a compendium of perspectives on children and their musical engagements as singers, dancers, players, and avid listeners. Over the course of 35 chapters, contributors from around the world provide an interdisciplinary enquiry into the musical lives of children in a variety of cultures, and their role as both preservers and innovators of music. Drawing on a wide array of fields from ethnomusicology and folklore to education and developmental psychology, the chapters presented in this handbook provide windows into the musical enculturation, education, and training of children, and the ways in which they learn, express, invent, and preserve music. Offering an understanding of the nature, structures, and styles of music preferred and used by children from toddlerhood through childhood and into adolescence, The Oxford Handbook of Children's Musical Cultures is an important step forward in the study of children and music.


Claiming Diaspora

Claiming Diaspora

Author: Su Zheng

Publisher: Oxford University Press

Published: 2011-10-25

Total Pages: 447

ISBN-13: 0199873593

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Framed by a century and a half of racialized Chinese American musical experiences, Claiming Diaspora explores the thriving contemporary musical culture of Asian/Chinese America. Ranging from traditional operas to modern instrumental music, from ethnic media networks to popular music, from Asian American jazz to the work of recent avant-garde composers, author Su Zheng reveals the rich and diverse musical activities among Chinese Americans and tells of the struggles of Chinese Americans to gain a foothold in the American cultural terrain. She not only tells their stories, but also examines the dynamics of the diasporic connections of this musical culture, revealing how Chinese American musical activities both reflect and contribute to local, national, and transnational cultural politics, and challenging us to take a fresh look at the increasingly plural and complex nature of American cultural identity.


Beyond the Roof of the World

Beyond the Roof of the World

Author: Benjamin D. Koen

Publisher: Oxford University Press

Published: 2008-11-26

Total Pages: 238

ISBN-13: 0199710023

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While Western medicine has conventionally separated music, science, and religion into distinct entities, traditional cultures throughout the world have always viewed music as a bridge that connects the physical with the spiritual. Now, as people in even the most technologically advanced nations across the globe struggle with obtaining affordable and reliable healthcare coverage, more and more people are turning to these ancient cultural practices of ICAM healing (integrative, complementary, and alternative medicine). With Beyond the Roof of the World, Dr. Benjamin D. Koen unearths the Western separation of healing from spiritual and musical practices as a culturally determined phenomenon, and proves the relevance of medical ethnomusicology in light of the globally spreading ICAM healing practices. Using the culture found within the towering Pamir Mountains of Badakhshan Tajikistan, in a place poetically known as the Roof of the World, as the paradigm of ICAM healing, Koen shows spirituality and musicality to be intimately intertwined with one's physical life, health and healing. For the first time, Koen bridges the widespread gap between ethnomusicology and music therapy. Koen's extensive research and emersion into the Badakhstan culture provides the reader with an "insider" perspective while maintaining an "observer's" view, as he infuses the text with relevant scholarship.


The Popular Music Studies Reader

The Popular Music Studies Reader

Author: Andy Bennett

Publisher: Psychology Press

Published: 2006

Total Pages: 440

ISBN-13: 9780415307109

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Maps the changing nature of popular music and considers how popular music studies has expanded and developed to deal with these changes. The book discusses the participation of women in the industry, the changing role of gender and sexuality in popular music, and the role of technologies in production and distribution.