Fragments of Old Comedy, Volume II

Fragments of Old Comedy, Volume II

Author: Ian C. Storey

Publisher: Harvard University Press

Published: 2011-06-30

Total Pages: 535

ISBN-13: 0674996631

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The era of Old Comedy (ca. 485–ca. 380 BC), when theatrical comedy was created and established, is best known through the extant plays of Aristophanes. But the work of many other poets, including Cratinus and Eupolis, the other members, with Aristophanes, of the canonical Old Comic Triad, survives in fragments.


Fragments of Old Comedy, Volume I

Fragments of Old Comedy, Volume I

Author: Ian C. Storey

Publisher: Harvard University Press

Published: 2011-06-30

Total Pages: 496

ISBN-13: 0674996623

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Laughter in stitches. The era of Old Comedy (ca. 485 – ca. 380 BC), when theatrical comedy was created and established, is best known through the extant plays of Aristophanes, but there were many other poets whose comedies survive only in fragments. This new Loeb edition, the most extensive selection of the fragments available in English, presents the work of more than fifty-five poets, including Cratinus and Eupolis, the other members (along with Aristophanes) of the canonical Old Comic triad. For each poet and play there is an introduction, and for many there are brief notes and recent bibliography. Also included are a selection of ancient testimonia to Old Comedy, nearly one hundred unattributed fragments (both book and papyri), and descriptions of thirty vase paintings illustrating Old Comic scenes. The texts are based on the monumental edition of Kassel and Austin, updated to reflect the latest scholarship. The complete Loeb Fragments of Old Comedy is in three volumes.


Fragments of Old Comedy

Fragments of Old Comedy

Author: Ian Christopher Storey

Publisher:

Published: 2011

Total Pages:

ISBN-13:

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The era of Old Comedy (c. 485 -- c. 380 BCE), when theatrical comedy was created and established, is best known through the extant plays of Aristophanes, but there were many other poets whose comedies survive only in fragments. This new Loeb edition, the most extensive selection of the fragments available in English, presents the work of fifty-six poets, including Cratinus and Eupolis, the other members (along with Aristophanes) of the canonical Old Comic triad. For each poet and play there is an introduction, brief notes, and select bibliography. Also included is a selection of ancient testimonia to Old Comedy, nearly one hundred unattributed fragments (both book and papyri), and descriptions of twenty-five vase-paintings illustrating Old Comic scenes. The texts are based on the monumental edition of Kassel and Austin, updated to reflect the latest scholarship.


The Rivals of Aristophanes

The Rivals of Aristophanes

Author: David Harvey

Publisher: Classical Press of Wales

Published: 2002-12-31

Total Pages: 575

ISBN-13: 1910589594

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The work of the 'other' comic poets of classical Athens, those who competed with, and in some cases defeated, their (eventually) better-known fellow comedian, Aristophanes, has almost eluded the historical record. The poetry of Cratinus, Phrynichos, Eupolis and the rest has survived only in tantalising, often tiny, fragments and citations. Modern studies in this field have themselves often been difficult of access. Here an exceptional cast of scholars, including most of the leading international authorities, provides a set of 28 interpretative essays to cover every one of these 'other' poets of Athenian Old Comedy for whom significant evidence survives. The work includes a comprehensive bibliography, and is a landmark in the study of Old Comedy.


Fragmentation in Ancient Greek Drama

Fragmentation in Ancient Greek Drama

Author: Anna A. Lamari

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2020-08-10

Total Pages: 734

ISBN-13: 311062169X

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This volume examines whether dramatic fragments should be approached as parts of a greater whole or as self-contained entities. It comprises contributions by a broad spectrum of international scholars: by young researchers working on fragmentary drama as well as by well-known experts in this field. The volume explores another kind of fragmentation that seems already to have been embraced by the ancient dramatists: quotations extracted from their context and immersed in a new whole, in which they work both as cohesive unities and detachable entities. Sections of poetic works circulated in antiquity not only as parts of a whole, but also independently, i.e. as component fractions, rather like quotations on facebook today. Fragmentation can thus be seen operating on the level of dissociation, but also on the level of cohesion. The volume investigates interpretive possibilities, quotation contexts, production and reception stages of fragmentary texts, looking into the ways dramatic fragments can either increase the depth of fragmentation or strengthen the intensity of cohesion.


Tragedy on the Comic Stage

Tragedy on the Comic Stage

Author: Matthew C. Farmer

Publisher: Oxford University Press

Published: 2017

Total Pages: 289

ISBN-13: 0190492074

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Aristophanes' engagement with tragedy is one of the most striking features of his comedies. Tragedy on the Comic Stage contextualizes this engagement with tragedy within Greek comedy as a genre by examining paratragedy in the fragments of Aristophanes' contemporaries and successors in the fifth and fourth centuries.


Fragments of Old Comedy, Volume III

Fragments of Old Comedy, Volume III

Author: Ian C. Storey

Publisher: Harvard University Press

Published: 2011-06-30

Total Pages: 477

ISBN-13: 0674996771

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This text presents the work of 56 poets, including Cratinus and Eupolis, the other members (along with Aristophanes) of the canonical Old Comic triad. For each poet and play their is an introduction, brief notes and select bibliography.


Broken Laughter

Broken Laughter

Author: S. Douglas Olson

Publisher: OUP Oxford

Published: 2007-05-17

Total Pages: 496

ISBN-13: 0191569445

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A collection of over 200 of the most interesting and important fragments of Greek comedy, accompanied by a commentary; an extensive introduction discussing the history of comic genre; a series of appendixes on the individual poets, the inscriptional evidence, and the like; and a complete translation of the fragments. Individual sections illustrate the earliest Greek comedy from Syracuse; the characteristic features of Athenian `Old', `Middle', and `New Comedy'; the comic presentation of politicians, philosophers, and women; the comic reception of other poetry; and many aspects of daily life, including dining and symposia.


Eupolis frr. 326-497

Eupolis frr. 326-497

Author: S. Douglas Olson

Publisher: Verlag Antike

Published: 2013-12-17

Total Pages: 290

ISBN-13: 3938032812

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English summary: The series 'Fragmenta Comica' will provide a complete commentary on the fragments of Greek comedy. The aim of the commentary is twofold: on the one hand, it is meant to make accessible these mostly rather challenging texts from a number of different perspectives. On the other hand, it should help in the reconstruction the plays where this is possible, as well as in achieving a literary-historical classification of the authors. The fragments and testimonia will be translated. The results obtained in the commentary will be integrated into general surveys published in the Studia Comica series: on comedy and comedy techniques such as parody and satire as well as on its political function. The project is planned to take fifteen years to complete. German description: Die Reihe Fragmenta Comica wird die vollstandige Kommentierung der Fragmente der griechischen Komodie bieten. Ziel der Kommentare ist es, einerseits die in der Regel schwierig zu verstehenden Texte unter allen moglichen Gesichtspunkten zu erschlieaen, andererseits, wo dies moglich ist, eine Rekonstruktion der Stucke zu versuchen und eine literaturgeschichtliche Einordnung der Autoren vorzunehmen. Die Fragmente und Testimonien werden ubersetzt. Die in den Kommentaren erzielten Ergebnisse sollen in allgemeine Studien einflieaen, die in den Studia Comica veroffentlicht werden: zur Komik und komischen Techniken wie Parodie, Satire sowie zur politischen Funktion. Prof. Dr. Bernhard Zimmermann leitet die Forschungsstelle Kommentierung der Fragmente der griechischen Komodie an der Heidelberger Akademie der Wissenschaften. Die Arbeitsstelle des Projekts ist am Seminar fur Klassische Philologie der Universitat Freiburg angesiedelt. Ein Weblog berichtet aktuell uber den Fortgang des Projekts, das auf 15 Jahre ausgelegt ist. Das Projekt ist international vernetzt und arbeitet mit Zentren zur Erforschung der fragmentarisch erhaltenen griechischen Literatur in Italien, Groabritannien und den USA zusammen.