T. S. Eliot: A Voice Descanting

T. S. Eliot: A Voice Descanting

Author: Shyamal Bagchee

Publisher: Palgrave Macmillan

Published: 2014-01-14

Total Pages: 294

ISBN-13: 9781349101061

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Using a variety of approaches from the traditional to the post-modern, this volume brings together essays by 14 scholars who examine T.S.Eliot's poetry and criticism. These essays were written and edited on the occasion of Eliot's birth centenary.


The Great Tradition

The Great Tradition

Author: F. R. Leavis

Publisher: Faber & Faber

Published: 2011-11-03

Total Pages: 317

ISBN-13: 0571280803

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'The great English novelists are Jane Austen, George Eliot, Henry James and Joseph Conrad.' So begins F. R. Leavis's most controversial book, The Great Tradition, an uncompromising critical-polemical survey of English fiction, first published in 1948. Leavis makes his case for moral seriousness as the necessary criterion for an author's inclusion in any list of the finest novelists. In the course of his argument he adds D. H. Lawrence to the pantheon, and singles out Hard Times as Dickens' one 'completely serious work of art'; while Lawrence Sterne, Henry Fielding, and James Joyce are among those weighed in the balance and found wanting. '[Leavis] gave one a new idea of what it meant to read... the whole business of criticism acquired a new and exhilarating quality.' Frank Kermode, London Review of Books


Literary Criticism, Culture and the Subject of 'English': F.R. Leavis and T.S. Eliot

Literary Criticism, Culture and the Subject of 'English': F.R. Leavis and T.S. Eliot

Author: Dandan Zhang

Publisher: Routledge

Published: 2020-09-23

Total Pages: 268

ISBN-13: 1000190935

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This volume considers the highly convoluted relationship between F. R. Leavis and T. S. Eliot, comparing their ideas in literary and cultural criticism, and connecting it to the broader discourse of English Studies as a university subject that developed in the first half of the twentieth century. Comparing and contrasting all the many writings of Leavis on Eliot, and the two on Lawrence, the study examines how Eliot is formative for the theory and practice of Leavis’s literary criticism in both positive and negative ways, and investigates Lawrence’s significance in relation to Leavis’s changing attitude to Eliot. It also examines how profound differences in social, cultural, religious and national thinking strengthened Leavis’s alliance with Lawrence to the detriment of his relationship with Eliot. These differences between the two writers are presented as dichotomies between nationalism and Europeanism/internationalism, ruralism/organicism and industrialism/metropolitanism, and relate to the two men’s views on literary education, the subject of ‘English’ and the position of the Classics in the curriculum. It explores how Leavis’s increasingly conflicted feelings about a figure to whom he owned an enormous critical debt and inspiration, but whose various beliefs and literary affiliations caused him much misgiving, result in a deep sense of division in Leavis himself which he sought to transfer onto Eliot as what he called a pathological ‘case’.


New Bearings in English Poetry

New Bearings in English Poetry

Author: F. R. Leavis

Publisher: Faber & Faber

Published: 2015-07-16

Total Pages: 181

ISBN-13: 057130673X

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It is difficult now to imagine the shock that this book caused when it was first published in 1932. The author was a teacher at a Cambridge college, an intensely serious man who had been seriously wounded by poison gas on the Western Front, and he was not disposed to suffer foolishness gladly. His opening sentences were arresting: 'Poetry matters little to the modern world. That is, very little of contemporary intelligence concerns itself with poetry'. What followed was nothing less than the welcoming of a revolution in English verse, set against the moral and social crisis that followed the trauma of the First World War. It was this situation, this feeling of breakdown and disorder, that gave such force to Leavis's dismissal of most late Romantic poetry and his welcoming of the modernists T. S. Eliot and Ezra Pound, and of the writer who Leavis regarded as their forebear, Gerard Manley Hopkins. The tone of high moral urgency, and the message that the experience of literature could become an engagement with life that was almost a secular equivalent to religion, seemed new and abrasively refreshing. Leavis despised the reigning dilettantism in both poetry and criticism, and in this book he threw down the gauntlet to the establishment as he understood it. In the same year he founded the journal Scrutiny, and began his long career as the most formidably serious literary critic of his time.


Versions of the Past — Visions of the Future

Versions of the Past — Visions of the Future

Author: Lars Ole Sauerberg

Publisher: Springer

Published: 2016-07-27

Total Pages: 224

ISBN-13: 1349250309

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With the canon debate, prominent in literary criticism since the early 1970s, as the sounding board, the study aims at investigating and discussing in critical perspective the function of considerations to do with canon for literary criticism at the formation stage. It focuses on the interaction between a critic's canonical preferences ('versions of the past') and his desire for improved cultural and/or aesthetic conditions ('visions of the future') in the criticism of Eliot, Leavis, Frye and Bloom.


F.R. Leavis

F.R. Leavis

Author: Richard Storer

Publisher: Routledge

Published: 2009-09-10

Total Pages: 163

ISBN-13: 1134220251

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‘informative, succint, circumspect; an exacting introduction to Leavis as an incisive master critic. Ideal for today’s students and general readers’ – Chris Terry, Times Higher Education F.R. Leavis is a landmark figure in twentieth-century literary criticism and theory. His outspoken and confrontational work has often divided opinion and continues to generate interest as students and critics revisit his highly influential texts. Looking closely at a representative selection of Leavis’s work, Richard Storer outlines his thinking on key topics such as: literary theory, ‘criticism’ and culture canon formation modernism close reading higher education. Exploring the responses and engaging with the controversies generated by Leavis’s work, this clear, authoritative guide highlights how Leavis remains of critical significance to twenty-first-century study of literature and culture.


The Common Pursuit

The Common Pursuit

Author: F. R. Leavis

Publisher: Faber & Faber

Published: 2011-11-17

Total Pages: 243

ISBN-13: 0571281222

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F. R. Leavis was the chief editor of Scrutiny, which between 1932 and 1953 had some claim on being the most influential literary journal in the English-speaking world. The Common Pursuit is a selection of Leavis's essays from Scrutiny, including his robust defence of Milton against T. S. Eliot, his deeply-felt engagement with Shakespeare, and his severe strictures on attempts to import sociology and political activism into the study of literature. The title of the book comes from a passage in Eliot's 'The Function of Criticism', in which the poet argues that the critic must engage in 'the common pursuit of true judgment'. For Leavis, this meant a strenuous insistence on discriminatory criticism - clear statements about what is good and morally mature and admirable, and equally clear condemnation of what is trivial. The Common Pursuit, with its controversial judgments of Bunyan and Auden, Swift and Forster, remains as challenging now as it did in 1952, and it is easy to see why Leavis - who was never offered a professorship by Cambridge University - held such sway over the study of English literature in his time.


The Poetry of T. S. Eliot

The Poetry of T. S. Eliot

Author: Hugh Ross Williamson

Publisher:

Published: 1971

Total Pages: 198

ISBN-13:

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Although Eliot exerted for many years as important influence on English poets, his writing style & choice of material made his work difficult for the average reader. This study analyzes his poetic theory & discusses a number of his major early works. "The excellence of this little volume makes it a key for easy entrance into Eliot's entire poetic work."--NEW YORK TIMES.