Django Unchained
Django Unchained

Author: Quentin Tarantino

Publisher: Vertigo

Published: 2013

Total Pages: 0

ISBN-13: 9781401241933

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Set in the South two years before the Civil War, Django Unchained stars Django, a slave whose brutal history with his former owners lands him face-to-face with German-born bounty hunter Dr. King Schultz. Schultz is on the trail of the murderous Brittle brothers, and only Django can lead him to his bounty. The unorthodox Schultz acquires Django with a promise to free him upon the capture of the Brittles--dead or alive. Success leads Schultz to free Django, though the two men choose not to go their separate ways. Instead, Schultz seeks out the South's most wanted criminals with Django by his side. Honing vital hunting skills, Django remains focused on one goal: finding and rescuing Broomhilda, the wife he lost to the slave trade long ago. Django and Schultz's search ultimately leads them to Calvin Candie, the proprietor of "Candlyand," an infamous plantation. Exploring the compound under false pretenses, Django and Schultz arouse the suspicion of Stephen, Candie's trusted house slave. Their moves are marked, and a treacherous organization closes in on them. If Django and Schultz are to escape with Broomhilda, they must choose between independence and solidarity, between sacrifice and survival.

Quentin Tarantino's Django Unchained
Quentin Tarantino's Django Unchained

Author: Oliver C. Speck

Publisher: Bloomsbury Publishing USA

Published: 2014-07-31

Total Pages: 329

ISBN-13: 1628928395

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Django Unchained is certainly Quentin Tarantino's most commercially-successful film and is arguably also his most controversial. Fellow director Spike Lee has denounced the representation of race and slavery in the film, while many African American writers have defended the white auteur. The use of extremely graphic violence in the film, even by Tarantino's standards, at a time when gun control is being hotly debated, has sparked further controversy and has led to angry outbursts by the director himself. Moreover, Django Unchained has become a popular culture phenomenon, with t-shirts, highly contentious action figures, posters, and strong DVD/BluRay sales. The topic (slavery and revenge), the setting (a few years before the Civil War), the intentionally provocative generic roots (Spaghetti Western and Blaxploitation) and the many intertexts and references (to German and French culture) demand a thorough examination. Befitting such a complex film, the essays collected here represent a diverse group of scholars who examine Django Unchained from many perspectives.

Pulp Fiction
Pulp Fiction

Author: Jason Bailey

Publisher: Voyageur Press

Published: 2013-11-11

Total Pages: 200

ISBN-13: 1610589173

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When Pulp Fiction was released in theaters in 1994, it was immediately hailed as a masterpiece. The New York Times called it a “triumphant, cleverly disorienting journey,” and thirty-one-year-old Quentin Tarantino, with just three feature films to his name, became a sensation: the next great American director. Nearly twenty years later, those who proclaimed Pulp Fiction an instant classic have been proven irrefutably right. In Pulp Fiction: The Complete Story of Quentin Tarantino’s Masterpiece, film expert Jason Bailey explores why Pulp Fiction is such a brilliant and influential film. He discusses how the movie was revolutionary in its use of dialogue (“You can get a steak here, daddy-o,” “Correct-amundo”), time structure, and cinematography—and how it completely transformed the industry and artistry of independent cinema. He examines Tarantino’s influences, illuminates the film’s pop culture references, and describes its phenomenal legacy. Unforgettable characters like Jules Winnfield (Samuel L. Jackson), Vincent Vega (John Travolta), Butch Coolidge (Bruce Willis), and Mia Wallace (Uma Thurman) are scrutinized from all-new angles, and memorable scenes—Christopher Walken’s gold watch monologue, Vince’s explanation of French cuisine—are analyzed and celebrated. Much like the contents of Marcellus Wallace’s briefcase, Pulp Fiction is mysterious and spectacular. This book explains why. Illustrated throughout with original art inspired by the film, with sidebars and special features on everything from casting close calls to deleted scenes, this is the most comprehensive, in-depth book on Pulp Fiction ever published.

Quentin Tarantino's Django Unchained
Quentin Tarantino's Django Unchained

Author: Oliver C. Speck

Publisher: Bloomsbury Publishing USA

Published: 2014-07-31

Total Pages: 329

ISBN-13: 1623567807

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Django Unchained is certainly Quentin Tarantino's most commercially-successful film and is arguably also his most controversial. Fellow director Spike Lee has denounced the representation of race and slavery in the film, while many African American writers have defended the white auteur. The use of extremely graphic violence in the film, even by Tarantino's standards, at a time when gun control is being hotly debated, has sparked further controversy and has led to angry outbursts by the director himself. Moreover, Django Unchained has become a popular culture phenomenon, with t-shirts, highly contentious action figures, posters, and strong DVD/BluRay sales. The topic (slavery and revenge), the setting (a few years before the Civil War), the intentionally provocative generic roots (Spaghetti Western and Blaxploitation) and the many intertexts and references (to German and French culture) demand a thorough examination. Befitting such a complex film, the essays collected here represent a diverse group of scholars who examine Django Unchained from many perspectives.

Django Unchained
Django Unchained

Author: Quentin Tarantino

Publisher: Grand Central Publishing

Published: 2016-06-21

Total Pages: 176

ISBN-13: 9781455559725

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For the first time in print, the Academy Award-winning screenplay of the blockbuster film DJANGO UNCHAINED, with scenes that didn't make the final cut, an introduction by a film scholar, and a foreword written by Quentin Tarantino. In Tarantino's most recent film, a freed slave sets out to rescue his wife from a brutal Mississippi plantation owner with the help of a German bounty hunter-a role that won Christoph Waltz an Academy Award. With new cover art envisioned by Tarantino himself, DJANGO UNCHAINED, along with Kill Bill and Pulp Fiction, will be designed to look great as a stand-alone, but also to coordinate as a complete collector's set for the Tarantino fan.

The Persistence of Whiteness
The Persistence of Whiteness

Author: Daniel Bernardi

Publisher: Routledge

Published: 2007-09-12

Total Pages: 417

ISBN-13: 1135976457

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The Persistence of Whiteness investigates the representation and narration of race in contemporary Hollywood cinema. Ideologies of class, ethnicity, gender, nation and sexuality are central concerns as are the growth of the business of filmmaking. Focusing on representations of Black, Asian, Jewish, Latina/o and Native Americans identities, this collection also shows how whiteness is a fact everywhere in contemporary Hollywood cinema, crossing audiences, authors, genres, studios and styles. Bringing together essays from respected film scholars, the collection covers a wide range of important films, including Guess Who’s Coming to Dinner, The Color Purple, Star Wars and The Lord of the Rings. Essays also consider genres from the western to blaxploitation and new black cinema; provocative filmmakers such as Melvin Van Peebles and Steven Spielberg and stars including Whoopi Goldberg and Jennifer Lopez. Daniel Bernardi provides an in-depth introduction, comprehensive bibliography and a helpful glossary of terms, thus providing students with an accessible and topical collection on race and ethnicity in contemporary cinema.

A Congregation of Jackals
A Congregation of Jackals

Author: S. Craig Zahler

Publisher: Raw Dog Screaming Press

Published: 2017-01-04

Total Pages: 281

ISBN-13:

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In 1888 Oswell Danford is living a hard but satisfying life as a rancher in Virginia when he receives an unexpected telegram. A wedding invitation should be cause to celebrate but not when it means he'll have to face past deeds that he's deeply ashamed of. Now he and his brother, along with their ex-compatriot, an inveterate gambler from New York, will have to travel to Montana Territory to settle an old score they'd nearly forgotten. They will join the expectant congregation at the church for the marriage of their former brother-in-arms. But while everyone else will be wishing a blissful future for the happy couple they will be praying the darkness from their past doesn't devour the entire town. A Congregation of Jackals is an unrelenting tale of betrayal and revenge told with a precision and brutality that will leave you breathless and haunted. Fans of Zahler's breakout hits Bone Tomahawk and Wraiths of the Broken Land will be floored by this, originally the first installment of his western horror trilogy.

The Birth of a Nation
The Birth of a Nation

Author: Michael T. Martin

Publisher:

Published: 2019

Total Pages: 344

ISBN-13: 9780253042354

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Over one hundred years since it premiered on cinema screens, D. W. Griffith's controversial photoplay The Birth of a Nation continues to influence American film production and to have relevance for race relations in the United States. This work challenges the idea the United States has moved beyond racial problems and highlights the role of film and representation in the continued struggle for equality.

Critical Perspectives on the Western
Critical Perspectives on the Western

Author: Lee Broughton

Publisher: Rowman & Littlefield

Published: 2016-09-19

Total Pages: 250

ISBN-13: 1442272430

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For decades, the Western film has been considered a dying breed of cinema, yet filmmakers from Quentin Tarantino to Ethan and Joel Coen find new ways to reinvigorate the genre. As Westerns continue to be produced for contemporary audiences, scholars have taken a renewed interest in the relevance of this enduring genre. In Critical Perspectives on the Western: From A Fistful of Dollars to Django Unchained, Lee Broughton has compiled a wide-ranging collection of essays that look at various forms of the genre, on both the large and small screen. Contributors to this volume consider themes and subgenres, celebrities and authors, recent idiosyncratic engagements with the genre, and the international Western. These essays also explore issues of race and gender in the various films discussed as well as within the film genre as a whole. Among the films and television programs discussed in this volume are The Assassination of Jesse James by the Coward, Robert Ford; Django Kill; Justified; Meek’s Cutoff; Tears of the Black Tiger; Appaloosa; The Frozen Limits; and Red Harvest.Featuring a diverse selection of chapters that represent current thinking on the Western. Critical Perspectives on the Western will appeal to fans of the genre, film students, and scholars alike.

Warlock
Warlock

Author: Oakley Hall

Publisher: New York Review of Books

Published: 2014-08-05

Total Pages: 488

ISBN-13: 1590178238

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Oakley Hall's legendary Warlock revisits and reworks the traditional conventions of the Western to present a raw, funny, hypnotic, ultimately devastating picture of American unreality. First published in the 1950s, at the height of the McCarthy era, Warlock is not only one of the most original and entertaining of modern American novels but a lasting contribution to American fiction. "Tombstone, Arizona, during the 1880's is, in ways, our national Camelot: a never-never land where American virtues are embodied in the Earps, and the opposite evils in the Clanton gang; where the confrontation at the OK Corral takes on some of the dry purity of the Arthurian joust. Oakley Hall, in his very fine novel Warlock has restored to the myth of Tombstone its full, mortal, blooded humanity. Wyatt Earp is transmogrified into a gunfighter named Blaisdell who . . . is summoned to the embattled town of Warlock by a committee of nervous citizens expressly to be a hero, but finds that he cannot, at last, live up to his image; that there is a flaw not only in him, but also, we feel, in the entire set of assumptions that have allowed the image to exist. . . . Before the agonized epic of Warlock is over with—the rebellion of the proto-Wobblies working in the mines, the struggling for political control of the area, the gunfighting, mob violence, the personal crises of those in power—the collective awareness that is Warlock must face its own inescapable Horror: that what is called society, with its law and order, is as frail, as precarious, as flesh and can be snuffed out and assimilated back into the desert as easily as a corpse can. It is the deep sensitivity to abysses that makes Warlock one of our best American novels. For we are a nation that can, many of us, toss with all aplomb our candy wrapper into the Grand Canyon itself, snap a color shot and drive away; and we need voices like Oakley Hall's to remind us how far that piece of paper, still fluttering brightly behind us, has to fall." —Thomas Pynchon