This book introduces the student to the field of teaching, discusses theory and practice of Art Education, and synthesizes and prepares students to make the transition from student to Art teacher. It presents art education as an integration of philosophy, history, theory, and practice. Bates illustrates how to apply theory to practice as an art educator. Models, methods, and experiences are provided to enlighten, inspire, and amuse. BECOMING AN ART TEACHER is a refreshing approach to art methods.
As a young art instructor, new on the block, Marlene Nall Johnt went looking for an instructive manual about successful art education techniques. To her dismay, she never found one. Now retired, Johnt realized what needed to be done: she needed to write just such a manual for the young teachers of today. A Retired Art Teacher Tells All is an educational guide and workbook with detailed tips for running a successful art classroom. It is a step-by-step lesson for teachers, with comprehensive instruction and thought-provoking questions intended for reader response. Within its pages, Johnt shares the logic behind time-tested teaching techniques with true-to-life stories from her own extensive career. Unlike most art instruction textbooks, which read like art autopsies, A Retired Art Teacher Tells All adds the human touch, dealing mainly with real students in real life scenarios. It is not a collection of lesson plans, but a collection of relational plans, aimed at guiding you to be the best art teacher you can be.
The perennial bestseller—now in a new edition Authoritative and practical, this comprehensive guide offers everything a teacher needs to know for conducting an effective art instruction and appreciation program. The Third Edition of The Art Teacher's Survival Guide for Elementary and Middle Schools includes a complete update on public-relations guidelines, and reference material examples. The revised edition also features many new projects, an update on current projects and includes an explanation of the hot topic amongst art educators, Teaching Artistic Behavior (TAB/choice). Choice-based art education is reflected in the authors’ discussion of teaching in mixed-media, ceramics, photography, sculpture, and art history. More than 100 creative art projects, from drawing to digital media Offers teaching tools, tips, and multicultural curriculum resources Includes new material on logical ways to encourage individual and personal solutions to a problem Gives teachers more latitude as to how individuality is suggested in a lesson This is an invaluable compendium for art educators and classroom teachers alike.
This is not a "how-to" book but rather about the "experience" of becoming an art therapist. The text covers issues in supervision and mentorship, contains stories by art therapy students about what they are thinking and feeling, and letters to young art therapists by highly regarded professionals in the field. The reader has the advantage of ideas and responses from both a student art therapist and an art therapist with many years' experience and is clearly intended for students aiming for a career. Chapter 1 is about students as a secret society and the importance of student colleagues. The second chapter is a short history of art therapy education, while Chapter 3 is a review of some literature potentially useful to art therapy students. Chapter 4 represents Kim Newall's journal with imagery of her internship experience as a third-year graduate student in a community clinic. For Chapter 5, art therapy graduate students in various geographical sections of the United States describe their worst and best student experiences and their most important role models. Chapter 6 is about mentoring–what it is and why an art therapist should have a mentor. In Chapter 7, twelve senior art therapists, each with many years' experience, write a personal letter to the coming generations of art therapists. The letter writers are all pioneers in the field. Finally, Chapter 8 offers a selected art therapy bibliography. This extraordinary book conveys the message "you can do this and it's worth it." The text is a much needed contribution to the field of art therapy. Students for many semesters to come will be reassured, validated, and informed. Experienced art therapists will ford valuable perspectives on supervision, teaching, and mentorship.
The process of this research itself is a transitional experience for me in becoming an art teacher educator, through working with/for becoming-art teachers in the Advanced Practicum (A ED 489) at Penn State University. Working, learning, and researching in the course as a graduate teaching assistant for four years became part of everyday life during my doctoral course. Moreover, meeting both the pre-service teachers and their students together in Saturday Art Classes helped me to recollect my own lived experience as a student, pre-service teacher, teacher, and teacher-researcher in diverse places of learning and teaching art in a more critical eye. This condition motivated me to conduct this research: mapping the unknown placenever experienced beforeA ED 489, as a place, space(-time)s, and part of lived landscape of the professional development of both myself and the pre-service art teachers.Through participant-observation (including photography and video-recording) as everyday practices and using three geographical conceptsplace, space, and landscapeas different lenses, I map out the texture of A ED 489 and A ED 489-making process. First, using the idea of place as a way of making sense of self, practice, and others as community as three rhythms, I explore the possibilities and potentialities of the course for the professional development of becoming art teachers in my own understanding. Second, using the idea of space(-time), I, a moving self and full participant, investigate A ED 489-making process throughout the repetitive and cyclical curriculum practices with the pre-service art teachers and the faculty. Third, I conduct narrative-mapping-interviews in order to bring light how each participant embodied A ED 489-experience as a whole and related diverse curriculum space(-time)s to each other. Throughout this research, I understand that mapping functions as both a method of rhythmanalysis in space(-time)s of becoming and a metaphor of participants inhabitant knowledge exploring A ED 489-experience as a temporal lived landscape, making a bridge between the previous and the future experiences for becoming art teacher (educator).
When the artist moves into the classroom or community to educate and inspire students and audience members, this is Teaching Artistry. It is a proven means for practicing professional musicians to create a successful career in music, providing not only necessary income but deep and lasting satisfaction through engaging people in learning experiences about the arts. Filled with practical advice on the most critical issues facing the music teaching artist today--from economic and time-management issues of being a musician and teacher to communicating effectively with students--The Music Teaching Artist's Bible uncovers the essentials that every musician needs in order to thrive in this role. Author Eric Booth offers both inspiration and how-to, step-by-step guidance in this truly comprehensive manual that music teaching artists will turn to again and again. The book also includes critical information on becoming a mentor, succeeding in school environments, partnering with other teaching artists, advocating for music and arts education, and teaching private lessons. The Music Teaching Artist's Bible helps practicing and aspiring teaching artists gain the skills they need to build new audiences, improve the presence of music in schools, expand the possibilities of traditional and educational performances, and ultimately make their lives as an artists even more satisfying and fulfilling.
Being an artist can be the most enchanting life imaginable – and the most tormenting. Finding your way to your own creative universe is an extraordinary and infinitely surprising journey. Still, every artist falters at some point. Call it what you will: blocks, obstacles, hitting the wall, tossing your painting into the ocean, or shredding your manuscript – we have all stumbled, we have all shut down. Based on the concept that creativity is unique to each individual, The Art of Becoming an Artist is designed to help artists discover the myriad, astonishing factors – social, educational, political, psychological, and personal history – that both enhance and interfere with our creativity. There is no “right” way to get to one’s art. There is only YOUR way. Finding that way is every artist’s goal. Using safe, gentle, revealing techniques to aid readers’ self-examination, The Art of Becoming an Artist produces epiphany after epiphany as it guides artists into shedding the restraints that are shutting them down. Artists of any stripe will find hope, excitement, and joy in this compassionate but thrilling process.
Becoming With Art in Early Childhood is a collection of pedagogical stories from children, early childhood educators and teachers, and primary teachers, about art, arts practice in education, engagement with art and artists in curriculum, and, activist and community arts.
