A Study of Ottoman Narratives on Architecture

A Study of Ottoman Narratives on Architecture

Author: Selen Bahriye Morkoç

Publisher:

Published: 2010

Total Pages: 470

ISBN-13:

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It is widely accepted that documents on Ottoman architects are rare and that little is known about the architectural practice in the Ottoman world. A group of texts that have appeared between sixteenth and eighteenth centuries, however, form an exception to this general assumption. While these texts have been cited and referred to in diverse previous studies on Ottoman architecture, they have not been the topic of a major interpretative approach before. A Study of Ottoman Narratives on Architecture: Text, Context and Hermeneutics is the first interpretive and comparative research monograph to feature these texts as its main theme. This is the first translation of these works that contextualizes and interprets their importance in English. The first text is a group of five documents that date back to the sixteenth century. They comprise memoirs and building lists written in prose and verse which belonged to prominent Ottoman architect Sinan. The second text was written under the influence of the first group of documents and is in a similar format. It comprises a memoir dedicated to Sedefkar Mehmed Ağa, who worked as the chief imperial architect in the seventeenth century, and also provides information on architectural terms and makes comparisons between architecture and music. The third text is different from the first two: it is a monograph about the Selimiye Mosque written in prose in the eighteenth century by Dayezade Mustafa, who was a complete outsider to architecture. While the three texts have quite different historical and thematic contexts their point in common is their rendering of architecture through narratives. From a hermeneutical perspective, the book compares narratives of the texts with contemporary historiography on Ottoman architecture. History and Ideas Series, No.


The Image of an Ottoman City

The Image of an Ottoman City

Author: Heghnar Watenpaugh

Publisher: BRILL

Published: 2004-09-01

Total Pages: 346

ISBN-13: 904740422X

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This urban and architectural study of Aleppo reconstructs the city’s evolution over the first two centuries of Ottoman rule and proposes a new model for the understanding of the reception and adaptation of imperial forms, institutions and norms in a provincial setting.


The Architects of Ottoman Constantinople

The Architects of Ottoman Constantinople

Author: Alyson Wharton

Publisher: Bloomsbury Publishing

Published: 2015-02-26

Total Pages: 288

ISBN-13: 0857738135

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The Balyan family were a dynasty of architects, builders and property owners who acted as the official architects to the Ottoman Sultans throughout the 18th and 19th centuries. Originally Armenian, the family is responsible for some of the most famous Ottoman buildings in existence, many of which are regarded as masterpieces of their period – including the Dolmabahçe Palace (built between 1843 and 1856), parts of the Topkap? Palace, the Ç?ra?an Palace and the Ortaköy Mosque. Forging a unique style based around European contemporary architecture but with distinctive Ottoman flourishes, the family is an integral part of Ottoman history. As Alyson Wharton's beautifully illustrated book reveals, the Balyan's own history, of falling in and out of favour with increasingly autocratic Sultans, serves as a record of courtly power in the Ottoman era and is uniquely intertwined with the history of Istanbul itself.


Architecture and the Late Ottoman Historical Imaginary

Architecture and the Late Ottoman Historical Imaginary

Author: AhmetA. Ersoy

Publisher: Routledge

Published: 2017-07-05

Total Pages: 334

ISBN-13: 1351576011

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While European eclecticism is examined as a critical and experimental moment in western art history, little research has been conducted to provide an intellectual depth of field to the historicist pursuits of late Ottoman architects as they maneuvered through the nineteenth century?s vast inventory of available styles and embarked on a revivalist/Orientalist program they identified as the ?Ottoman Renaissance.? Ahmet A. Ersoy?s book examines the complex historicist discourse underlying this belated ?renaissance? through a close reading of a text conceived as the movement?s canonizing manifesto: the Usul-i Mi?mari-i ?Osmani [The Fundamentals of Ottoman Architecture] (Istanbul, 1873). In its translocal, cross-disciplinary scope, Ersoy?s work explores the creative ways in which the Ottoman authors straddled the art-historical mainstream and their new, self-orientalizing aesthetics of locality. The study reveals how Orientalism was embraced by its very objects, the self-styled ?Orientals? of the modern world, as a marker of authenticity, and a strategically located aesthetic tool to project universally recognizable images of cultural difference. Rejecting the lesser, subsidiary status ascribed to non-western Orientalisms, Ersoy?s work contributes to recent, post-Saidian directions in the study of cultural representation that resituate the field of Orientalism beyond its polaristic core, recognizing its cross-cultural potential as a polyvalent discourse.


Ottoman Architecture

Ottoman Architecture

Author: Mary Roberts

Publisher: Modern Muslim World

Published: 2023-06-30

Total Pages: 0

ISBN-13: 9781463241704

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"Ottoman Architecture is the first modern history of Ottoman architecture written by Ottomans themselves, yet it is little known outside the field of late Ottoman studies. This magnificently-illustrated volume codifies the empire's architectural history into a series of preliminary stages culminating in the efflorescence of the Ottoman classical tradition in the sixteenth-century"--


Ottoman Women Builders

Ottoman Women Builders

Author: Lucienne Thys-Senocak

Publisher: Routledge

Published: 2017-03-02

Total Pages: 379

ISBN-13: 1351913158

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Examined here is the historical figure and architectural patronage of Hadice Turhan Sultan, the young mother of the Ottoman Sultan Mehmed IV, who for most of the latter half of the seventeenth century shaped the political and cultural agenda of the Ottoman court. Captured in Russia at the age of twelve, she first served the reigning sultan's mother in Istanbul. She gradually rose through the ranks of the Ottoman harem, bore a male child to Sultan Ibrahim, and came to power as a valide sultan, or queen mother, in 1648. It was through her generous patronage of architectural works-including a large mosque, a tomb, a market complex in the city of Istanbul and two fortresses at the entrance to the Dardanelles-that she legitimated her new political authority as a valide and then attempted to support that of her son. Central to this narrative is the question of how architecture was used by an imperial woman of the Ottoman court who, because of customary and religious restrictions, was unable to present her physical self before her subjects' gaze. In lieu of displaying an iconic image of herself, as Queen Elizabeth and Catherine de Medici were able to do, Turhan Sultan expressed her political authority and religious piety through the works of architecture she commissioned. Traditionally historians have portrayed the role of seventeenth-century royal Ottoman women in the politics of the empire as negative and de-stabilizing. But Thys-Senocak, through her examination of these architectural works as concrete expressions of legitimate power and piety, shows the traditional framework to be both sexist and based on an outdated paradigm of decline. Thys-Senocak's research on Hadice Turhan Sultan's two Ottoman fortresses of Seddülbahir and Kumkale improves in a significant way our understanding of early modern fortifications in the eastern Mediterranean region and will spark further research on many of the Ottoman fortifications built in the area. Plans and elevations of the fortresses are published and analysed here for the first time. Based on archival research, including letters written by the queen mother, many of which are published here for the first time, and archaeological fieldwork, her work is also informed by recent theoretical debates in the fields of art history, cultural history and gender studies.